Pianists at the late elementary level will experience a variety of Latin styles and rhythms in Wynn-Anne Rossi's Concertino in Latin Styles. The first movement features a bossa nova style, and the second movement captures the rhythm of a tango. The third movement has changing meters, alternating between 6/8 and 2/4, combined with staccato articulation to imitate the sound of claves. For students who love Latin styles or those who will experience them for the first time, this concerto is a refreshing addition to this genre. Movements: Breath of Bossa Nova * Tango by Moonlight * Clave in Tandem. / 2 Pianos, 4 Mains

[Konzert für Klavier und Orchester B-Dur KV 595 (Nr. 27)] / Classique / Editeur : Wolfgang Rehm / Réduction piano : / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester Es-Dur KV 449 (Nr. 14)] / Classique / Editeur : Marius Flothuis / Réduction piano : Mich / Partition / Cartonné / Plats de carton /

58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece. The Beckman/True Duo has been performing together since 2000 in national and international venues. Presenting both standard and contemporary works from 1900 to present day, their programs include music for duo pianos and piano duet. They have released multiple recordings and are also committed teachers who have taught workshops for experienced teachers and young musicians. They have adjudicated and performed in venues across the globe. / Date parution : 2021-12-09/ Recueil / 2 Pianos

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos

Ballet Suite-Cole Porter's only attempt at a “serious” composition came with the ballet score Within the Quota when Darius Milhaud suggested Porter as a composer to pair with his La Création du monde.Both pieces were rapturously received by the Parisian press at the October 1923 premiere at the Théâtre des Champs-Élysées. Cole Porter later believed the score to be lost. In 1970 the score was discovered at Yale from which William Bolcom and Richard Rodney Bennett created this two-Piano version.The ballet is about an immigrant to New York who encounters a seductive heiress atap-dancer a flapper a cowboy and a movie star beauty. Two copies needed for performance.

Piano 2 et 4 mains / Pièces faciles / BACH CPE : Fantaisie / BEETHOVEN : Danses - Bagatelle / CIMAROSA : Sonate en ré mineur - Sonate en sol mineur / CIPOLLI : Menuet / COUPERIN : Le berger / DVORAK : Danse slave (4 mains) / GLINKA : L'hirondelle / HASLINGER : Sonatines / HAYDN : Danse allemande / KRINBERGER : Menuet / KOUZNETSOV : Dans la grotte / LULLY : Menuet / MOZART : Valse en sol majeur / SCHUBERT : Ecossaise - Valse op.50 / TCHAIKOVSKY : Prière du matin op.39 - La sorcière - Chanson bavaroise / TELEMANN : Rigaudon / TURK : Allegro

Ecrit par Tom Jones et Harvey Schmidt, le duo créatif derrière le Fantasticks. L'exposition présente Michael et Agnès de jour de leur mariage, par le biais de la vie commune sur une période de 50 ans, jusqu'au jour, qu'ils quittent leur maison à la paire suivante de jeunes mariés. / Chant/Vocal/Choeur

Version for 2 Pianos with second Piano playing orchestral reduction. Premiered at Royal Albert Hall in 1948.

Concerto for Piano and Orchestra - Arranged on basis of the Cantata Yellow River. Par XINGHAI XIAN. Rachmaninoff and Tchaikovsky may have influenced it and Lang Lang has included it in his repertoire: the piano concerto 'Yellow River' features a brilliant virtuoso solo part, expressiveness and drama, contemplation, great pathos and wit. Based on the cantata of the same name by the famous Chinese composer Xian Xinghai (1905-1945), the concerto, arranged by Yin Chengzong among others, is similarly characterized by the combination of Chinese folk music and elements of the Peking Opera, with traditional European art music. 'Yellow River', the cradle of Chinese civilization and a symbol of the spirit of the Chinese people, can be compared to the 'Moldau' from Smetana's symphonic poem 'Má Vlast'. It is down to you to discover its programmatic content!/ Répertoire / Orchestre et Piano

Par HISAISHI JOE. Collections of the popular Ghibli songs. / Date parution : 2021-12-09/ Recueil / 2 Pianos

[Konzert für Klavier und Orchester Es-Dur KV 482 (Nr. 22)] / Classique / Editeurs : Hans Engel