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Bizet
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Bizet's Dream: DVD
Devine Entertainment Corporation
Composers Specials Series-Twelve-year-old Michelle Marin doesnt like her piano t...
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Composers Specials Series-Twelve-year-old Michelle Marin doesnt like her piano teacher. Monsieur Bizet is irritable forgetful aloof – distracted by a failing marriage and the rigors of composing his new opera. But as the composer begins to tellMichelle the story ofthe gypsy Carmen her imagination is captured. For just as in Bizets opera her soldier father is stationed in Seville...and she fears he will never return. Set in Paris in 1875 Bizets Dream is thestory of an unusual friendship between twopeople who share the ability to feel life deeply and a beautifully filmed testament to the power of music to set those feelings free. Formatted with English Spanish and French languages.53 minutes.
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Andante (BIZET GEORGES)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
from Roma-Suite. Par BIZET GEORGES. Georges Bizet tat sich schwer mit der Suite ...
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from Roma-Suite. Par BIZET GEORGES. Georges Bizet tat sich schwer mit der Suite Roma :er komponierte nicht weniger als acht Jahre daran. Der Titel ist auf ungewöhnliche Art entstanden. Roma wird von einem sehr pastoral anmutenden Andante eröffnet, welches - zusammen mit einem Allegro Agitato - den ersten Satz von Bizets Komposition bildet. Wil van der Beek hat zum Andante eine wunderschöne Bearbeitung für Blasorchester geschrieben, die bei Musikern und auch beim Publikum gleichermaßen Anklang finden wird. / Niveau : 3 / Musique pour célébration / Répertoire / Concert Band ou Harmonie
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La Terre Promise
Voice solo
Schott
Petr ?ajkovskij besaß nicht nur französische Wurzeln. Von Kindheit an wuchs er...
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Petr ?ajkovskij besaß nicht nur französische Wurzeln. Von Kindheit an wuchs er in engem Kontakt zur französischen Kultur auf, die ihn zeitlebens fesseln sollte. Der Komponist hielt sich immer wieder in Paris auf, machte Bekanntschaft mit den Größen des dortigen Musiklebens und träumte davon, eine Oper für die französischen Bühnen zu komponieren. Der Band rekonstruiert neben diesen biographischen Aspekten die französische ?ajkovskij-Rezeption zwischen 1877 und 1900 mit ihren verschiedenen Stationen, Protagonisten und ästhetischen Positionen. Es wird gezeigt, wie die anfänglich begeisterte Aufnahme des Komponisten in den französisch-russischen Salons der 1880er Jahre in eine Ablehnung umschlägt, die das stereotype Bild vom Trivialmusiker ?ajkovskij vorwegnimmt. In ?ajkovskijs Oeuvre hat der Bezug zu Frankreich gleichwohl deutliche Spuren hinterlassen. Dargestellt wird eine ganz Gruppe von Kompositionen, die für französische Interpreten oder Auftraggeber geschaffen wurden. Einen Schlüssel zum Verständnis von ?ajkovskijs Musik bietet auch seine Auseinandersetzung mit französischer Musik von Hector Berlioz über Georges Bizet bis zu Camille Saint-Saëns. Anhand der französischen Musikzitate, die in seinen Werken immer wieder begegnen, kann schließlich ?ajkovskij Umgang mit fremder Musik und die Herausbildung einer hybriden musikalischen Sprache analysiert werden. / Voix
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Georges Bizet: George Bizet Classics: Piano: Instrumental Work
Piano solo
Fentone Music
Five of Bizets best-loved pieces have been skillfully simplified and arranged fo...
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Five of Bizets best-loved pieces have been skillfully simplified and arranged for piano.
9.99 GBP - Sold by Musicroom UK
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Carmen
Tenor voice, Piano
Schott
Ob Laie oder Profi - beliebte Arien des Don José (Tenor) aus George Bizets ?Car...
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Ob Laie oder Profi - beliebte Arien des Don José (Tenor) aus George Bizets ?Carmen' jetzt auch in der kritischen Studienausgabe mit originalem Klavierauszug: übersichtliche Gestaltung mit singbarer deutscher Übersetzung des Textes für ein besseres Rollenverständnis. / Tenor Et Piano
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Carmen
Soprano voice, Piano
Schott
Ob Laie oder Profi - beliebte Arien der Micaëla (Sopran) aus George Bizets ?Car...
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Ob Laie oder Profi - beliebte Arien der Micaëla (Sopran) aus George Bizets ?Carmen' jetzt auch in der kritischen Studienausgabe mit originalem Klavierauszug: übersichtliche Gestaltung mit singbarer deutscher Übersetzung des Textes für ein besseres Rollenverständnis. / Soprano Et Piano
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Georges Bizet: Carmen: Voice: Vocal Score
[Vocal Score]
Barenreiter
Georges BizetCarmenOpera in three actsCritical new edition with the recitatives ...
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Georges BizetCarmenOpera in three actsCritical new edition with the recitatives later composed by Ernest GuiraudFull score (AE129) and vocal score (AE129-90) available for salePerformance material availale for hire AE129-72
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Georges Bizet: Habanera - Das Promenadenkonzert: Orchestra: Score
Orchestra
[Score]
Peer Musik Verlag
Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht au...
