SKU: UT.CH-335
ISBN 9790215326538. 9 x 12 inches.
The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition. Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.
SKU: PR.144404050
UPC: 680160030187.
Adapted from 5 DIVERTIMENTIE.439b for 2 clarinets & bassoon, this unforced, idiomatic arrangement by Frederick Hand is a splendid addition to the flute/guitar repertoire. About 19 1/2 min. For college, conservatory, professional, amateur. Medium.
SKU: DZ.DZ-3366
ISBN 9782897952839.
SKU: UT.CH-180
ISBN 9790215321113. 9 x 12 inches.
SKU: PR.114413270
UPC: 680160594801. 8.5 x 11 inches.
Originally, it took four to tango. Dorff's sultry, slinky tango began life as a quartet (available for string quartet, string quintet, string orchestra, or for quartets of clarinets, bassoons, saxophones). This piece breaks beyond that restriction to become an enjoyable trio. Although arranged for Allen Krantz in this version, the technical demands do not require the skill level of Allen Krantz to pull it off. It Takes Four to Tango is now simply a delightful dance for two.
SKU: AP.36-M140391
ISBN 9798888529713. English.
The Variazioni di Bravura is a version for violin and guitar (or piano) of Niccolò Paganini's (1782-1840) most famous work, Caprice, Op. 1, No. 24. Reprint of guitarist Erwin Schwarz-Reiflingen's (1891-1964) edition. Includes separate parts for the violin, the guitar and the piano.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-M139591
ISBN 9798888529737. UPC: 659359734151. English.
Niccolò Paganini's (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Paganini kept both his love for the guitar and the noblewoman secret, and these twelve sonatas were written for more intimate settings rather than the larger public performances we often associate with Paganini's virtuosity. Reprint of guitarist Erwin Schwarz-Reiflingen's (1891-1964) edition. Both Op. 2 and Op. 3 are available from the publisher.