Fifteen very playable Cello duets in contrasting styles. These duets have been written with an easier second Cello part and a more demanding first Cello part. Not too demanding in most cases so that roles can be reversed.

'Carol Stringfest' presents popular carols in flexible arrangements for string quartet beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment to support less confident groups makes the series valuable to a wide range of abilities. Lyrics are also provided so there is something for everyone a must for Christmas!

This is a fun piece for two Cellos playing the same part but one bar apart. There are two separate printed parts plus a score with both parts.

Par WATTS CHRISTINE. Wonderfully simple and light-hearted biographies, perfect for children, teach lessons thru the composer's life and how they reacted to their circumstances and childhood. This is to depict that the great composers were 'human' and suffered hard times, but overcame their difficulties to become the best they could be. The majority of the pieces are written for the piano and violin and transcribed to let the cellists have fun too. Second cello parts are written to be interesting and stimulating both rhythmically and melodically - all typeset in a larger font appealing to children. / Niveau : Débutant à Intermédiaire / Classic - Duets / Recueil / 2 Violoncelles

Presented in this volume are Christmas melodies from Germany England and France arranged for two violoncellos. The duets are ideal for lessons and are fun to play at home or in concerts.From the contents?O du fr?hliche??We wish you a Merry Christmas??Entre le b?uf et l? ne gris??What child is this? and many more

Written by Gabriel Yared composer to the scores for The English Patient Cold Mountain and The Talented Mr Ripley this folio of 22 original Cello pieces has been designed to inspire andencourage duettists especially teacher/pupil collaborations.The idea grew out of composer Gabriel Yared’s own learning experience which suggested a need for one part to be written for the experienced teacher and anotherfor the developing novice.The duets themselves progress from beginner to advanced levels gradually addressing new technical problems as they go as well as providing varied and stimulating music to play.Theaccompanying CD includes a full recording of each duet as well as two alternative playalong versions each giving prominence to one part or the other.The publication comes with individual parts completing a package thatwas developed composed and produced as a completely original way of learning cello duets.

Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The transcription follows Bartóks original faithfully. The publication includes fingerings added by the editor. / 2 Violoncelles

These attractive cello duets which are highly recommended for use in teaching due to their moderate level of technical difficulty were originally published around 1795 in separate parts by the London publisher William Forster.

These very pleasant Cello duets are but a tiny snapshot of the prodigious output of Robert Lindley. He was born in Rotherham UK in 1776 and died in London in 1855.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.