SKU: HL.51481508
Ravel's plans for a piano concerto can be traced back to 1906, but it was only in early 1929 that the composer seriously started work on one. He later stated that he wrote it âin the spirit of the concertos by Mozart and Saint-Saënsâ, the music being âcheerful and brilliantâ and not âaiming for profundity or dramatic effectsâ. The outer movements are characterised by rhythmic drive and borrowings from jazz; while the slow movement, with its subtle shifts of accented beats, is entirely dedicated to melody. Alongside manuscripts and prints, a recording made under Ravel's supervision by the work's dedicatee, Marguerite Long, was consulted for this Henle Urtext edition. Since its successful premiere in January 1932 the concerto has been part of the repertoire of all great pianists, including Pascal Rogé, the French music expert who has provided the fingerings for the solo part.
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SKU: HL.49046117
ISBN 9790001205269. UPC: 842819102847. 9.0x12.0 inches.
Igor Stravinsky's masterpiece Symphony in Three Movements has been part of the standard orchestral repertoire of classical modernism since its premiere. The version for 2 pianos by Richard Rijnvos is neither a reduction nor an arrangement. Rather, it is an exact transcription of the orchestral score, in which all voices and melodic lines are preserved.
SKU: HL.14018850
ISBN 9780711986008. 9.0x12.0x0.295 inches.
The Prelude, Hymn And Toccata 1987 is dedicated to, and was commissioned by the Nettle-Markham Piano Duo. It was the second work to have been written for them by the composer, the first being the Sonata For Piano Duet Op.92. This twenty minute work begins with Leighton's typical preludial double-dotted rhythms and contrapuntal textures; it develops into dark, passionate music and erupts into single and double cadenzas. The gentle Hymn is ushered in quietly and unfolds in long, rhapsodic sections, building up to more climactic cadenzas before dissolving gradually to an ethereal conclusion. The Toccata finale shows Leighton's masterly piano writing and contrasts biting, rhythmic motifs with sweeping, yearning elegiac phrases.
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