Second Piano Accompaniments-These books are to be used with the corresponding volumes of the Suzuki Piano School to produce duet or duo versions of the pieces in the original series. Volume 1 titles include: Allegro * Chant Arabe * Christmas Day Secrets * Clair de Lune * French Children's Song * Go Tell Aunt Rhody * Goodbye to Winter * The Honeybee * London Bridge * Long Long Ago * Lightly Row (Alberti Bass) * Little Playmates * Mary Had a Little Lamb * Musette * Twinkle Twinkle Little Star Variations and more.

Description Sergei Rachmaninov: Piano Concerto No.2 In C Minor Op.18 (2-Piano Score) Two pianos Four hands. P The orchestra accompaniments are arranged for a second piano. Songlist Piano Concerto No.2 In C Minor Op.18

Pianists at the early intermediate level will delight in the sounds of this concerto written especially for them. Each movement conveys a different spirit and sound, from the fast and energetic feel of the first movement to the brilliant and sparkling third movement. In between, the second movement presents a lyrical contrast with its singing melody and lush harmonies. Together with the second piano accompaniment, students will experience the thrill and fun of performing a concerto. / 2 Pianos, 4 Mains

Rehearsal Accompaniment Reduction For Two Pianos-Kaija Saariaho's Graal Théâtre for Violin and Orchestra was commissioned for the Centenary Season of Promenade Concerts 1995. This arrangement for Violin and Two Pianos by Yann Ollivorequires two grand Pianos with sostenuto pedal and may be used for rehearsal of both the full Orchestra and Chamber versions of the work. Two copies of the score will be supplied.   The solo Violin part may beordered separately (CH61222-01).

Henle Verlag Urtext 2 Piano Score. Piano reductiuon of original orchestral accompaniment.

Variations Nocturne & Finale On An English Sea-Song for Piano and Orchestra Op.60. Orchestral part arranged for a second Piano by David Lyon. After a brief introduction to the Orchestra the melody of an eighteenth century whalermen's ballad with verse and refrain 'Blow Ye Winds' is given out the verse by the Piano the refrain divided between Orchestra and Piano. Then follow thirteen variations the last three being pianistic etudes accompanied Orchestrally. The nocturne evokes the nostalgia of a long voyage and the finale the excitement dangers and glory of a triumphant chase. In these movements as well as in the variations the entiremusical material is derived from the basic theme. The work is designed as a virtuoso concert-piece for the pianist with supporting Orchestral flashes of colour and points of contrast.

This is a three-page piece for intermediate piano ensemble---two pianos, four hands---in the key of F major. It features an easy going tempo with a repetitive rhythmic pattern in the Part II accompaniment. Two copies are included. / 2 Pianos 4 Mains

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos