Transcriptions For Guitar By G.Marazza. Par GERSHWIN GEORGE. / Répertoire / Guitare

This book presents nine original guitar solos written for the six-string guitar by jazz guitarist George Van Eps. His arrangements and chord symbols illustrate advanced harmonic melodic concepts. In standard notation and tablature with carefully annotated fingerings and pick direction indications. Includes access to an online audio recording of Charles Chapman performing each Van Eps solo.

Par BOULESTREAU GEORGES. Ce train fut, paraît-il en retard? Mais la musique endiablée de cette pièce montrerait qu?il a sans doute rapidement rattrapé le temps perdu ! Commençant par un prélude déclamé par deux clarinettes, le train démarre effectivement très lentement puis accélère Vivace et emporte avec lui les voyageurs dans un tourbillon sans fin. Une pièce plutôt facile qui convient tout à fait aux petits orchestres d?harmonie. Parties séparées: 2 flûtes Hautbois 2 clarinettes (2 obligées) 2 saxophones alto Saxophone ténor Saxophone baryton (basse en mi bémol) 2 trompettes Trombone Basse en ut (clé de sol) Basse en ut (clé de fa : basson, contrebasse) Basse en si bémol (clé de fa) Basse en si bémol (clé de sol) Basse en mi bémol (clé de sol) Clavier Grosse caisse Batterie Deux conducteurs sont présentés : ? un conducteur abrégé réduit sur 3 pages, ? un conducteur complet déployé sur 10 pages. / Date parution : 2016-04-01/ Répertoire / Petite orchestre d'harmonie

Par BOULESTREAU GEORGES. Cinq pièces faciles inspirées d’airs traditionnels klezmers, et qui donneront l’occasion aux musiciens d’aborder ce répertoire très particulier en quatuor d’intruments à vent : clarinettes, flûte, hautbois, basson ou violoncelle. / Date parution : 2016-11-15/ Recueil / 4 Instruments à Vent

Gregory Stone has transcribed these three selected preludes for one piano-four hands. For much of his life George Gershwin sought to integrate the worlds of jazz and classical music. These pieces are not jazz improvisations but they do show something of the style of his own playing. Gershwin had intended to compose a set of twelve a sort of jazz Wohltemperierte Clavier but his unexpected death from a brain tumour at the age of 38 prevented this. At least seven survive (others may have ended up as songs) and this set of three as published form a satisfying unit. The first opens with a blue-note riff which forms the basis of the first theme.Contrasting material follows making use of a distinctive repeated note figure then the first idea reappears in a quasi-orchestral climax. The second prelude shows a curious kinship with Chopin???s A minor Prelude with its eerie accompaniment and hypnotic melody. The third exploits a similar major/minor ambivalence but dextrous syncopation gives it driving rhythmic energy.

In Notation And Tablature. Par EPS GEORGE VAN. This book presents nine original guitar solos written for the six-string guitar by jazz guitarist George Van Eps. His arrangements and chord symbols illustrate advanced harmonic melodic concepts. In standard notation and tablature with carefully annotated fingerings and pick direction indications. / Niveau : Avancé / Jazz - Solos / Tablatures / Guitare Tablatures

Arrangeur: Walter Beeler. Par GERSHWIN GEORGE. Arranged by Walter Beeler For Bb, Eb, Bass Clef instruments / Jazz / Répertoire / Tout Instrument

Apprenez les techniques de guitare jazz de George Benson grâce à Stuart Bull. 2 heures de DVD pour vous apprendre a créer vos propre solos. En anglais. / Guitare

Arrangeur: Grace Castagnetta. Par GERSHWIN GEORGE. A concert transcription for piano solo by Grace Castagnetta./ Répertoire / Piano

Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias