Par GORDON ANDREW D.. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality, . Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality. Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression./ Recueil / 2 Pianos

La référence AL28851 de l'éditeur Leduc dont l'auteur célèbre est Palmier/Rigal, qui a pour titre Clavier Bien Partage Ou L'Art De Jouer A 4 Mains Et A 2 Pianos, a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos 4 Mains. Cette partition musicale appartient à la catégorie Classique. / 2 Pianos 4 Mains / Partition

La référence AL25158 de l'éditeur Leduc dont l'auteur célèbre est Louvier, qui a pour titre Etudes Pour Agresseurs Vol 4 Tome 1 Etudes 19 A 22 2 Pianos, a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos. Cette partition musicale appartient à la catégorie Pédagogie. / 2 Pianos / Partition

Cuba avait été sur l'esprit de Copland pendant un certain temps. Une commission d'écrire une pièce pour le 20e anniversaire de la Leage de Composers' lui donna l'incitatif à composer ' Danzón Cubano ' pour deux pianos. Il est basé sur des rythmes de danse cubaine, particulièrement le danón, une danse majestueux, un peu comme la valse. Dans les deux sections contrastées, Copland rend l'utilisation de quatre cubain danses avec des rythmes syncopés et polyrythmie. Copland a expliqué, ' Je n'a pas essayé à reproduire un son cubain authentique, mais senti libre d'ajouter mes propres touches de déplacés accents et inattendues battements silencieuses '. / 2 Pianos

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Piano Concerto D major op.61a after the Violin Concerto op. 61 pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos 4 Mains. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / 2 Pianos 4 Mains / Chanson En Séparée

La référence AL21793 de l'éditeur Leduc dont l'auteur célèbre est Dubois Pierre-Max, qui a pour titre Concerto N02 (Piano Et Orch.), a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos 4 Mains. Cette partition musicale appartient à la catégorie Classique. / 2 Pianos 4 Mains / Partition

Il existe deux versions de cette Partita : un pour orchestre et l'autre pour deux pianos. Chaque version a été conçue pour son propre milieu, donc ni peut être dit un arrangement de l'autre. / 2 Pianos

La référence AL28980 de l'éditeur Leduc dont l'auteur célèbre est Alain J./Alain M.C-O, qui a pour titre Litanies, a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos. Cette partition musicale appartient à la catégorie Classique. / 2 Pianos / Partition

La référence AL23215 de l'éditeur Leduc dont l'auteur célèbre est Bozza Eugène, qui a pour titre Sonata, a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos. Cette partition musicale appartient à la catégorie Classique. / 2 Pianos / Partition

Par WALKER ROBERT. Commissioned by David Nettle and Richard Markham with funds partly provided by The Arts Council of Great Britain. First performed on 2 January 1985 at Wigmore Hall, London by David Nettle and Richard Markham. / Date parution : 2022-04-01/ Répertoire / 2 Pianos

Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos

for Two Pianos. Par SCHOENBERG ADAM. English / Niveau : Avancé / Répertoire / 2 Pianos