2 Pianos

SKU: HL.50512090

Composed by R. Simpson. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL0010P. Published by Alfred Lengnick & Co (HL.50512090).

Chamber Music 2 Piano, 4 Hands

SKU: PR.440400180

For Two Pianos. Composed by Stephen Jaffe. First Performance: Anton Nel and Barry Snyder, Alice Tully Hall New York June 26, 1989. Classical. Set of Score and Parts. With Standard notation. Duration 22 minutes. Theodore Presser Company #440-40018. Published by Theodore Presser Company (PR.440400180).

UPC: 680160094554.

This impressive concert work is a frank dialogue between the players. The four movements are of contrasting character, but always in a conversational style. Jaffe was one of four finalists in the 1991 Friedheim competition. For colleges, conservatories, professionals. Difficult.

By PDQ Bach. Arranged by Peter Schickele. For 2 piano, 4-hands. S. 1 1. Duration 9:0. Published by Theodore Presser Company.

2 Pianos, 4 Hands; Piano Duet - intermediate to advanced

SKU: HL.49013049

For 2 Pianos/4 Hands. Composed by Istvá, n Szelé, and nyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Edition Schott. I. Szelenyi schrieb das Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze (Tranquillo - Vivace).Zum 100. Geburtstag von I. Szelenyi am 8. 8. 2004. Classical. 2 copies needed for performance. Composed 1964. 52 pages. Schott Music #ED 9568. Published by Schott Music (HL.49013049).

ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.

This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic piano concerto without orchestra. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This Concertino offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.