Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, 219, 261, 269 (261a), 373 Based on the Urtext of the ?New Mozart Edition?, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available. This new edition will replace the following study scores: Concerto for Violin and Orchestra no. 1 K. 207, TP 270 Concerto for Violin and Orchestra no. 2 K. 211, TP 271 These study scores will continue to be available: Concerto for Violin and Orchestra no. 3 K. 216, TP 272 Concerto for Violin and Orchestra no. 4 K. 218, TP 273 Concerto for Violin and Orchestra no. 5 K. 219, TP 20 Edition no.: TP 325 ISMN: 9790006205349 Editor: Mahling, Christoph-Hellmut Language(s) of text: German, English Product format: Study score, Anthology, Urtext edition Binding: Paperback Pages / Format: XXII, 303 S. - 22,5 x 16,5 cm

Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.

A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.

Circus Comes To Town-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. This full set of 21 parts contains: 12 Violins (three for each seperate rank) two 1st and 2nd Violas two Cello 1 and Cello 2 and Double Bass.

The Symphony No.1 in C Major (Op. 21) was first performed in 1800 and published in 1801. It is scored in four movements: Adagio molto Allegro con brio; Andante cantabile con moto; Menuetto: Allegro moltoe vivace; Adagio Allegro molto e vivace.Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguably the most famous composer of all time. He was the last great figure of the Classicalera and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies 5 Piano Concertos 1 Violin Concerto 32 Piano Sonatas and 16 String Quartets.

These 21 symphonies composed by Mozart between 1764 and 1771 are astonishing displays of his precocious genius. Reproduced from the authoritative Breitkopf and Hartel Complete Works Edition they abound in the qualities that characterise his finest works - melodic richness musical invention and a much imitated but unsurpassed grace.

Mozart, Wolfgang Amadeus Concerto for Violin and Orchestra no. 5 A major K. 219 Details Edition no.: TP 20 ISMN: 9790006200184 Editor: Mahling, Christoph-Hellmut Language(s) of text: English, German Product format: Study score, Urtext edition Binding: Stapled Pages / Format: X, 60 S. - 22,5 x 16,5 cm

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949. Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.