Arrangement: Hirsh Alan. Par HIRSH ALAN. Cette collection de neuf des arrangements hymn facile est parfaite pour l'ensemble de guitare de début. Chaque hymne est organisé en 5 parties. Chaque partie est conçu pour un autre niveau de difficulté (guitare I est le plus difficile, guitare II et IV de la guitare sont intermédiaires, guitare III est la partie la plus facile et guitare v est ajustée pour d faible tout au long de). Le pointage et séparer les parties inclus. Sélections comprennent les normes de vacances pour toute l'année, comme le Christ, le Seigneur A atteint aujourd'hui, la grêle le jour que voit lui Rise, nous rassembler ensemble, est de regarder des personnes et d'autres. / Niveau : Débutant à Intermédiaire / Christmas - Ensemble / Recueil / Ensemble de Guitares Classiques

Jazz Ensemble Library – Grade 4One of the highlights from Miles Davis' landmark recording “Birth of the Cool” is this medium swing composition by Gerry Mulligan. Skillfully adapted for full jazz ensemblefrom the original this arrangement features solos for trumpet and baritone sax (opt. tenor) as well as stellar ensemble writing. A classic!

Grade 1.5This enduring standard by Hoagy Carmichael continues to sound fresh year after year. The notable recording by Ray Charles with it's lush harmonies and bluesy ballad style is hinted at in this easy setting for jazzensemble. The short solos for trumpet sax and trombone may also be played as section features. Great for developing balances and ensemble playing. Dur: 1:45

Bridges And Paths for Chamber Ensemble was composed by Søren Nils Eichberg in 2012. Commissioned by the Danish Chamber Players (Storstrøms Kammerensemble). Parts are for hire: hire@ewh.dk

Made famous by the Modern Jazz Quartet this medium swinger is a great addition to the literature for young jazz players. Mark's chart opens with a small group of 2 saxes trumpet trombone and guitar but the full ensemblequickly gets in the game. The blues format makes it easy for anyone to solo and there's a nice full ensemble “send off” at the beginning of the solo section. This is a great example of quality writing for youngplayers.

Junior Just Brass No. 16-Edited by Philip Jones and Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.Junior titles have been specifically chosen and edited for young players. The pieces are scored for four or five playersand in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instruments required.Available here are Four Spirituals arranged for Brass Ensembleby Colin Asher.

Richard Reed Parry's Quartet For Heart And Breath for mixed Ensemble.Quartet for Heart And Breath was commissioned for Kronos Quartet by the 2009 MusicNOW Festival. The mixedEnsemble arrangement was premiered by yMusic.Instrumentation: Flute Clarinet in Bb Trumpet in Bb Violin Viola Violoncello and Double Bass (optional).'This piece is based around the idea of using the widelyvarying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing rates of the players are used in alternation with the individual performers? heartrates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately with little or no vibrato so as to be able to hear their heartbeats adequately.This in combination with thenatural variance between the different heart rates results in a kind of delicate musical ?pointillism?: starts and stops which are somewhat staggered parts which repeatedly line up and fall out ofsync with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.The performers wear stethoscopes positioned over their hearts so that each can follow his orher own heart rate. Two eighth notes/quavers correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato and irregular rhythm they hear. When instructed to ?play to breath? the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to make it metronomic. For wind players this means that the phrase isextended to encompass the whole of their natural breath without straining to hold for as long as possible. When one instrument is designated the leader their breath will determine the starts of phrases and the procession from

Clarinettensembles No5. Par SCIORTINO PATRICE. CONDUCTEUR ET PARTIES / Niveau : Confirmé / CONTEMPORAIN / Répertoire / Ensemble de Clarinettes

Junior Just Brass No. 19-Score and Parts for David S. Morgan's Miscellany Two edited by Philip Jones & Elgar Howarth for the Junior Just Brass series. The Just Brass series is regarded by brass players worldwide as the most important brassensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have beenspecifically chosen and edited for young players. The pieces are scored for four or five players and in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility ininstruments required.

Recorded by the Mingus Big Band on the CD Que Viva Mingus! this stellar Steve Slagle arrangement takes the band through an extended modal format while always swingin! With a unique blend of group improvisation fullensemble passages andsolo space for trombone tenor sax and trumpet this medium tempo chart is another standout from this iconic contemporary big band.

Soundless Coast-Costa Muda (Soundless Coast) was commissioned by the Casa da Música Foundation. First performed on the 26th February 2013 at the Sala Suggia/CdM by the Matosinhos Jazz Orchestra conducted by Pedro Guedes to accompany the projection of the film ?O Naufrágio do Veronese? (Invicta Filme Portugal January 1913.5'30'; for ensemble2 Alto Sax (1st = Soprano Sax; 2nd = Flute) 2 Tenor Saxophones (1st = Bass Clar) 1 Baritone Sax (= Bass Clar)4 Trumpets in Bb (1st = Flugelhorn) 3 Trombones 1 Bass Trombone Guitar Piano Double Bass Drums

This catchy tune first recorded back in the '60s continues to be recorded by a wide variety of artists decades after it was written. Here is an excellent version for young bands in a medium Latin/rock style. Includes solid fullensemble writing as well as a sax soli and trumpet solo.

Trombone Section Feature-When the trombone section gets a chance to speak its usually with a touch of attitude and style. This sassy shuffle tune in a moderately slow tempo gives them a great opportunity to take the spotlight. Includes a flexible solo section and some niceensemble sections as well.