Nouveau transcriptions de cantates de Bach airs de niveau intermédiaire à violoncellistes de niveau avancé. Autres instruments clef de fa comme le basson, trombone, cor français, tuba, clarinette basse et peut-être trouver ce livre utile. / 2 Violoncelles / 64 pages / niveau : Intermédiaire / Avancé / Partition

Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

This separate edition of the first suite for Cello solo by Johann Sebastian Bach contains the musical text of the well-regarded Wiener Urtext edition with all six Cello suites of Bach by Ulrich Leisinger. Thanks to new findings Leisinger managed to re-evaluate the sources which did not leave the structure of the musical text and the associated delicate problem of the slurs untouched. His re-evaluation gave reasons for a stronger freedom from the manuscript copy of Anna Magdalena Bach which had always been cited as main source until then despite its being very unreliable with regard to the articulation; thus the new edition leads to moreconvincing solutions. This separate edition is the perfect starting point to study Bach's suites for Cello solo in class and provides amateurs with a technically accessible masterpiece in Cello literature.

Par BACH. Source of the cello suites composed c. 1720 in Cöthen is the manuscript of Anna Magdalena Bach which, according to certain scholars, is supposed to be in Bach's own hand. The editorial additions to the present volume by Ede Banda, professor at the Academy of Music of Budapest, founding member of the Tátrai String Quartet are based on the editor's experiences as performing artist and teacher for nearly fifty years and on the development of the cello technique which took place in the field of fingering and ligatures in the meantime. The trilingual preface of the practical edition provides the performer with innumerable useful and concrete advice concerning bowing sings, fingering, dynamics, chords, trills, tempo, character and phrasing./ Répertoire / Violoncelle

Well known pieces from the notebooks by Johann Sebastian Bach for Anna Magdalena Bach; and by Leopold Mozart for Wolfgang Amadeus Mozart. Arranged for beginners on the cello in the first position. All of the pieces have been selected and arranged by Alfred H. Bartles. The flexible arrangements allow all of the pieces to be played either as Cello solo Cello duet or Cello with Piano accompaniment.

Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards new at the time, and with his interpretation and warm, singing tone he helped even little, improbable compositions achieve great effectiveness. By means of his interpretative art he rescued Bach's Cello Suites from oblivion, and he occupied himself with them throughout his life, fascinating his public with his renditions of these suites over and over in new ways./ Répertoire / Violoncelle

Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Spanish composer Leonardo Balada dresses Bach's melodies in musical finery that examines thematic variation shifting tonal centers sharply contrasting timbres and instrumental balance. Described as 'a work in continual nervous motion full of contrasting interlocking speeds and rhythm' by the New York Times this advanced work for Cello and Piano is an exploration of both Bach and of the two instruments. Leonardo Balada serves as University Professor of Composition at Carnegie Mellon University.

Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Philipp Emanuel Bach youngest son of J.S. Bach. We can't recommend this gorgeous work enough - filled with beautiful opportunities for the soloist and a magnificent accompaniment. No baroque enthusiast will want to miss out on this rewarding work. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Festival Orchestra

Schirmer's Library of Musical Classics Vol. 2053-Bach's celebrated Sonatas originally written for the Viola De Gamba are presented here in highly authoritative editions for Cello. Based upon Bernard Greenhouse's own performance editions and recordings this book represents aspecial opportunity to rediscover these wonderful Sonatas with the Cello. Contains Sonatas Bwv.1027 1028 and 1029.

The purpose of these transcriptions in the first position is to enable the young violoncello pupil to play and enjoy Bach after one year or less of instruction.Bach's Suites for Solo Violincello and Sonatas for Violoncelloand Piano are so difficult technically that years of practice are required before a student can attempt to play them.It is hoped that these pieces will prove to be a useful addition to the limited repertoire of thebeginning cellist.

Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing. This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bach’s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources./ Répertoire / Violoncelle