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Cello, Piano
G. Henle
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
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CORNET
DIDGERIDOO
DJ GEAR
DRUM
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Richard Strauss: Sonate F-dur Opus 6 für Violoncello und Klavier: Cello and
Cello, Piano
G. Henle
Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet ...
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Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss? early ?uvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, ?My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.?
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Gabriel Fauré: Élégie Op.24 For Violoncello And Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of ...
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?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so successful that Faur? was urged by the publisher to write further pieces. Theconductor ??douard Colonne commissioned a version of the ??l?gie for orchestra in 1895 which was premi?red two years later. As usual our Urtext edition contains both a marked and an unmarked solo part.
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Camille Saint-Saëns: Violoncello Concerto No.1 In A Minor Op.33: Cello:
Cello, Piano
G. Henle
Klavierauszug-The A-Minor Concerto is a true gem in the repertoire of great Cell...
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Klavierauszug-The A-Minor Concerto is a true gem in the repertoire of great Cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. JohannesUmbreit has revised the composer's highly playable Piano reduction to suit the needs of today's performers.
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Johann Sebastian Bach: Sonatas for Viola da Gamba and Harpsichord: Cello:
Cello, Piano
G. Henle
A superb collection for Viola da Gamba or Violoncello with Piano accompaniment. ...
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A superb collection for Viola da Gamba or Violoncello with Piano accompaniment. Set as part of the ABRSM Cello Syllabus.
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Frédéric Chopin: Polonaise Brilliante Op.3 / Duo Concertant: Cello: Instrumental
Cello, Piano
G. Henle
An authoritative urtext edition of Chopin's Polonaise Brilliante Op.3 and his Du...
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An authoritative urtext edition of Chopin's Polonaise Brilliante Op.3 and his Duo Concertant for Cello and Piano edited by Ernst-Gunter Heinemann.
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Antonín Dvo?ák: Rondo Fur Violoncello Und Klavier Op. 94: Cello: Instrumental
Cello, Piano
-
Easy
G. Henle
Though only a minor pendant to the great Cello Concerto Anton n Dvorák?s Rondo...
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Though only a minor pendant to the great Cello Concerto Anton n Dvorák?s Rondo Op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorákcomposed it in December 1891 shortly before leaving for America and he gave the work its première performance on 3 January 1892 with his friend the cellist Hanus Wihan during his farewell concert tour. To produce this urtextedition Milan Posp sil consulted the autograph score and first edition not only for the Piano version but also for the orchestral version of October 1893.
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Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73: Cello:
Cello, Piano
[Sheet music]
G. Henle
The circumstances in which these poetic ?Soirée Pieces? (thus their original ti...
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The circumstances in which these poetic ?Soirée Pieces? (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to fleewith Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet they were accompanied byalternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.
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Johannes Brahms: Sonata For Cello & Piano In F Major: Cello: Instrumental Work
Français
Cello, Piano
G. Henle
Sonata for Piano and Violoncello in F major op. 99-Les sonates pour violoncelle ...
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Sonata for Piano and Violoncello in F major op. 99-Les sonates pour violoncelle de Brahms comptent peut-être parmi les plus belles pages jamais écrites pour cet instrument. La parution de ces deux pièces dans la nouvelle édition complète des ?uvres de Brahms est l?occasion pour nous de publier une nouvelle édition Urtext de la Sonate en Fa majeur. Comptant parmi les «classiques» de notre catalogue (jusqu?à présent HN 19) celle-ci est nouvellement gravée d?après les derniers résultats de la recherche et enrichie par des informations détaillées de Johannes Behr sur la genèse et le travail éditorial. La partie de piano et celle de violoncelle sont doigtées. Une partie de violoncelle sans doigtés est également jointe.
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Beethoven L.v. - Variations For Piano And Violoncello
Cello, Piano
G. Henle
Compositeur : Beethoven, Ludwig van Instrumentation : Violoncello and Piano Edit...
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Compositeur : Beethoven, Ludwig van Instrumentation : Violoncello and Piano Editeur Musicologique : Zimmermann, Ewald Couverture Reliée Contenu : 12 Variations on Ein Mädchen oder Weibchen from Mozart's Zauberflöte F major op. 66 12 Variations on a theme from Händel's Oratorio Judas Maccabäus G major WoO 45 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Zauberflöte E flat major WoO 46 Les variations sur un thème plaisant, puisé le plus souvent dans les opéras contemporains, étaient des plus populaires à la fin du XVIIIe. Le jeune Beethoven lui aussi apporte sa contribution à ce genre. On ignore si le compositeur est parti d’une occasion concrète pour la composition de ses trois cycles de Variations pour violoncelle et piano: elles utilisent deux thèmes de la «Flûte enchantée» de Mozart et un thème de l’oratorio «Judas Maccabée» de Haendel. Le nombre de réimpressions effectuées à l’époque donne une idée de la grande popularité dont elles ont joui dès le début. Notre révision se base sur les nouvelles données apportées par le commentaire critique de l’édition complète des œuvres de Beethoven (parution en 2008).
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Benedetto Marcello: Sonata No. 1 F Major: Cello and Accomp.: Instrumental Work
Cello, Piano
G. Henle
The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Mar...
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The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello?s name are to the present day firmly established in the cello repertoire. Although Marcello?s authorship is not undisputed ? by this time, the composer had already specialised in sacred works ? the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist ? and thus the optimal provisions for a class recital!
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Mendelssohn F. - Romance Sans Paroles Op.109 - Violoncelle and Piano
Cello, Piano
G. Henle
Romance sans paroles op. 109 Editeur: Ernst-Günter Heinemann Doigtés: Klaus S...
