SKU: HL.49047113
ISBN 9781705189269. UPC: 842819117520. 0.096 inches.
The final movement of the Sonata in A major K. 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all. Once reserved for all music connoisseurs, later played by every piano student, its opening melody, alienated like a sine tone, is now omnipresent even as a mobile phone ringtone. The arrangement by Fazil Say, created as an effective encore, builds on this popularity. Mounted on the still recognizable classic basic level, typical jazz elements such as syncopation of the top tones and embellishment with chromatic blue notes, embedded in sometimes frenzied chains of sixteenth notes, are found - after the first eight bars have been presented originally. In accordance with the improvisational character, Say himself likes to perform his Alla Turca Jazz in other combinations, for example with the accompaniment of jazz singers or with an orchestra. Perhaps it is surprising that Fazil Say, who was born in Turkey and lives there when not on tour, does not trace Mozart's adaptation of genuinely Turkish music closer to its origins, since many of his compositions such as Black Earth or the Violin Sonata are characterized by a subtle touch Combination of classic-romantic tradition, Turkish folk music and jazz elements. In another Mozart arrangement, the ballet music Patara, which premiered in Vienna in 2006, but now composed on the rococo-esque (and almost equally popular) theme from the first movement of the same A major sonata, Say still has the connection denied to the Alla Turca, albeit inthe opposite direction. In distinctive chamber music instrumentation, the piano stands for Western culture, the ney flute for that of the Orient, atmospherically conveyed by sparse percussion and vocalises by a soprano.
SKU: HL.49032686
ISBN 9790001129855. Joachim Schuster.
Dieses Heft zum vierhandigen Spiel am Klavier wendet sich an Schulerinnen und Schuler im elementaren Klavierunterricht - im Gruppen- oder Einzelunterricht.Ausgangspunkt sind 14 Lieder, die viele Kinder von der Musikalischen Fruherziehung Musik und Tanz fur Kinder her kennen. Mit diesen Liedern konnen Anregungen und Vorstellungen aus der Musikalischen Fruherziehung in den Instrumentalunterricht getragen und damit Brucken zwischen beiden Arbeitsbereichen gebaut werden. Aber auch Kinder, die diesen Liedern noch nicht begegnet sind, konnen sie mit Vergnugen spielen, denn alle Liedtexte werden mit abgedruckt.
SKU: BR.EB-5863
ISBN 9790004165096. 9 x 12 inches. German.
27 well-known Christmas Carolsset by Siegfried Kohler and Johannes Weyrauch, two-hand easy, two hands medium, four-handed.
SKU: BU.EBR-516
ISBN 9790560151618. 8.58 x 12.48 inches.
Comme tout professeur de piano, je suis continuellement en quête d’idées pour motiver les jeunes et moins jeunes élèves à la découverte de l’instrument.Le répertoire pour Piano Quatre Mains accessible aux débutants est assez restreint. L’écriture pianistique en ce genre doit prendre en compte une faible technique pianistique et des notions de solfège en cours d’apprentissage, sans que tout cela ne nuise au rendu musical.C’est pourquoi j’ai eu l’idée de créer ce recueil « grands débutants », attentif à ces difficultés, recueil où tout jeune pianiste peut aborder dès son premier cours, avec son professeur ou un autre élève, une pièce à Quatre Mains. L’expérience, appliquée en premier lieu avec mes élèves, est réellement enrichissante : elle révèle l’importance du rythme, renforce la musicalité, la motivation, et surtout, amène le partage de la musique et l’écoute de l’autre.Comme anecdote…j’ai donné à un élève de six ans, qui en était à son deuxième cours, l’étude d’une des premières pièces de ce recueil. Rapidement acquise, je lui ai dit que nous allions la jouer ensemble à quatre mains. Après quelques mesures, étonné du rendu sonore il m’a souri, car à ce moment là il était déjà Pianiste.MusicalementDavid Neyrolles.
SKU: BR.EB-6713
ISBN 9790004169162. 9 x 12 inches.
The present series of easy piano music for teaching provides pupils in the lower and lower-middle grades with a careful selection of well-known and little-lmown compositions by important masters. Each book has intentionally been kept small in extent, since it is more stimulating for children to change the teaching material frequently. In the course of his brief creative life, Schubert wrote more than 200 dances and waltzes for piano, which he grouped together and published in sets. The technical difficulties, which are sometimes considerable, are greatly reduced by dividing the music up between four hands; a process which has been carried out without necessitating any major alterations to the original versions for piano solo. Ten of the most beautiful waltzes from different opus numbers have been selected for the present book. Heinz Walter, Salzburg, Fall 1974.
SKU: HL.49003696
ISBN 9790001036856. UPC: 884088109646. 9.0x12.0x0.122 inches.
SKU: BR.EB-6735
ISBN 9790004169377. 9 x 12 inches.
This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in compass, since it is more stimulating for children if the literature used for instruction is changed frequently. Amongst the numerous piano works of the composer, pianist and music publisher Anton Diabelli there are some instructional works for piano duet (four hands at one piano) that have retained their freshness and value to this day as the Melodie Studies, op. 149. These attractive short pieces will still appeal to today's piano-playing young people. In the original version, the secondo part is designed for the teacher. In the present edition, this part has been rearranged in such a manner that it, too, lies within the capacities of the student. Heinz Walter, Salzburg, Fall 1974.
SKU: BR.MN-12036
ISBN 9790004791592. 9 x 12 inches. German.
Dudelsack und Tarantella, Scarlatti und Satie, Valse Musette und Tango: Improvisieren am Klavier in 36 verschiedenen Stilen.Diese Sammlung bietet lebendiges, uberzeugendes und leicht in die Praxis umsetzbares Material fur das Improvisieren auf dem Klavier an. Sie leitet an, wie man sich in vielen verschiedenen Stilen musikalisch ausdrucken kann allein, aber auch zu zweit: es gibt viele Hinweise fur das Vierhandigspiel!Alle in diesem Buch vereinten Anregungen entstammen der langjahrigen Unterrichtspraxis des Autors. Alle sind vielfach erprobt worden; Sie werden vielen Klavierspielerinnen und Klavierspielern neue, vielfaltige und originelle Wege zum Improvisieren aufzeigen.
SKU: BR.EB-8034
ISBN 9790004174371. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. Carl Maria von Weber (1786-1826) composed three series of piano duets: opus 3, opus 10 and opus 60. The piano pieces opus 3, which he wrote at the age of 15, are, despite the modest demands made on playing technique, among the most inventive and melodically sensitive works for four hands of the post-classical period. Together with the four pieces from opus 3, an andante from opus 10 has been included in this folio. These five pieces have been arranged in a sequence such that in their entirety, the result is a balanced suite - in a formal sense - for four hands. (The scherzo opus 3. No. 3 has therefore been transposed into C major.) Heinz Walter, Salzburg, Autumn 1979.
SKU: BR.EB-6775
ISBN 9790004169742. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesserknown compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. In his last years, Mozart composed a large number of German Dances for orchestra. This music for daily use of the time - intended functionally, for dancing and entertainment - is distinguished by enchanting ideas and simple textures. The editor has tried to cany over the instrumental subtleties into the piano-duet writing. These dances are particularly suitable for introducing some relaxation into the learning of the piano, for the interpretative and technical workingout demanded by Mozart's original piano-duet works is not required to the same degree here. The marks of expression have been taken over from the original score and in part supplemented. Notes not marked otherwise are to be played non legato. The technical difficulty of these pieces corresponds roughly to the third and fourth year of study. Heinz Walter, Salzburg, Spring 1977.
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