Flexible Duets In Jingle-Chris Gumbley (performer teacher and TV jingle composer) has written these nine 'Game Show' style jingles with flexibility in mind. The duets in this book may be played by 2 flutes or flute and Bb clarinet (see preface). Also: a saxophone book is available for any combination of saxophones which when combined with this book provide jingle style jazz duets for all sorts of permutations: flute and alto sax. tenor sax and clarinet etc.Grade: 3 - 6

7 Flute Duos-A feast of melodies from the operas of Verdi Gluck Berlioz and more - some well-known some neglected gems - all skilfully arranged with plenty of interest in both parts.

Flute Friction is a series of flute duets in three books aimed at flautists from grade 1 to 8. 15 Flute duets. 10 Flute Trios.In this first book in the series ten flute trios are also included which teachers will find particularly profitable when working with small groups although the main emphasis in this series is on the interaction between two players similar in standard. In many cases each part is given equal importance so it is the ease with which players can shift from pole position to a more supporting role and back again that poses the principle challenge. Elsewhere the spoils are slightly less equitably carved up and again teachers willquickly gauge for themselves which pieces best suit the abilities and personalities of their students. If teachers can get their students to learn both parts in each piece then in a sense the books immediately double in value!I like to think of these pieces as being useful from a number of viewpoints and would suggest using them in a variety of ways not exclusively as light relief at the end of lessons. Duets are an excellent way of improving sight-reading to be sure as well as building confidence and assertiveness. But at least as importantly they nurture that most underestimated of skills listening without which musical accomplishment is doomed to certain failure. If the teacher is limited in pianistic ability then duets offer a much needed chance for students to play in a small ensemble setting which is the first stage to being able to 'hold a line' in a wind band or orchestra.Above all perhaps the sheer joy of being part of a 'winning team' can hardly be overestimated; played well a duet is greater than the sum of its parts and may well have the potential to please in a concert setting. The business of matching intonation is of course especially important in duets and similarly taking breaths in suitable places is critical to the way an audience understands the overall musical texture.Balance

Grades 6 - 8-Flute Frictions is a series of flute duets in three books aimed at flautists from grade 1 to 8. Volume 3 includes 14 Flute duets for Grades 6-8.