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Romance sans paroles op. 109 Editeur: Ernst-Günter Heinemann Doigtés: Klaus Schilde Doigtés vc.: Claus Kanngiesser Edition Urtext, reliure paperback Pages: 17 (VI, 5, 3, 3), Dimension 23,5 x 31,0 cm N° d'article HN 1294 · ISMN 979-0-2018-1294-6 La «Romance sans paroles dédiée à Mlle. Lise Christiani» ? intitulé figurant sur l?autographe conservé ? ne fut publiée qu?en 1868 à partir des archives du compositeur sous le numéro d?opus 109. La violoncelliste française Lise Christiani donna en octobre 1845 plusieurs concerts à Leipzig; elle y rencontra Mendelssohn et passa probablement commande de la composition de cette pièce charmante. Il s?agit de la seule «Romance sans paroles» que Mendelssohn n?a pas écrite pour piano seul mais pour deux instruments. Jusqu?alors uniquement disponible dans le recueil HN 669 avec d?autres compositions pour cette formation, nous proposons désormais cette «Romance sans paroles» si appréciée des violoncellistes en édition séparée Urtext.
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Brahms J. - Sonata E Minor Op.38 - Violoncelle Et Piano
Cello, Piano
G. Henle
E minor - revised edition - with marked and unmarked string part - cello and pia...
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E minor - revised edition - with marked and unmarked string part - cello and piano fingering: Kanngiesser, Claus fingering: Schilde, Klaus editor: Behr, Johannes editor: Voss, Egon
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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Robert Schumann: Adagio und Allegro op. 70 für Klavier und Horn: Cello:
Cello, Piano
G. Henle
Version for Violoncello-Schumann Adagio & Allegro Op70 Cello Version (Herttrich)...
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Version for Violoncello-Schumann Adagio & Allegro Op70 Cello Version (Herttrich) Pf/Vlc Urt Pb
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Johann Nepomuk Hummel: Potpourri (Fantasie) op. 95: Orchestra: Instrumental Work
Cello, Piano
G. Henle
für Violoncello und Orchester-For Cello with Piano accompaniment.
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Gabriel Fauré: Sicilienne Op.78: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
G. Henle
Sicilienne for Violoncello and Piano op. 78-This composition for violoncello and...
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Sicilienne for Violoncello and Piano op. 78-This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré?s middle creative period and was first published simultaneously in France and England in 1898 reflecting Fauré?s increasinginternational popularity. The character piece with its memorable expressive melody became increasingly popular after Fauré had included it in the Suite from his incidental music of Pelléas et Mélisande (in a version fororchestra) that was also premiered in 1898.
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Camille Saint-Saëns: Romances - Horn And Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
Version for Violoncello-Camille Saint-Saëns composed his two Romances for Horn ...
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Version for Violoncello-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words?. Alongside the orchestral version Saint-Saëns also prepareda piano accompaniment for chamber music performances. The first editions even also had an alternative part for Violoncello on which?this edition is based.
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Ludwig van Beethoven: Variations For Piano & Violoncello Urtext: Cello:
Cello, Piano
[Sheet music]
G. Henle
Beethoven Variations For Piano & Violoncello Pf/Vlc Bk Urtext
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Ludwig van Beethoven: Werke für Violoncello und Klavier: Cello: Score
Cello, Piano
G. Henle
Works For Violoncello And Piano Book 2
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Ludwig van Beethoven: Werke für Violoncello und Klavier: Cello: Score
Cello, Piano
G. Henle
Works For Violoncello And Piano Book 2
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Ludwig van Beethoven: Violoncello Sonata A Major Op. 69: Cello: Instrumental
Cello, Piano
G. Henle
Violoncello Sonata A Major Op. 69
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Ludwig van Beethoven: Violoncello Sonata F Major Op. 5 No. 1: Cello:
Cello, Piano
G. Henle
Violoncello Sonata F Major Op. 5 No. 1
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Ludwig van Beethoven: Violoncello Sonata C Major Op. 102 No. 1: Cello:
Cello, Piano
G. Henle
Violoncello Sonata C Major Op. 102 No. 1
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Ludwig van Beethoven: Violoncello Sonata D Major Op. 102 No. 2: Cello:
Cello, Piano
G. Henle
Violoncello Sonata D Major Op. 102 No. 2
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Chanson de Nuit - Chanson de Matin Opus 15 (ELGAR EDWARD)
Cello, Piano
[Sheet music]
G. Henle
Par ELGAR EDWARD. / Date parution : 2022-10-12/ Répertoire / Violoncelle et Pi...
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Par ELGAR EDWARD. / Date parution : 2022-10-12/ Répertoire / Violoncelle et Piano
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Sonata op. 2 for Violoncello and Piano (KISSIN EVGENY)
Cello, Piano
G. Henle
Par KISSIN EVGENY. with marked and unmarked string parts/ Répertoire / Violonce...
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Par KISSIN EVGENY. with marked and unmarked string parts/ Répertoire / Violoncelle et Piano
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Introduction Et Rondo Capriccioso Op. 28 For Violin And Orchestra (SAINT-SAENS CAMILLE)
Cello, Piano
G. Henle
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / ...
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Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / Répertoire / Violon et Piano
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Violoncello Concerto in b minor op. 104 (DVORAK ANTONIN)
Cello, Piano
G. Henle
Par DVORAK ANTONIN. with marked and unmarked string part/ Répertoire / Violonce...
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Par DVORAK ANTONIN. with marked and unmarked string part/ Répertoire / Violoncelle et Piano
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Schumann R - Funf Stucke Im Volkston Op. 102 - Violoncelle & Piano
Cello, Piano
G. Henle
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