Par KELLER JACQUES. Oeuvres originales pour lame sonore de Koechlin, Canteloube, Honegger, Duboscq, Sauguet et Dom Clément Jacob. / méthode - études / Date parution : 1950-03-01/ Etude / Percussions

Par HUREL PHILIPPE. / Contemporain / Etude / Flûte Traversière et Percussions

The Arhus Etuder (Etudes for snare drums) are written for percussion ensembles ranging from 3 to 6 musicians. Etude No.9 however is a solo for snare drum. Bent Lylloff has based these Etudes on the experience he has gained from playing orchestral and chamber music and from teaching. Again and again the problems which the percussionist meet with in his daily work are put forward in the Etudes; problems such as the balance of the instruments the change of tempo the change of sticks and mallets shadings and the change to other instruments.

Par BRUN PH.. Indépendance Et Coord / méthode - études / Etude / Percussions

systematische voorbereiding op het examen B comple. Par LAMERS / HUGO MASSEL. This volume of studies for solo snare drum will take percussion players from an intermediate to professional standard./ Etude / Percussions

Grundlegende Technik spielend lernen!. Par BERG ANDREA. Supposedly rudiments are the basis for playing the drums at all . . . . but for students who are not so advanced, it’s an absolute mystery why they have to struggle with these boring technical exercises when all they really want to do is just play. Thisbook can be introduced early in the instructional process or used supplementarily if youre learning on your own. As soon as the first contact with notation has been made and youre playing your first grooves, you can then have fun jumping into theworld of rudiments. To this end, this book is separated into two Tours. Tour 1 contains simple exercises for the beginner, Tour 2 is directed at the advanced student who extensively knows and plays the rudiments. / Niveau : Tous Niveaux / All Styles - Technic / Recueil / Batterie et Percussions

Par NILLES ANIKA. If you don’t have access to your drums regularly, travel a lot, or have neighbors with sensitive ears, you will already have a PRACTICE PAD. But practicing without a drum kit is special! To keep your hands agile and dive deeper into EFFECTIVE METHODS that really improve your pad technique, ANIKA NILLES‘ PAD BOOK is JUST THE THING!  Anika gives plenty of options WHAT AND HOW to practice on a pad. Practice pads are particularly well suited because they reduce drumming to one basic sound source. This way you follow a process of continuous progression in terms of stickings and rudiments, phrasings and rhythm concepts. The FUNDAMENTAL WORKOUTS are allocated to four chapters: Subdivision Studies, Mixed Meters, Hand Independence, and Polyrhythms. The result is a complete system with triplets, 16th notes, quintuplets, sextuplets and septuplets, which are broken down into individual steps starting with a very basic layout before moving to more complex rhythms. The focus is on building up and consolidating fundamentals across all note values, raising awareness on a feel for time and rhythm, and presentation of many possibilities on how you can expand acquired skills. Anika also puts together a collection of WARM-UPS which suggest ideas on how you create your own rhythm patterns out of the technical features in this book. The deeper meaning underpinning Anika’s ideas is always how to be MORE CREATIVE. It is about working on your weaknesses, developing new ideas and rhythms for yourself, or simply looking at familiar things from a different perspective. Back on the DRUM KIT you will find that you can focus on more specific, musically relevant topics such as sound, orchestration, and dynamics, since the hands, body, and mind have already internalized the basics practiced on the pad. JUST FUNDAMENTAL   / Methods & Tutors / Etude / Percussions

Volume two of the original Audition Etudes that includes a compact disc (CD) providing an interpretation of each etude. An outstanding “all-in-one” comprehensive percussion edition for a variety of uses.

Par ERSKINE PETER. Cet ouvrage fournit une étude pratique, le guide pratique et des ressources pour tous les musiciens qui cherchent à améliorer leurs capacités de fabrication de musique. Bien qu'écrite par un batteur, les exercices de texte et etudes dans ce livre ne sont pas pour les batteurs seulement ! Et un gober des exercices peut être chantée ou joué sur n'importe quel instrument, le lecteur est invité à exploiter ces rythmes hors: ' jouer ' vos cuisses avec vos mains, par exemple, fonctionnera bien. Les exemples peuvent être effectuées en solo ou en petit groupe. Includesining pour tous les musiciens-Specific exerce pour le phrasé jazz, la pop/funk et la musique classique-exercices Solo et en duo, jouables sur n'importe quel instrument - etudes de rythme avec 1-4 pièces solo et ensemble pratique - un CD avec 19 pistes d'écoute et de la refematerials/ Recueil / Batterie et Percussions

Par ORFF CARL. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils./ Etude / Voix, Flûte à Bec et Percussion