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Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht aus den schönsten klassischen Meisterwerken reizvoll arrangiert für kleines Orchester in der Besetzung: 1./2. Klarinette in Bb Alt-Saxophon in Eb Klavier Percussion 1./2. Violine Cello Bass Hier Georges Bizets Habanera (aus 'Carmen') - arrangiert für kleines Orchester. Partitur.
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Carmen
Baritone voice, Piano
Schott
Ob Laie oder Profi - beliebte Arien für Bariton aus George Bizets ?Carmen' jetz...
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Ob Laie oder Profi - beliebte Arien für Bariton aus George Bizets ?Carmen' jetzt auch in der kritischen Studienausgabe mit originalem Klavierauszug: übersichtliche Gestaltung mit singbarer deutscher Übersetzung des Textes für ein besseres Rollenverständnis. / Baryton Et Piano
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Georges Bizet: The Metropolitan Opera Presents: Carmen: Mixed Choir and Accomp.:
Amadeus Press
Libretto Background and Photos-A riveting story of fatal attraction between a ...
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Libretto Background and Photos-A riveting story of fatal attraction between a beguiling strong-willed gypsy and a naïve but passionate soldier who falls under her spell Georges Bizets Carmen pulses with seduction obsession and deadly betrayal. It was reviled at its Parispremiere where its realism and perceived amorality proved shocking but it became one of the most popular and highly regarded operas of all time. Arguably the greatest musical product of Frances enduring fascination with Spain Carmen features manynumbers that are now almost universally familiar including the seductive Habanera and the boastful but infectious Toreador Song. Don José is an idealistic young corporal in 1820s Seville when he encounters the gypsy Carmen who is irresistible toall men - seemingly except José who loves the innocent country girl Micaëla. But soon enough Carmen works her wiles on him to escape imprisonment and a later twist of ever-looming fate forces him to completely abandon the world he knows and followCarmen into a life of crime. When the bullfighter Escamillo wins Carmens affections Don Josés explosive jealousy clashes with Carmens resolve to remain true to herself leading to one of operas fiercest confrontations and most unforgettableconclusions.
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Georges Bizet: Arlesienne Suite 2: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet g...
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The première of Daudet's play L'Arlésienne with incidental music by Bizet given at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet however did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
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Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Orchestre
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
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Georges Bizet: L'Arlésienne Suite No. 1: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet a...
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The première of Daudet's play L'Arlésienne with incidental music by Bizet at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus before his death in June 1875 Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
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Bizet Georges - L'arlesienne Suite No. 1 - Orchestra
Eulenburg
Instrumentation : Orchestra Version : study score Description : The première o...
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Instrumentation : Orchestra Version : study score Description : The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, at the Théâtre du Vaudeville on 3 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 1 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus, before his death in June 1875, Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since. Contenu : Preface - Editorial Notes - Vorwort - Revisionsbericht - Préface - Notes éditoriales - Textual Notes - Orchestration/Orchesterbesetzung/Instrumentation - I. Prélude - II. Minuetto - III. Adagietto - IV. Carillon Nombre de pages : 100 Collection : Eulenburg Miniature Scores Format : ETP small
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Bizet Georges - Jeux D'enfants - Piano Duet
Piano solo
Alfred Publishing
Jeux d'enfants, Bizet's last and finest piano work, is one of the gems of piano ...
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Jeux d'enfants, Bizet's last and finest piano work, is one of the gems of piano duet literature. These 12 colorful pieces describe various children's activities. This edition, based on the first edition and the autograph, includes editorial fingering and pedal markings that are clearly differentiated from Bizet's minimal indications. Interesting historical information on Bizet and his music is also included.
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Georges Bizet: L'Arlesienne Suites Nos. 1 And 2: Orchestra: Score
Orchestra
Dover Publications
L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental ...
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L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental music. For Suite No. 1 Bizet chose four sections from the original score of 27 episodes extensively modifying and rescoring the music in the process. The pieces for Suite No. 2 were selected and reorchestrated by Bizet's close friend Ernest Guiraud following the composer's death in 1875. Reproduced here from the authoritative Breitkopf & Härtel editions they will delight musicians and music lovers. Reprinted from the Breitkopf & Härtel Wiesbaden Germany n.d. editions.
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Georges Bizet: Farandole: Wind Ensemble: Score & Parts
De Haske Publications
from L'Arlesienne Suite No. 2-Le titre de L'Arlésienne désigne plusieurs œ...
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from L'Arlesienne Suite No. 2-Le titre de L'Arlésienne désigne plusieurs œuvres musicales de Georges Bizet : une musique de scène et deux suites d'orchestre dont seule la première est réellement de sa main. La célèbre Farandole est extraite de la Suite d'orchestre n° 2 publiée en 1879 quatre ans après la mort de Bizet. Pour composer la Farandole Bizet a puisé son inspiration dans les couleurs ensoleillées et vitaminées des traditions provençales.Part 1 Fl Htb Cl. Si♭/Mi♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes
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Georges Bizet: Carmen Suite: Guitar Solo: Instrumental Album
Guitar
Classical guitar
Mel Bay
Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it...
