Arrangeur: Vykki Mende Gray. Par HALL KENNY. Depuis les années 1960, ici est un extraordinaire renouveau de la musique old-time string band en Californie et en effet tout au long de l'Ouest américain. Bien que né aveugle, Kenny Hall a été un pilier de nombreux festivals de violon et de la Renaissance occidentale de violon et string band en général. Le style musical de Kenny est énergique et passionnée. Ce livre est un guide utile à son vaste répertoire appris au cours des ans d'écoute attentive. C'est aussi un merveilleux ajout à Bibliorom du violoneux et un hommage à un homme qui, pour beaucoup, un aspirant fiddler, a été un ami, guide, exemplar et mécène. Bon nombre des airs comprend les paroles de non-sens que Kenny utilisé pour lui aider à se souvenir de la mélodie, et chaque morceau est accompagnée de commentaires de Kenny. Le livre est divisé en cinq chapitres : violon-basé tunes (Fiddle Faddle), basée à la mandoline tunes (chiffons, balises et Wags), Valse, tunes d'une origine autre qu'aux Etats-Unis ou les îles britanniques (randonnées pédestres de Kenny) - et axée sur le chant des morceaux a d... / Niveau : Débutant / Old Time - Tune Book / Recueil / Violon et Mandoline

Par SPRINGSTEEN BRUCE. Partitions guitare (solfège et tablatures) de l'album 'We shall Overcome' de Bruce Springsteen. / Rép International / Tablatures / Guitare Tablatures

Generalbass und historische Improvisation – 50 Stücke von Ballard, Byrd, Phalèse, Playford bis Irish Folk (Level 1) mit sehr leichten Generalbassstimmen für 2 und mehr Spieler. Ideal für Sessions mit historischer Improvisation, als Übungsstücke für Generalbassanfänger und für Schülerensembles. Level 1 übt im Generalbass die leere Quinte, Grundakkord, Quartsextakkord, Ziffern auf Orgelpunkt, Bordun, Pendelbass, Orgelpunkt, parallele Akkorde, Dominante/Tonika-Verbindungen. 104 S.
Level 1: B. c. „sehr leicht“
Ebenso erhätlich:
Level 2: B. c. „leicht“ - EW1151
Level 3: B. c. „leicht fortgeschritten“ - EW1161

„Eine großartige, sehr empfehlenswerte Sammlung einfacher Stücke, die im Unterricht – aber beispielsweise auch in der persönlichen „jam session“ mit Gleichgesinnten – unbändige Musizierfreude verspricht.!“ SINGENDE KIRCHE (Österreich), 2/2021
„Generalbass lernen einmal ganz anders: keine Regeln oder Zahlen, keine Trockenübungen oder strengen Anmerkungen. Stattdessen eine ansprechende Musik-Literatur sowie eine Gruppe von Mitmusizierenden, die man begleitet und die zum Improvisieren aufgefordert ist.“ ÜBEN & MUSIZIEREN, 04/2021
„Durch den wirklich grundlegenden Beginn und der Unterteilung der Stücke in drei Level ist es möglich, sich das Generalbassspiel und die damit verbundene Improvisation progressiv, selbst mit nur wenig instrumentalen Vorkenntnissen, anzueignen.“ Neue Musikzeitung NMZ 09/21, 04/2021
„Mandelartz’ pädagogischer Ansatz zur Improvisation ist bemerkenswert. Ihre Sammlung lädt an vielen Stellen explizit ein, selbstständig Melodien zu erfinden. Dabei geht sie methodisch sehr geschickt vor … Greensleeves and Pudding Pies kann auf mehreren Ebenen den heutigen Instrumentalunterricht bereichern.“ ESTA-NACHRICHTEN, 10/2021
/ Méthodes et pédagogie / Méthodes et traités / Tous instruments / WALHALL

Songs Of The British Music Hall presents sheet music for 50 Songs from the British Music Halls in melody line lyrics and chord arrangements.Includes old favourites such as: My Old Man (Said Follow TheVan); It's A Bit Of A Ruin That Cromwell Knocked About A Bit; Daisy Bell (A Bicycle Made For Two). All songs are accompanied by insightful commentaries and analysis.Also featured is an extensive history of the BritishMusic Hall focusing on individual songs and performers and the personalities that populated this fascinating genre. Written by Graham Vickers.

Here is the one you've been waiting for! Legendary pianist/composer Mark Hayes has compiled the best of his best into an amazing potpourri of praise that will become an indispensable addition to your sacred library. All of Mark'samazing versatility is here ? from jazzy contemporary songs to classic hymn settings from virtuosic concert pieces to meditative worship moments that will thrill the soul and melt the heart. Don't miss this best-sellingtreasury of one of America's most celebrated arrangers. Highly recommended!Contents: Tribute to America ? Savior like a Shepherd Lead Us ? Sing We Now of Christmas ? Masters in This Hall ? His Eye Ison the Sparrow ? Amazing Grace ? Nobody Knows the Trouble I've Seen/All Day All Night ? Once to Every Man and Nation ? It Is Well with My Soul ? Higher Ground ? Jesus Keep Me Near the Cross ?Simple Gifts ? I Need Thee Every Hour ? Joshua Fit the Battle of Jericho ? Shall We Gather at the River/Near to the Heart of God ? Praise to the Lord the Almighty ? Silent Night ? Be Thou My Vision.

Bj?rnstjerne Bj?rnson influen?a profond?ment la litt?rature norv?gienne du XIX?me si?cle. En 1872 Grieg ?crivit une musique de sc?ne pour la nouvelle pi?ce de th??tre de son ami intitul?e Sigurd Jorsalfar (??Sigurd le crois???). La musique comporte huit pi?ces dont deux chorals. En 1892 Grieg remaniait trois de ces pi?ces qu?il faisait publier un an apr?s sous forme de suite s?par?e Op. 56. La premi?re pi?ce Pr?lude : dans le hall du roi (In The King?sHall) d?veloppe un th?me solennel qui chemine vers des m?lodies plus intimistes auxquelles les bois apportent une coloration nostalgique.

Händel, Georg Friedrich The King shall rejoice HWV 260 Coronation Anthem Edition no. BA 10259-90 ISMN 9790006562220 Volume / Series BÄRENREITER URTEXT Editor Blaut, Stephan Arranger Köhs, Andreas Language(s) of work English Language(s) of text German, English Product format Vocal score, Urtext edition Binding Stapled Pages / Format V, 32 S. - 27,0 x 19,2 cm Handel Coronation Anthems in Urtext editions for the first time ?Zadok the Priest?(BA 10258) and ?The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king?s anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from ?Zadok the Priest? have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the ?Halle Handel Edition?. ? Bilingual Forewords (Ger/Eng) ? Idiomatic piano reductions ? Based on the Halle Handel Edition

Six Movements For Wind Quintet-The original title for this composition was Eight Pieces for Wind Quintet. They received their first performance given by the New Music Group of Scotland (the commissioners) at the Reid Hall Edinburgh on 23 April 1991. Hallgrimsson then rewrote these pieces integrated them into four substantial movements and renamed the work 'Intarsia' a term borrowed from knitting when integrating patterns and colours.

Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale

Handel Coronation Anthems in Urtext editions for the first time “Zadok the Priest”(BA 10258) and “The King shall rejoice”(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from “Zadok the Priest” have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the “Halle Handel Edition”. • Bilingual Forewords (Ger/Eng) • Idiomatic piano reductions • Based on the Halle Handel Edition

Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale

Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale