Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczy?ski. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions. The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible. The full version of this edition includes 21 volumes. Chopin Fryderyk - Variations Op. 2 Chopin Fryderyk - Fantasia Op.13 Chopin Fryderyk - Krakowiak, Grand Rondeau de Concert Op. 14 Chopin Fryderyk - Grande Polonaise Brillante Op. 22

Dramatic and lyrical by turns this work displays Rachmaninov's keyboard characteristics: intense Russian flavor rich and bold sonorities compelling rhythmic drive and brilliant virtuosity. Rachmaninov shows here a very fine grasp of the medium of two pianos his haunting sense of melody and his richly harmonic and rhythmic foundation. Altogether it ranks as a very important contribution to two-piano literature. Arranged for 2 Pianos 4 Hands this edition includes two complete copies of the work.

Description Sergei Rachmaninov: Piano Concerto No.2 In C Minor Op.18 (2-Piano Score) Two pianos Four hands. P The orchestra accompaniments are arranged for a second piano. Songlist Piano Concerto No.2 In C Minor Op.18

Par MIHALOVICI MARCEL. 2 copies required for performance/ Répertoire / 2 Pianos

In 2012, I composed a set of variations (originally for orchestra and subsequently arranged for two pianos in 2013 ) based on one of Wagner's most inspired and haunting melodies, the 'alte Hirtenweise' [old shepherd's song], an extended cor anglais solo at the start of Act III of Tristan and Isolde. This seemingly simple, yet deceptively complex melody was my starting point for an expansive fantasy in which I explore the potential of the melodic elements for variational development. The individual motifs are transformed and reconstructed in eight extended movements making frequent use of polyphony and are repeatedly interrupted by the sounding of the original theme. The work concludes with a languid coda at a great distance from the themes of salvation and Liebestod. Stefan Heucke / 2 Pianos 4 Mains

Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos

Deux Pièces Pour Orchestre Réduction Pour 2 Pianos 4 Mains Op. 79 N°2. Par CHAMINADE CECILE. / Répertoire / 2 Pianos 4 Mains

Reduction for 2 pianos-Written in 1901 this concerto is one of the most popular of all pieces of classical music and comes as part of Boosey & Hawkes excellent series of orchestral and piano reductions for 2 pianos.

Rachmaninov premiered the Piano Concerto No. 3 Op. 30 in New York with the New York Symphony Orchestra led by Walter Damrosch on November 28 1909. The following January he played it with the New York Philharmonic Orchestra conducted by Gustav Mahler. This a deep work which is full of virtuosic hurdles and lengthy cadenzas. Today this concerto carries the nickname of Rach 3 and has become the most popular choice among piano competition candidates wanting to perform a virtuoso display piece. This particular work is a reduction for two pianos.