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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
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Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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FURORE MULSANT F. - CONCERTO POUR PICCOLO OP.72 - PICCOLO & PIANO
Flûte traversière
FURORE
/ Partitions classique / Bois / Flûte traversière / FURORE
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Oratoria on words of the bible (Vocal score) (HENSEL FANNY)
Piano, Voice
[Sheet music]
Furore Verlag
Par HENSEL FANNY. ?This oratorio is the third of three church works composed in ...
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Par HENSEL FANNY. ?This oratorio is the third of three church works composed in rapid succession on 1831; its scoring is more abundant than that of the cantatas composed prior to it: there are five- to eight-part choruses and the orchestra is expanded to include three trombones. Once again Fanny Hensel-Mendelssohn looks back in musical history, this time to the pre-Baroque era, and adds a new dimension to her own compositional language by doing so. At times modal harmonies create an ?archaic? atmosphere for the biblical texts. Performance material available on hire. ? / Date parution : 2023-05-06/ Répertoire / Chant et Piano
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Florentine Mulsant: Suite pour Violon op. 50: Violin: Instrumental Work
Violin
Furore Verlag
Suite pour Violon op. 50
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Florentine Mulsant: 24 Préludes Op. 38: Piano: Instrumental Work
Piano solo
Furore Verlag Renate Matthei
24 Préludes Op. 38
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F. Hensel: Andante: Piano: Instrumental Album
Piano solo
Furore Verlag Renate Matthei
Klaviersätze und Notturno Napolitano
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Bonis Mel - Oeuvres Pour Piano Vol.1 - Femmes De Legende
Furore
Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour pia...
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Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Phœbé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. „Femmes de légende“ A collection we have called “Femmes de légende” contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, “Mélisande”, was published separately by Alphonse Leduc in 1898. In 1909, a collection called “Trois pièces pour piano” (Three pieces for the piano), dedicated to the composer Paul Locard and which included “Phœbé”, “Viviane” and “Salomé”, was published by Leduc. In 1913, “Mélisande” was added to the four last pieces for a final collection called “Cinq pièces”. “Omphale” appeared in a Berlin edition “Signale für die musikalische Welt” in 1910. As to “Ophélie”, it was never published in Mel Bonis’ lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. “Ophélie” was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy’s famous opera, Mel Bonis’ piano piece “Mélisande” was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande’s hair as described by Pelleas: “your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.” This piece enjoyed quite a success in Mel Bonis’ lifetime. She noted of it “my favourite” in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare’s “Othello” inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare’s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais – each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the “salon” about it, typical of its time, evoking the fairy’s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy’s power. This piece is easily approachable. Phœbé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer’s part. “Omphale” was awarded a prize for composition by the Berlin magazine “Signale für die musikalische Welt” in 1910.
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Suite Pour Violon Et Piano Op. 114 (1926)
Violin and Piano
Furore Verlag
/ Violon Et Piano
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Amers Pour Piano
Furore Verlag
David Delambre gewidmet. Nach der Lektüre der Verse von Saint John Perse. / Pia...
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David Delambre gewidmet. Nach der Lektüre der Verse von Saint John Perse. / Piano
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8 Pieces Pour Piano
Furore Verlag
'Bei diesen 8 kurzen Stücken handelt es sich um Gegenüberstellungen unterschie...
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'Bei diesen 8 kurzen Stücken handelt es sich um Gegenüberstellungen unterschiedlicher Charaktere: elegisch, schnell und rhythmisch, klangvoll - auch mit nebulösen Harmonien und Clustern wird gespielt. Fließend und expressiv verläuft das musikalische Geschehen.' / Piano
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Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
Piano Trio: piano, violin, cello
Furore Verlag
Instrumentation: piano trio (violin, violoncello and piano) Edition: score and p...
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Instrumentation: piano trio (violin, violoncello and piano) Edition: score and parts editor: Eberhard Mayer Item no.: fue 4160 Difficulty: medium ISMN: 979-0-50012-916-5 Mel Bonis?s music became more and more influenced by a highly refined impressionism over the years. Her work was enriched by new rhythmic innovations and willingly turned towards humour. Surely they belong to the most important chamber music compositions in French Post Romanticism and can greatly enrich today?s concert programmes.
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Mel Bonis - Vol.2, Pieces Pittoresques Et Poetiques A - Piano
Piano solo
Furore Verlag
Pièces pittoresques et poetiques A: 1881-1895 « Cinq pièces musicales »: 1) ...
