SKU: HL.159734
9.0x12.0 inches.
Witaj Reksio! (Hello Reksio!) for two pianos is a collection of short music pieces for young performers. A few titles included in it refer to the themes from the well-known TV series for children, created by Lechoslaw Marszalek in the Animated Film Studi on Bielsko-Biala. The main hero is a very popular character in Poland: a nice dog Reksio who, together with his friends, has accompanied the successive generations, entertaining and educating them. The collection also comprises pieces that do not directly refer to the series. I hope the music will stir the listeners' imagination and will communicate all that the young performers want to tell them with their instruments. I wish all young friends interesting interpretation of my music. I also hope that you will create new interesting music stories that will be played and listened to with great joy. [Zenon Kowalowski].
SKU: BT.EMBZ14606B
Dániel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos. Das dreisätzige Concertino von Dániel Csengery (1974) entstand 2006. Es ist eine bunte, leicht gestimmte Komposition von lebendiger Rhythmik für fortgeschrittene Pianisten (Z. 14606B) und Jugendorchester (Z. 14606A). Die Bratschenstimme kann auch von einer dritten Geige gespielt werden.
SKU: HL.49013049
ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.
This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic piano concerto without orchestra. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This Concertino offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.
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