SKU: PR.11441880S
UPC: 680160684694. 9 x 12 inches.
Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements: 1. Spring Ox and Cowherd 2. Five Boys Snatch Lotus Seed Pods 3. Prosperity in the New Year.Nian Hua (Chinese New Year’s Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.
SKU: PR.114418800
UPC: 680160667673. 9 x 12 inches.
SKU: MB.11143CD
UPC: 796279112673. 5.5X5 inches.
Acoustic Guitar Portraits is a collection of 15 original compositions for two acoustic guitars written and recorded by William Bay. The recording features an eclectic array of musical genres and was recorded on 4 different hand made acoustic steel string guitars. Three of the guitars are 7 string acoustic models and one is a 6 string. The recording features a complex interplay between the two guitars and frequent lush harmonic chordal structures.
SKU: PR.114404950
UPC: 680160008261. 8.5 x 11 inches.
Evocative and transparent. The five movements contrast energy with introspection, requiring a dextrous and flexible ensemble. For colleges, conservatories, professionals. Difficult.
SKU: PR.11440785S
UPC: 680160012091.
The composition of the work began as a few improvisational thoughts on a short phrase from a Beethoven piano sonata, which eventually developed into a six-minute fantasia that ultimately bears little audible relation to the original Beethoven phrase. The work is in four sections, of which the first and last are nocturnal, prelude, and postlude respectively. The main second section grows from a simple imitative idea to a chordal climax that subsides into a chorale and soliloquy which is elegiac in nature.