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Pièces pittoresques et poetiques A: 1881-1895 « Cinq pièces musicales »: 1) Prélude (en mi bémol majeur) op. 10, 2) Gai printemps op. 11, 3) Eglogue op. 12, 4) Aux champs op. 13, 5) Menuet op. 14, Impromptu op. 1, Rondo dans le genre ancien op. 7, Près du ruisseau op. 9, Pensées d?automne op. 19, Berceuse op. 23,1 Die stilistische Vielfalt der Klaviermusik von Mel Bonis, die sich aus der langen Zeitspanne ihrer Entstehung erklärt (1888-1937), vermittelt zudem den Eindruck, als habe sie einen Abriss der Klaviermusik im historischen Wandel zeichnen wollen. Die historischen Reminiszenzen werden dabei durch ihre persönliche Tonsprache in zeitgenössische Klänge verwandelt. Die Universalität und der Wert ihres Klavierwerks bilden eine wichtige Brücke von der Romantik zur französischen Postromantik, und viele ihrer Klavierstücke stellen durch ihren harmonischen Erfindungsreichtum einen bedeutenden Beitrag zur Entwicklung des französischen Impressionismus dar. ?Wie konnte es nur geschehen, dass diese Komponistin bis heute nahezu unbekannt geblieben ist? Beim Durchspielen des vorliegenden Bandes gerät man auf nahezu jeder Seite erneut in Begeisterung über die ausgereifte Qualität und die pure Schönheit dieser Musik. ....? (Piano News 2004)
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Mulsant F. - Quatuor A Cordes N°1 Op.26
String Quartet: 2 violins, viola, cello
Furore Verlag
Mulsant, Florentine String quartet op. 26 Instrumentation: string quartet Editio...
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Mulsant, Florentine String quartet op. 26 Instrumentation: string quartet Edition: score and parts Item no.: fue 4250 Duration: (11'30) Difficulty: medium ISMN: 979-0-50012-925-7
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Mulsant F. - In Jubilo Quatuor Op.22
Clarinet, Violin, Cello, Piano
Furore Verlag
Instrumentation: clarinet, violin, violoncello and piano Edition: score and part...
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Instrumentation: clarinet, violin, violoncello and piano Edition: score and parts Item no.: fue 4450 Year: (1999/2002) Duration: (19') Difficulty: medium ISMN: 979-0-50012-945-5
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Mulsant Florentine - Uno
Furore Verlag
Instrumentation: piano Edition: score Item no.: fue 2930 Year: 1992 Duration: (5...
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Instrumentation: piano Edition: score Item no.: fue 2930 Year: 1992 Duration: (5‘30) Difficulty: advanced ISMN: 979-0-50012-193-0 This is a piece for rather accomplished pianists. There is purposedly a unique theme, which constantly generates its own development. The piece is an ample pianistic variation which unwinds and then gradually narrows down to the end. But colour and harmony dominate the piece, bringing light, contrast, and peace.
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Mulsant Florentine - Sonate De Concert: Corail, Dedale, Passacaille (2003)
Furore Verlag
Instrumentation: violin Edition: score Item no.: fue 4150 Duration: (17’30) Di...
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Instrumentation: violin Edition: score Item no.: fue 4150 Duration: (17’30) Difficulty: medium ISMN: 979-0-50012-915-8 Corail describes the call of the depth that feels the diver, Dédale refers through counterpoints and canons to the labyrinthine world of the city, Passacaille has been written as a tribute to J. S. Bach.
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Mulsant Florentine - Sonate Pour Piano - Hommage A Domenico Scarlatti
Furore Verlag
Instrumentation: piano Edition: score Item no.: fue 2820 Year: 1995 Duration: (5...
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Instrumentation: piano Edition: score Item no.: fue 2820 Year: 1995 Duration: (5'30) Difficulty: advanced ISMN: 979-0-50012-082-7 This piece stricly obeys to the two-parts structure of the Sonata form of the early XVIIth Century All formal elements, like ritornelli, are in place, only the substance of harmony, melody and rhythm have taken liberty: fluid, and with a reference to viennese pointillism.
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Mulsant Florentine - Sonate Pour Alto Et Piano Op.20 (1999)
Viola, Piano
[Score and Parts]
Furore Verlag
Instrumentation: viola and piano Edition: score and parts Item no.: fue 3720 Yea...
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Instrumentation: viola and piano Edition: score and parts Item no.: fue 3720 Year: 1999 Duration: (15'20) Difficulty: medium ISMN: 979-0-50012-872-4 This work pivileges the dialogue between the two instruments although each expresses also separately.
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Mulsant Florentine - Cinq Pieces Pour Piano
Furore Verlag
Instrumentation: piano Edition: score Item no.: fue 2950 Year: 1997 Duration: (3...
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Instrumentation: piano Edition: score Item no.: fue 2950 Year: 1997 Duration: (3'30) Difficulty: easy to medium ISMN: 979-0-50012-195-4 Written for children, these five pieces are more widely for beginners. They are of varying design and short duration. They display at turns melody, humour, playfulness, cheerfulness - they are a reflect of childhood.
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Mulsant Florentine - Passacaille Pour Piano Op.29
Piano solo
[Sheet music]
Furore Verlag
Instrumentation: piano Edition: score Item no.: fue 4280 Year: 2004 Duration: (8...
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Instrumentation: piano Edition: score Item no.: fue 4280 Year: 2004 Duration: (8'20) Difficulty: medium ISMN: 979-0-50012-928-8 The great pianist Lise de la Salle is very successful with this concert piece, which is dedicated to her.
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Mulsant Florentine - Sonate Pour Violoncelle & Piano Op.25
Furore Verlag
Instrumentation: piano and violoncello Edition: score and parts Item no.: fue 49...
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Instrumentation: piano and violoncello Edition: score and parts Item no.: fue 4900 Year: 2001 Duration: (16') Difficulty: medium ISMN: 979-0-50012-990-5 Written in a climate of solitude and meditation from January till February 2001 this Sonata is made of four movements.
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