An assortment of mouth-watering melodies arranged for flute and piano. Dip into this great selection of tasty treats from Toffee Tango Fudge Fandango and Minty Minuet. Suitable for grades 2-4.

Paul Harris' Clowns is an inspiring collection of seven easy pieces for the young flautist. With Piano accompaniment.

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.        Edward Gregson

This bumper collection contains over 40 pieces composed and arranged for flute and piano spanning five centuries of music featuring a wealth of repertoire from the Baroque Classical and Romantic periods plus 10 original twentieth century pieces commissioned especially for this book.Compiled by Trevor Wye to increase flute players' enjoyment and knowledge of music from different eras whilst also developing tone and technique. Book includes solo flute parts.Covering Associated Board Grade 1-5 standard.

The Flute Concerto in D and the Andante in C written by Mozart in 1778 are two of the most popular works for the flute. This new edition edited by Trevor Wye follows earliest known sources and the flute part is considered an authoratative Urtext edition. Detailed performance suggestions are included with particular guidance to the ornaments and cadenzas.

Includes 'Three Romances Op. 94' 'Tramerei Op. 15 No. 7' and 'Two Pieces In Folk-Song Style Op. 102' arranged for flute with piano accompaniment by Trevor Wye.

Simple and approachable new pieces for flute and piano by six distinguished composers including Dodgson Horovitz Cooke Ridout plus two solo pieces by Robert Dick which introduce easy multiphonics.

This CD contains all the numbered pieces in A Beginner's Book For The Flute Part Two (numbers 43-72). Each piece is played complete followed by a four second pause then the piano accompaniment only preceded by a lead-in of the appropriate number of metronome beats. Performed by Trevor Wye and Clifford Benson (piano).

A splendid collection of pieces by Romantic French composer Gabriel Faure that demonstrates his wonderful gift for imaginitive and beautiful melodies. Ten terrific arrangements by Trevor Wye for two Flutes and Piano accompaniment. There is a wide range of music here with some of Faure's best-loved pieces including Pavane Sicilienne and Cantique De Jean Racine arranged for two flutes and piano.

Summer Music by Richard Rodney Bennett is aimed towards the more advanced Flautist from grade 5-7. The work is in 3 movements: Summer Music Siesta Games.Add some Summer cheer into your concert programme with this delightful work for Flute and Piano - it is guaranteed to impress!

'A fragment of the main theme came to me one day during a visit to Switzerland in August 2004. I filed it away in my memory and developed it into a piece when I got home. The 'bluesy' harmony in the fourth bar of the theme suggested that the piece should be called Valse Bleue.' Angela Morley was born in Leeds Yorkshire England in 1924. She was a professional woodwind player in her teens and twenties and at twenty-six after studying harmony counterpoint and composition with Matyas Seiber and conducting with Walter Goehr gave up playing and embarked on a career as an arranger and composer.