Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

A Tribute to Reverend Gary Davis-British journalist and writer Robert Tilling lovingly compiled this touching tribute to the great American Guitar genius Reverend Gary Davis. His enthusiasm for the Reverend's powerful music startedafter seeing him on his first UK concert tour in 1964.Reverend Gary Davis (1896-1972) was an African American blues and gospel singer and guitarist. His fingerpicking style was extremely influential; hisstudents in New York City in the 1960s included Stefan Grossman Roy Bookbinder Woody Mann and Ernie Hawkins. Davis' musical influence extends throughout modern American music from theGrateful Dead and Bob Dylan to Keb Mo and Olabelle. Chapters in this revised and updated biography include a detailed Chronology Discography Concert and Record Reviews quotations contributions from musicians and admirers as well as over 100 photographs.

Kleine Orgelmesse. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solo S, Choeur SATB, 2 Violons, Violoncelle ou Con

Kleine Orgelmesse. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solo S, Choeur SATB, 2 Violons, Violoncelle ou Con

Kleine Orgelmesse. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solo S, Choeur SATB, 2 Violons, Violoncelle ou Con

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical 'Annus qui' in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgicalattitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). / Messe / Répertoire / Solistes SS, Choeur SATB, 2 Violons, Violoncelle o

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical 'Annus qui' in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgicalattitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). / Messe / Répertoire / Solistes SS, Choeur SATB, 2 Violons, Violoncelle o

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical 'Annus qui' in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgicalattitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). / Messe / Répertoire / Solistes SS, Choeur SATB, 2 Violons, Violoncelle o

The Rolling Stones - Under Review 1962-1966 is a 90 minute film reviewing the music and career of one of rock music's true giants during their formative years. The Stones are unquestionably one of the most influential bands theworld has ever known; this film acknowledges and reinforces this fact while revealing insight anecdote and opinion not previously considered. Features include rare musical performances many never before available on DVD obscurefootage rare interviews and private photographs of and with band members live and studio recordings of Stones classics including Satisfaction The Last Time Not Fade Away Little Red Rooster Come On and many others.

Par OASIS. The Oasis For Easy Guitar Tab book enables you to learn the guitar licks and chords by one of Britain's biggest bands! These simplified tab arrangements of melodies from 18 classic Oasis hits are closer to the original recordings than chord songbooks, yet allow developing guitarist to play their favourite songs. This revised edition has been updated to include The Hindu Times and Little By Little as well as classic like Cigarettes and Alcohol, Don't Look Back In Anger and Stand By Me . All the songs are arranged here as easy-to-read guitar tablature and standard notation, complete with guitar chord boxes and lyrics. / Niveau : Assez Facile / Rép International / Tablatures / Guitare Tablatures

Cette série présente pour la première fois la Revue-Opern complete, une collection de 38 fantasmes pour guitare solo qui comprennent certains des thèmes d'opéra plus aimés du monde. Habilement arrangé par le guitariste virtuose et compositeur j. k. Mertz, Opern-Revue représente une des collections plus large du genre du XIXe siècle. La présente édition fournit des reproductions fac-similé de l'original Haslinger premières éditions, ce qui permet du guitariste accès direct aux partitions publiées dans le temps du Mertz. Opern-Revue fournit le guitariste modern avec un vaste répertoire de oeuvres de concert basé sur la musique de Bellini, Donizetti, Giuseppe Verdi, Weber, Giacomo Meyerbeer, Rossini et beaucoup d'autres. Wagner et Offenbach, deux compositeurs moins fréquent dans la musique de guitare du XIXe siècle, sont représentées dans les arrangements par plusieurs des successeurs de Mertz. La série de la DGA éditions Opern-Revue commémore l'anniversaire bicentenaire de j. k. Mertz avec ces volumes. / Guitare Classique

Kleine Credomesse. Par MOZART WOLFGANG AMADEUS. Im Sommer 1774 schrieb Mozart in unmittelbarer zeitlicher Nachbarschaft zwei Messen, die Missa brevis in F KV 192 und die Missa brevis in D KV 194. Beiden Kompositionen eigen ist eine jeweils mehr oder weniger stark ausgeprägte Neigung zur kontrapunktischen Schreibweise. Dabei versucht Mozart die althergebrachten polyphonen Techniken mit einer modernen Tonsprache zu verbinden. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons et Basse Con

Kleine Credomesse. Par MOZART WOLFGANG AMADEUS. Im Sommer 1774 schrieb Mozart in unmittelbarer zeitlicher Nachbarschaft zwei Messen, die Missa brevis in F KV 192 und die Missa brevis in D KV 194. Beiden Kompositionen eigen ist eine jeweils mehr oder weniger stark ausgeprägte Neigung zur kontrapunktischen Schreibweise. Dabei versucht Mozart die althergebrachten polyphonen Techniken mit einer modernen Tonsprache zu verbinden. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons et Basse Con

Kleine Credomesse. Par MOZART WOLFGANG AMADEUS. Im Sommer 1774 schrieb Mozart in unmittelbarer zeitlicher Nachbarschaft zwei Messen, die Missa brevis in F KV 192 und die Missa brevis in D KV 194. Beiden Kompositionen eigen ist eine jeweils mehr oder weniger stark ausgeprägte Neigung zur kontrapunktischen Schreibweise. Dabei versucht Mozart die althergebrachten polyphonen Techniken mit einer modernen Tonsprache zu verbinden. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons et Basse Con

Kleine Credomesse. Par MOZART WOLFGANG AMADEUS. Im Sommer 1774 schrieb Mozart in unmittelbarer zeitlicher Nachbarschaft zwei Messen, die Missa brevis in F KV 192 und die Missa brevis in D KV 194. Beiden Kompositionen eigen ist eine jeweils mehr oder weniger stark ausgeprägte Neigung zur kontrapunktischen Schreibweise. Dabei versucht Mozart die althergebrachten polyphonen Techniken mit einer modernen Tonsprache zu verbinden. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons et Basse Con