In 1878 Dvorák was commissioned to write something along the lines of Brahms?s ?Hungarian Dances? but using the sounds of his native country. The resulting eight ?Slavonic Dances? led to hisinternational breakthrough. ?Furiant? ?polka? ?soudeská?: all are written with consummate mastery and dazzling formal sophistication. Although the ?Slavonic Dances? also became popularin orchestral arrangement they were originally written for Piano four-hands. Yet the musical text Dvorák released for publication was anything but ideal. Now to honour the centennial of his death we are presenting hisoriginal version with a detailed commentary on the work?s sources and editorial problems. The fingering always a delicate matter in duet playing has been entrusted to Andreas Groethuysen with results that will prove a boon toperformers everywhere.