SKU: BT.ALHE33887
French.
Le Ruban Dénoué is one of the most important pieces by Reynaldo Hahn. This set of twelve waltzes for 2 pianos was conceived as entertainment for Hahn’s friends and has a strongmelodic aspect. It is one of the greatest pieces of work composed by Hahn in terms of harmony and, written at the end of his Piano writing period; it is a good transition toward his second period that is more focused oncomedies and operas. These twelve waltzes are: 1. Décrets indolents du hazard 2. Les soirs d’Albi 3. Souvenir… Avenir… 4. Dans de l’amour et du chagrin 5. Le demi-sommeil embaumé 6. L’anneau perdu 7. Danse du doute et de l’espérance 8. La cage ouverte 9. Soir d’orage 10. Les baisers 11. Il Sorriso 12. Le Seul Amour A poem by Victor Hugo, 'Puisque j’ai mis ma lèvre', built on the theme of the 12th waltz, Le Seul Amour.
SKU: BR.EB-6775
ISBN 9790004169742. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesserknown compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. In his last years, Mozart composed a large number of German Dances for orchestra. This music for daily use of the time - intended functionally, for dancing and entertainment - is distinguished by enchanting ideas and simple textures. The editor has tried to cany over the instrumental subtleties into the piano-duet writing. These dances are particularly suitable for introducing some relaxation into the learning of the piano, for the interpretative and technical workingout demanded by Mozart's original piano-duet works is not required to the same degree here. The marks of expression have been taken over from the original score and in part supplemented. Notes not marked otherwise are to be played non legato. The technical difficulty of these pieces corresponds roughly to the third and fourth year of study. Heinz Walter, Salzburg, Spring 1977.
SKU: BR.EB-8034
ISBN 9790004174371. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. Carl Maria von Weber (1786-1826) composed three series of piano duets: opus 3, opus 10 and opus 60. The piano pieces opus 3, which he wrote at the age of 15, are, despite the modest demands made on playing technique, among the most inventive and melodically sensitive works for four hands of the post-classical period. Together with the four pieces from opus 3, an andante from opus 10 has been included in this folio. These five pieces have been arranged in a sequence such that in their entirety, the result is a balanced suite - in a formal sense - for four hands. (The scherzo opus 3. No. 3 has therefore been transposed into C major.) Heinz Walter, Salzburg, Autumn 1979.
SKU: HL.49046294
ISBN 9781540069955. UPC: 842819108559. 0.092 inches.
A String of Pearls is a five-movement suite for piano duet. Written in 2017 for the Darina Piano Duo, the duet is intended for pianists who particularly enjoy playing expressive and evocative music with a hint of minimalism. The minimalist style is often associated with music featuring repetitive structures or note patterns. Each movement represents a different pearl, reflecting the precious jewel's characteristics as well as its corresponding symbolism.
SKU: HL.50572426
SKU: HL.283476
Sadie Harrison's The Souls Of Flowers is for Piano duet, (4 hands/ 1 Piano), and is dedicated to Alex Larson and Avery Allen. This lyrical duet began life as a solo Piano piece written for Waheed Amiri, a student at the Afghanistan National Institute of Music in Kabul. The title refers to the Afghans love of flowers and to the summer gardens of Kabul which are resplendent with roses, the countrys national flower. This duet version is dedicated with thanks to Alex and Avery who gave the work its premiere at the Hartt Community Division Suzuki Piano Ensemble Recital on Saturday, November 19, 2016 in the Alfred C. Fuller Music Center (F. Berkman Recital Hall) at the Hartt School, University of Hartford, Connecticut, USA. Duration: c. 3 minutes.
SKU: BT.PMC2961
List, Eugene, ed - Le bananier = - Chanson negre - Op.5 - Ses yeux = - Polka de concert - Op.66 - Marche funebre - Op.62 - La scintilla = - L'etincelle = - Mazurka sentimentale - Op.21 - La jota aragonesa = - Caprice espagnol -Op.14 - Ojos criollos = - Danse cubaine= - Caprice brillant - Op.37.
SKU: M7.DOHR-20293
ISBN 9790202042939.
Das muntere Werk komponierte Harald Heilmann in einem Satz, wobei zwei Moderato-Teile einen miteinander korrespondierenden Rahmen bilden: Der Eröffnungsteil wird nach einem Mittelteil wiederholt und schließlich mit einem temporeichen Schluss und sich stetig steigernder Dynamik beendet. Für den Komponisten ist die Wiederholung ein adäquates musikalisches Mittel, um bei den Spieler/innen und Hörer/innen einen Wiedererkennungseffekt hervorzurufen und damit Vertrautheit zu schaffen. In diesem Sinne setzt er melodische und rhythmische Motive wiederholt ein, allerdings in immer neuen Zusammenhängen und Harmonien, so dass ein gleichsam farbiges und lebendiges Tongemälde entsteht. Wechselnoten und die Durchmischung der überwiegend binären mit gelegentlichen ternären Rhythmen schaffen rhythmische Lebendigkeit; lange Noten und Pausen geben dem Stück eine innere Struktur. In Auftrag gegeben wurde das Werk von dem bulgarischen Konzertpianisten, Komponisten und Klavierpädagogen Ivan Shekov. Die Uraufführung erfolgte am 17. Oktober 1999 durch Julia Taube und Anika Wippich in Tettnang, wo der Auftraggeber an der dortigen Musikschule unterrichtete. Das Stück, das für fortgeschrittene junge Musiker/innen ebenso geeignet ist wie für professionelle Künstler/innen auf dem Konzertpodium, bietet viel Raum für die musikalische Ausgestaltung des Titels: Die Spielanweisung a tempo beinhaltet die Erwartung bzw. Möglichkeit, mit Tempowechseln zu arbeiten. Da der Komponist selbst keine Angaben dazu in den Notentext gesetzt hat, ist hier die individuelle künstlerische Freiheit eines jeden einzelnen Interpretenduos gefragt. (Ulrike Lausberg).