This work was commissioned by the Presteigne Festival of Music and the Arts Ltd. with theaid of funds provided by the John S. Cohen Foundation and the PRS Foundation. The firstperformance was given by Rachel Nicholls and Paul Plummer at St. Andrew’s Church Presteigne on 29 August 2005.Composer's NoteGladestry Quatrains is a setting of 12 short poems by Jo Shapcott from her collection of the same title. It originated in a project for the 2003 Presteigne Festival called A Garland for Presteigne in which 10 composers associated with the Festival were asked to write a short song each celebrating the Welsh border country the choice of poetryranged widely and I chose two of Jo Shapcott’s evocative miniatures (still adding up to slightly less than the timing I had been requested to provide!). As I wrote them I started to make sketches for some more settings from the same collection and the Presteigne Festival of Music and the Arts very kindly commissioned this new larger song-cycle proper for their 2005 Festival. The original pair of poems form the third (Gwaithla Brook) and last (Cefn Hir) of the songs in which the eighth combines two poems Burl Hill and Newchurch. Throughout I have been aware of the sights and sounds of nature the character of the landscape and the sense of history and timelessness of this beautiful part of the world as reflected in Jo Shapcott’s poetry as well as (I hope) the wit and directness of her expression. The whole work though it has eleven songs still lasts only about 20 minutes the concision of the texts and the need to find musical equivalents to this was an important part of the concept of the piece.        John McCabe 2005

Arthur Bliss 'Angels Of The Mind' arranged for Soprano and Piano.Bliss had wanted to set some of Kathleen Raine???s poems for a long time but seeming to him as delicate as flowers or shells he didn't want to spoil their fragile beauty. In 1964 he was invited to collaborate with this poet.During Cambidge University's 500th year of the music degree. He composed a Cantata The Golden to her works which emboldened him to choose seven poems from her collected words written during the years from 1935 to 1949 and this forms the Song Cycle.

This work was written in 1971. The text is derived from the Latin Requiem Mass treated as a kind of sacred poem rather than a liturgical text and the order of sections is much altered. The work derives principally from the opening piano harmonies and the soprano's initial melodic lines - the latter which have an affinity (not least in rhythmic accentuation) with certain aspects of plainchant combine with the piano chords and embellishments to produce a serial reservoir of material is used fairly strictly even in seemingly freer sections. The form is arch-like the opening material returning substantially altered at the end with as the work's centre a scherzo-likeSanctus introduced and punctuated by chords derived in lay-out from bell sounds. The work was written in memory of Alan Rawsthorne and Sir John Barbirolli and was first performed at the Wigmore Hall in 1979 by Jane Manning and Richard Rodney Bennett.

This vocal score for Patrick Hawes' 2013 work Prayer To A Guardian Angel is for Soprano with Piano accompaniment.

Songs For A Winter's Evening to poems by Robert Burns. Arranged for soprano and piano. Duration 21 minutes.

Written for the soprano Laura Wright this is an arrangement of the traditional folk song The Ash Grove.The Ash Grove by Patrick Hawes is from the album The Last Rose which went to No. 1 in the classical charts.

With words from Robert Burns and Music by Thea Musgrave A Winter's Morning was written for Dennis Stevenson.