Par PURCELL HENRY. A compilation of the music composed for and played at the funeral of Queen Mary in Westminster Abbey on March 5th 1695. Edited and reconstructed by Bruce Wood. / Rép Classique / Répertoire / Chant et Piano

Sept pièces merveilleuses du grand compositeur anglais, Henry Purcell. / Orgue / Partition

Bryan Hesford a habilement transcrit et arrangé cette pièce par Purcell pour tous les organistes peuvent en profiter. / Orgue / niveau : Elémentaire / Recueil

Les airs de trompette et de volontaires ont été écrites pour l'instrument n'est pas en laiton, la trompette, mais pour la 'trompette' ensemble de tuyaux à l'orgue. Ces tuyaux cuivrée roseaux ont été utilisés pour joyeux, airs rythmés. Purcell, considéré comme l'un des plus grands de tous les compositeurs anglais, était lui-même organiste à l'abbaye de Westminster à Londres. Cette version pour trompette et piano est idéal pour une utilisation dans les services de mariage. / Trompette Et Orgue / niveau : Elémentaire / Recueil

Oeuvres de Mozart, Charpentier, Bach, Purcell ainsi que des morceaux traditionnels. / Flûte Et Piano / niveau : Facile / Partition + Cd

based on the march from Henry Purcell's 'Music for the funeral of Queen Mary II'. Par DE HAAN JAN. Based On The March From Henry Purcell'S 'Music For The Funeral Of Queen Mary Ii' / Niveau : 3.5 / Pièce de concert / Date parution : 1905-07-09/ Répertoire / Brass Band

based on the march from Henry Purcell's 'Music for the funeral of Queen Mary II'. Par DE HAAN JAN. Based On The March From Henry Purcell'S 'Music For The Funeral Of Queen Mary Ii' / Niveau : 3.5 / Pièce de concert / Date parution : 1905-07-09/ Répertoire / Concert Band ou Harmonie

based on the march from Henry Purcell's Music for the funeral of Queen Mary II. Par DE HAAN JAN. Based On The March From Henry Purcell'S Music For The Funeral Of Queen Mary Ii / Niveau : 3.5 / Pièce de concert / Date parution : 1905-07-09/ Répertoire / Brass Band

80 pièces pour piano du répertoire baroque, des compositeurs tels que J.S. Bach, Couperin, Handel, Purcell, et Scarlatti. Comprend notamment : les deux suites françaises et le Concerto italien de J.S. Bach, les seize sonates de Scarlatti, et bien d'autres. / Piano

Cette anthologie contient des pièces de compositeurs dix-septième et dix-huitième siècles dans une variété de styles différents. Le répertoire comprend des oeuvres de compositeurs majeurs tels que Telemann, Purcell et Corelli comme compositeurs bien que moins connus, y compris, entre autres, Babell, Delalande, van Eyck, Fischer, Locke et Luidhens. Cette collection est idéale pour les enseignants d'enregistreur recherchant répertoire supplémentaire pour leur pratique d'enseignement ainsi que développer des joueurs qui cherchent à étendre leur répertoire et pour utilisation dans les concerts de centre scolaire ou de la musique. / Flûte A Bec Soprano Et Piano (Guitare Ad Libitum)

Suite Nach Henry Purcell, F. Str.Quart. Od. Str.Orch.. Par TAKACS JENO. 2Vl Va Vc (Strorch)/ Répertoire / Orchestre

Par PURCELL HENRY. This delightful string trio is straightforward technically, and will be fun to play for student and amateur alike. The ?Sonatas of III Parts by Henry Purcell? were first published in 1683. A facsimile of the first edition was published in 1975. This arrangement follows the facsimile faithfully, simply writing out the first violin and cello parts of the trio sonata, with the second violin part transposed down an octave in places to suit the viola. This edition follows Purcell's original text without the dynamics and bowing that later editors added. Scholars generally agree that in Purcell's time players decided themselves how to make the music expressive by using bowing and dynamics according to their tastes. / Date parution : 2022-03-16/ Répertoire / Violon, Alto ou Violon et Violoncelle

Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre