Contenu : BACH J.S.: Trio BWV 929, Menuet BWV 813, Petit prélude BWV 942 - BARTOK B.: Andante - BEETHOVEN L.V.: Danse allemande n°10 (WoO 8), Anglaise en Ré (Hess 61), Allemande (WoO 81), Contredanse (WoO 14), Menuet (WoO 7) - CHOPIN F.: Prélude Op. 28 n°6 - CLEMENTI M.: Air russe - GLINKA M.I.: Galopade - GRIEG E.: Feuille d'album Op. 12 n°7 - HAYDN J.: Menuet Hob. 1: 85/111, Menuet Hob. IX: 11, Final Hob.XVI: 7 - JOLIVET A.: Danse caraïbe - KOECHLIN C.: Le Ruisseau limpide, La Maison heureuse - MASSON T.: Bagatelle, Le Repos du dragon, En Camargue, Petite improvisation imaginaire, Vague à l'âme - MENDELSSOHN F.B.: Première barcarolle Op. 19 n°6 - MOZART W.A.: Variation en La KV 460 - NAFILYAN H.: Mystère, L'Acrobate - PAPP L.: Le Pantin, A cheval, Le Petit Soldat de plomb, La Machine à coudre - PROKOFIEV S.: La Pluie et l'Arc-en-ciel - SCHUBERT F.: Danse allemande n° 5 (D 420), Valse n°1 (D980) - SCHUMANN R.: Feuille d'album Op. 99 n°4 - SZOKOLAY S.: Taquinerie, Tom Pouce - TCHAIKOVSKI P.I.: Marche des soldats, La Nouvelle Poupée - VILLA-LOBOS H.: Ainsi berçait maman - VISKI J.: J'avais un poulailler - Un jour mon prince viendra, de Blanche Neige et les sept nains (CHURCHILL) - Ce rêve bleu, d'Aladin (GILKYSON) - Il en faut peu pour être heureux, du Livre de la jungle (SHERMAN) - Des gammes et des arpèges, des Aristochats (SHERMAN) -Elegant blues, Exploration boogie (MASSON) Compositeur/Auteur : MASSON Thierry / NAFILYAN Henri Discipline/Instrument : piano Support : Partition Style/Genre : classique Date de parution : sept.-03

Pour chaque titre, 2 niveaux : piano facile ET une partition avancée piano, guitare et chant.

L?Hommage inédit de jeunes talents à une icone.


Les plus grandes chansons de Michel Sardou reprises par la jeune génération (Kids United, Lou, Nemo Schiffman, Angie Robba, Dylan, Ilyana, Thibault) !

n album qui représente la découverte, ou comme la petite troupe le dit si bien la « redécouverte » de ces chansons cultes avec ces réinterprétations pleines de fraicheur et de justesse du répertoire de l?artiste aux plus de 100 millions de disques vendus.

Un album placé sous le signe du partage et de la transmission, où authenticité côtoie modernité, icône rencontre jeunes talents, grands classiques deviennent intemporels.

Si Michel Sardou est fier de voir ses ?uvres revisitées, il en est surtout ému. Car à l?aube de la fin de sa carrière, il le dit : Grâce à eux, ce qui devait être un adieu se transforme en un au revoir ! / Variétés / Partition / Agrafé /

Babylonian Prayer. Par MARTLEW ZOE. Salat Babilya was inspired by music from Iraq, in particular the beautiful sonorities of the oud, a variety of Middle Eastern lute dating back to antiquity. An oud-like resonance is evoked without the use of a bow via a combination of “arabic” scales, open strings, ringing harmonics and ornamental inflections. The particular oud piece that inspired this one was written to help lull the children of Bagdad to sleep during bombing raids and bears the same title, which translates from the Arabic as “Babylonian Prayer'. (Zoë Martlew)/ Répertoire / Violoncelle

Par NAFILYAN HENRI. 4'00'' / Niveau : Débutant / Répertoire / Flûte Traversière et Piano

Par GREEN / NORAC. Voici du jazz qui fait danser ! De la beauté, du rythme et beaucoup de joie dans ces 15 grands morceaux de jazz, sélectionnés par Misja Fitzgerald Michel et interprétés par les inoubliables Ella Fitzgerald, Duke Ellington, Fred Astaire... En contrepoint dans le livre, les délicieux souvenirs d'enfance de Carl Norac et les magnifi ques illustrations d'Ilya Green nous rappellent que le jazz s'invite avec bonheur au pays des enfants. / / Livre / Livres

Sheet Music Edition. Par DAVIES PETER MAXWELL. Sir Peter Maxwell Davies is universally acknowledged as one of the foremost composers of our time and as he reaches his 75th birthday in 2009 he remains prolific. The sonata for violin and piano was written for the virtuoso violinist, Ilya Gringolts and first performed at the St Magnus Festival in Orkney in 2008. The work is principally concerned with Italian architecture and the music takes both performers and audience across an imaginary walkway over Rome as proposed by the architect Giuseppe Rebecchini. Starting at the 17th Century Chiesa Nuova the exceptional journey passes Renaissance churches, exhibition spaces, the river Tiber, glass façades, sculptures and even a prison where a Lazio folk tune can be heard echoing from behind the walls. The journey ends 15 minutes later at Gianicolo, an area where one can take in breathtaking views over the whole city./ Répertoire / Violon et Piano

This repertoire classic sounds as fresh today as when it was first published in 1974! Featuring exuberant and tuneful themes as well as a flowing and symphonic-sounding slow section this work is impeccably scored and easilyattainable by most bands. A great choice for contest. (5:10)From the CD ?Band Classics Library 4? (BOCD-7465)Hiroshima Wind Orchestra ? Yoshihiro Kimura ConductorDistributed by BravoMusic: www.BravoMusicInc.com

Originally written for the Stan Kenton Orchestra and featured on the new Mark Taylor/Steve Fidyk Big Band recording “A Perfect Match” (heard here) this is a challenging yet rewarding samba for mature bands. Primarilya feature for flugelhorn and trombone the full ensemble answers with hot unison lines and screaming punches. This one demands attention!

Make advanced Guitar harmonies more intuitive and effective. This inventive approach to imagining and organizing notes will expand your concept of Guitar harmony.You will be able to organize and use tensions more easilyand with greater expression whether you are soloing playing in a rhythm section or in a solo Guitar context. Practical etudes over popular chord changes will help you to understand and apply these new theoreticalconcepts.The accompanying recording includes examples and play-along tracks featuring innovative guitarists Mick Goodrick and Tim Miller along with an all-star rhythm section featuring Terri Lyne Carrington on Drums andJohn Lockwood on Bass.You will learn to: develop and apply new chord voicings using a rich palette of notes; isolate and organize the most essential notes of any chord-scale (Generic Modality Compression); view chordscales as five families of 3-note chords: triads sus4 clusters 7th no 3 and 7th no 5) to be used systematically and simultaneously; leverage this chord-scale organization to lead you to inventive harmonies; incorporatetensions more intuitively into your comping and lead lines; and use new arpeggio patterns in linear improvisation.