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Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it would be impossible to arrange the music of Georges Bizet?s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar?s expansive palette of tone color gives it the ability to emulate ?a miniature orchestra?. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet?s Carmen?Aragonaise, Habanera, Seguidillas, and Danse Bohéme?as well as Carmen?s sober ?Chant de la Mort?. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui?s Carmen Suite, ??the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.? ? Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina
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Georges Bizet: Three Pieces From Carmen And L'Arlesienne: Flute: Instrumental
Flute and Piano
[Sheet music]
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Intermediate
Zimmermann
The opera Carmen after a short story by Prosper Merimee and the incidental mus...
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The opera Carmen after a short story by Prosper Merimee and the incidental music to the play L'Arlesienne by Alphonse Daudet are without doubt the most important works of Bizet. It is significant for him that his imagination was aroused most by literary subjects of high standing. In spite of failure at their first performances both works became worldwide successes continuing to the present day.The three extracts selected here all of them pieces complete within the larger framework are a testimony to the fact that the brilliant orchestrator Bizet had a special predilection for the flute.This is a wonderful selection ofextracts from Bizet's two great works Carmen and the L'Alesienne Suite No.2 which have been skilfully arranged for Flute with Piano Accompaniment by Werner Richter.The solo flute part is also included on a separate insert.
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Carmen
Français
Opera
Kalmus
'Carmen' est un opéra en quatre actes du compositeur français Georges Bizet. L...
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'Carmen' est un opéra en quatre actes du compositeur français Georges Bizet. L'opéra, qui est devenu le plus célèbre oeuvre de Bizet, a été réalisée à l'Opéra-Comique à Paris, le 3 Mars 1875, et n'était pas à la première particulièrement réussie- sa course initiale étendu à 36 représentations. Avant cette course a été conclu, Bizet est mort subitement, et donc ne savait rien de célébrité plus tard l'opéra. C'est le Choeur de l'oeuvre, avec des textes français et anglais, et sans accompagnement notée. 79 pages, 7 de 8 ½ pouces. / Opéra
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The French Collection
Piano solo
[Sheet music]
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Intermediate/advanced
Chester
Compilation de 43 ?uvres Classique de compositeurs français pour piano so...
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Compilation de 43 ?uvres Classique de compositeurs français pour piano solo.' Livre de 160 pages.' ?uvres françaises du 17ème au 20ème siècles avec des compositeurs tels que Ravel, Debussy ou encore Bizet.' / Variétés / Partition /
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Adolphe Sax Album (PROST NICOLAS)
Français
Saxophone and Piano
[Sheet music]
Lemoine, Henry
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846...
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Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur 'la Quena', leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. / classique / Répertoire / Saxophone et Piano
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Easy Bizet Piano Duets: Piano Duet: Instrumental Album
1 Piano, 4 hands
[Sheet music + CD]
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Easy
Spartan Press
Bizet's famous opera Carmen was controversial when it was first performed in Par...
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Bizet's famous opera Carmen was controversial when it was first performed in Paris in 1875. It is a tale of lawlessness murder and immorality. The naive soldier Don José is seduced by the fiery gypsy Carmen and deserts from the army only to see Carmen desert him for the glamorous toreador Escamillo.Bizet died suddenly soon after the first 'luke warm' run of performances. Little did he know it would become acclaimed world wide for the next 130 years!The three best tunes from Carmen including 'Toreador's Song'. The optional companion CD allows for each movement to be practised separately (and slowly) before putting the wholething together - ideally in the company of another human!
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Romance De Nadir Extrait Des Pécheurs De Perles (BIZET GEORGES)
Flûte Traversière et Clarinette en Sib et Piano
[Score and Parts]
-
Intermediate
FLEX Editions
Arrgt: Laetitia Bouvet. Par BIZET GEORGES. Formation : Musique de Chambre, Trio ...
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Arrgt: Laetitia Bouvet. Par BIZET GEORGES. Formation : Musique de Chambre, Trio - Instrumentation : 1 Flûte Traversière 1 Clarinette Sib 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 05 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georges BIZET - Arrangeur : Laetitia BOUVET / Niveau : Intermédiaire / Classique / Répertoire / Flûte Traversière et Clarinette en Sib et Piano
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Habanera - Extrait De Carmen (BIZET GEORGES)
Flûte à Bec Solo
[Sheet music]
-
Intermediate
FLEX Editions
Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - I...
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Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - Instrumentation : 1 Flûte à Bec Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 30 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Georges BIZET - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Flûte à Bec Solo
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Romance - Extrait Des Pécheurs De Perles (BIZET GEORGES)
Violoncelle Solo
[Sheet music]
-
Intermediate
FLEX Editions
Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - I...
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Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - Instrumentation : 1 Violoncelle Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Georges BIZET - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Violoncelle Solo
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Habanera - Extrait De Carmen (BIZET GEORGES)
Tuba Solo
[Sheet music]
-
Intermediate
FLEX Editions
Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - I...
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Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - Instrumentation : 1 Tuba Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 30 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Georges BIZET - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Tuba Solo
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