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Teach Yourself Bluegrass (STATMAN)
Mandolin
[Sheet music]
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Par STATMAN. Apprenez le Bluegrass authentique à la mandoline grâce à cet ens...
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Par STATMAN. Apprenez le Bluegrass authentique à la mandoline grâce à cet ensemble livre plus CD. Le livre offre des explications claires sur les techniques de jeu et le CD contient les versions audio des exemples du livre et les playbacks pour plusieurs chansons. / Méthode en anglais / Méthode / Mandoline Tablatures
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Banjo Bluegrass Complete Player
Banjo
[Sheet music]
OK
Apprendre à jouer du banjo 5 cordes en mode bluegrass authentique. Ce guide d'i...
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Apprendre à jouer du banjo 5 cordes en mode bluegrass authentique. Ce guide d'instructions définitif vous emmène de débutants jusqu'à performer poli. Comprend le texte facile à suivre et des photographies de démonstration réaliste. / Banjo
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Fred Sokolow: Instant 5-String Banjo: Banjo: Instrumental Tutor
Banjo
[Sheet music]
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Fred Sokolov. Shows you all you need to know in order to start playing this enjo...
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Fred Sokolov. Shows you all you need to know in order to start playing this enjoyable instrument. Simple explanations backed up by superb photographs.
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Bluegrass Mandolin
Mandolin
[Sheet music]
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Jack Tottle. Apprendre la musique de Bill Monroe, Bobby Osbourne, Jesse McReynol...
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Jack Tottle. Apprendre la musique de Bill Monroe, Bobby Osbourne, Jesse McReynolds, Frank Wakefield et John Duffy. Couvre tout, de simples bases de doigté de fantaisie. / Mandoline
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Barrelhouse And Boogie
[Sheet music]
OK
Eric Kriss. Apprendre le blues de style piano de transcriptions complètes, plus...
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Eric Kriss. Apprendre le blues de style piano de transcriptions complètes, plus un record de solos originales de 22 grands du piano : Jelly Roll Morton, Memphis Slim, Meade Lux Lewis et plus encore. / Piano
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MS/332 PUPITRE ORCHESTRE EN BOIS
Quiklok
Caractristiques : Catgorie : pupitreColoris : NoirDestination : orchestreHauteu...
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Caractristiques : Catgorie : pupitreColoris : NoirDestination : orchestreHauteur : 9401450 mmMatriau : boisacierPliable : OuiPoids (kg) : 4,10 kgRglable en hauteur : OuiSupport : solSpecs complmentaires :Largeur du support de partition : 560 mmHauteur du support de partition : 360 mmProfondeur du support de partition : 60 mmDiamtre du trpied : 720 mm / Pupitres / Quiklok
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a sympho...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a symphonic composer, Bruckner wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Colors of Unity (DOSS THOMAS)
Concert band
[Score]
Oktavian Music
Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Eu...
(+)
Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Euroregion unites the three provinces of Tyrol, South Tyrol and Trentino into a prosperous and successful union. People, points of view, interests and opportunities are to be joined together here in a harmonious future. For this part of Europe, our fanfare will be a signal that can be heard from far and wide. / Date parution : 2023-06-01/ Répertoire / Concert Band/Harmonie
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14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
[Score]
Oktavian Music
Anton Bruckner (18241896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckn...
(+)
Anton Bruckner (18241896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Colors of Unity (DOSS THOMAS)
Concert band
[Score and Parts]
Oktavian Music
Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Eu...
(+)
Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Euroregion unites the three provinces of Tyrol, South Tyrol and Trentino into a prosperous and successful union. People, points of view, interests and opportunities are to be joined together here in a harmonious future. For this part of Europe, our fanfare will be a signal that can be heard from far and wide. / Date parution : 2023-06-01/ Répertoire / Concert Band/Harmonie
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The Stone Guardians (DOSS THOMAS)
Concert band
[Score]
Oktavian Music
The Three Peaks - Die 3 Zinnen. Par DOSS THOMAS. The Three Peaks (Italian: Tre C...
(+)
The Three Peaks - Die 3 Zinnen. Par DOSS THOMAS. The Three Peaks (Italian: Tre Cime di Lavaredo) are a prominent massif in the Dolomites on the border between the Italian provinces of Belluno in the south and South Tyrol in the north. The imposing rock formations formed over 200 million years ago and represent one of the most recognizable landmarks of the Dolomites and South Tyrol (I). Due to their exceptional beauty, the Dolomites with the Three Peaks are dignified as a UNESCO World Heritage Site since 2009. The ?call? of the Three Peaks attracts numerous visitors every year, who will experience an unforgettable and impressive spectacle of changing colors from cool gray to glowing red. The Three Peaks tower over the eventful contemporary history of Tyrol and South Tyrol like stone guardians. / Date parution : 2022-11-29/ Répertoire / Concert Band/Harmonie
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The Stone Guardians (DOSS THOMAS)
Concert band
[Score and Parts]
Oktavian Music
The Three Peaks - Die 3 Zinnen. Par DOSS THOMAS. The Three Peaks (Italian: Tre C...
(+)
The Three Peaks - Die 3 Zinnen. Par DOSS THOMAS. The Three Peaks (Italian: Tre Cime di Lavaredo) are a prominent massif in the Dolomites on the border between the Italian provinces of Belluno in the south and South Tyrol in the north. The imposing rock formations formed over 200 million years ago and represent one of the most recognizable landmarks of the Dolomites and South Tyrol (I). Due to their exceptional beauty, the Dolomites with the Three Peaks are dignified as a UNESCO World Heritage Site since 2009. The ?call? of the Three Peaks attracts numerous visitors every year, who will experience an unforgettable and impressive spectacle of changing colors from cool gray to glowing red. The Three Peaks tower over the eventful contemporary history of Tyrol and South Tyrol like stone guardians. / Date parution : 2022-11-29/ Répertoire / Concert Band/Harmonie
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Solo Para Ti (DOSS THOMAS)
Concert Band/Harmonie et Corne de Bugle
[Score]
Oktavian Music
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a cal...
(+)
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Bläservereinigung Albachten 1921 in honor of its conductor Philip Watts. / Date parution : 2022-01-18/ Répertoire / Concert Band/Harmonie et Corne de Bugle
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Solo Para Ti (DOSS THOMAS)
Concert Band/Harmonie et Corne de Bugle
[Score and Parts]
Oktavian Music
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a cal...
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Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Bläservereinigung Albachten 1921 in honor of its conductor Philip Watts. / Date parution : 2022-01-18/ Répertoire / Concert Band/Harmonie et Corne de Bugle
105.87 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
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2 sellers
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Thomas Doss: Stratos: Concert Band: Score & Parts
Concert band
[Score and Parts]
Oktavian Music
Concert March
95.99 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
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