SKU: AP.12-0571542832
ISBN 9780571542833. English.
This edition of Improve your sight-reading! Trombone (Bass Clef) Grades 1-5 has been revised to support the ABRSM syllabus from 2023. It also includes online audio of the 'going solo' pieces for students to check their performances against. All exercises in this book are in the bass clef.The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills and improve confidence. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.
SKU: UM.19962
ISBN 9790224419962.
SKU: UM.18521
ISBN 9790224418521.
SKU: CY.CC2937
ISBN 9790530057568.
Having written over five hundred choral works, Salvation is Created, written in 1914, is perhaps Pavel Chesnokov's most famous. Yet ironically, it was one of his very last sacred works before he was forced to secular composition by the new Soviet government.This beautiful arrangement by James Tranquilla of iTromboni brings together a beautiful communion hymn based on Kievan chant with an added homage to Rimsky-Korsakov's great Russian Easter Overture solo.About 4 minutes in length, this work is appropriate for advanced performers.
SKU: CY.CC5003
ISBN 9781774310663. 8.5 x 11 in inches.
Having written over five hundred choral works, Salvation is Created, written in 1914, is perhaps Pavel Chesnokov's most famous. Yet ironically, it was one of his very last sacred works before he was forced to secular composition by the new Soviet government. This beautiful arrangement by James Tranquilla of iTromboni brings together a beautiful communion hymn based on Kievan chant with an added homage to Rimsky-Korsakov's great Russian Easter Overture solo. About 4 minutes in length, this work is appropriate for advanced performers.
SKU: CF.W2687
ISBN 9781491150955. UPC: 680160908455. 9x12 inches.
This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.
