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2 Pianos, 4 hands
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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The Joy Of Two Pianos
2 Pianos, 4 hands
Hal Leonard
Selected and arranged by Denes Agay. Over a dozen piano duets, arranged for four...
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Selected and arranged by Denes Agay. Over a dozen piano duets, arranged for four hands, two pianos. Includes: Lullabye of Birdland £ On the Sunny Side of the Street £ That's a Plenty £ Tuxedo Junction £ and more. / 2 Pianos
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100 Ultimate Blues Riffs (GORDON ANDREW D)
2 Pianos, 4 hands
[Sheet music + Audio access]
ADG Productions
Par GORDON ANDREW D.. It has been over 20 years since I released the first volum...
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Par GORDON ANDREW D.. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality, . Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression. It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality. Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I rememberthe wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression./ Recueil / 2 Pianos
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Kosmos (HILLER WILFRIED)
2 Pianos, 4 hands
Schott
34 miniatures for piano. Par HILLER WILFRIED. In a film portrait of dancer, pain...
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34 miniatures for piano. Par HILLER WILFRIED. In a film portrait of dancer, painter and sculptor Antje Tesche-Mentzen, I learned that in former times she was a proficient pianist. When she told me that she intended to begin playing again, I promised to compose her a cycle for her new beginning: 34 miniatures, some of them with a direct connection to her paintings and sculptures. The main part of Kosmos was composed in 2014, 400 years after Albrecht Dürer created his copperplate engraving ‘Melencolia I’, in which a magic square appears. In a magicsquare, numbers are arranged in a grid so that their sum in each column, row, and the two diagonals is the same number. In the square I have chosen, the magic number is 34. Wilfried Hiller/ Répertoire / 2 Pianos
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 hands
[Score]
-
Intermediate
Ricordi
Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
2 Pianos, 4 hands
[Sheet music]
Schott
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...
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Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos
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Piano Works
2 Pianos, 4 hands
[Sheet music]
Dover Publications
French composer Paul Dukas (1865-1935) was also a critic, scholar, and teacher. ...
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French composer Paul Dukas (1865-1935) was also a critic, scholar, and teacher. ' The Sorcerer's Apprentice ' is his most famous creation, and this original compilation of Dukas ' Piano works is highlighted by the world-renowned music that was based upon Goethe's Faust and inspired a memorable sequence from Disney's Fantasia. The two-Piano version that appears here was transcribed by the composer himself. Suitable for intermediate and advanced pianists, this collection features four additional pieces: Piano Sonata in E-flat minor- Prélude élégiaque- Variations, Interlude and Finale on a theme by Jean Philippe Rameau - and La plainte, au loin, du faun . Edited and introduced by renowned pianist Daniel Glover, these works were reproduced from authoritative sources. / 2 Pianos
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Monologe (ZIMMERMANN BERND ALOIS)
2 Pianos, 4 hands
Schott
2 Exemplare zur Auffuhrung notig. Par ZIMMERMANN BERND ALOIS. In January 1964 Be...
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2 Exemplare zur Auffuhrung notig. Par ZIMMERMANN BERND ALOIS. In January 1964 Bernd Alois Zimmermann interrupted the completion of his opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann‘s collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe – this is a piece for two pianists; real monologues of these pianists who, though simultaneously,[…] do not always play at the same 'time'; […] losing themselves in their 'own thoughts', as it were.' (Zimmermann)/ Répertoire / 2 Pianos
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Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
2 Pianos, 4 hands
[Sheet music]
EMB (Editio Musica Budapest)
New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand d...
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New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos
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Fantaisie-Tableaux (Suite No. 1), Op. 5 (RACHMANINOV SERGEI)
2 Pianos, 4 hands
Alfred Publishing
Par RACHMANINOV SERGEI. This large four-movement work, written in 1893, was prem...
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Par RACHMANINOV SERGEI. This large four-movement work, written in 1893, was premiered by Rachmaninoff and Pavel Pabst in Moscow. It is dedicated to Peter Ilyich Tchaikovsky. A few lines of poetry by Romantic poets preface each movement. The theme of love in the first two movements is brought to life by the two pianos with colorful, passionate writing. The final two movements feature the sound of bells---the third movement inspired by cathedrals bells that Rachmaninoff heard as a youngster, and the fourth movement capturing the jubilant sound of Easter carillon./ Répertoire / 2 Pianos
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Concertino In Dance Styles
2 Pianos, 4 hands
Alfred Publishing
Concertino in Dance Styles is a work in three movements that highlights skills i...
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Concertino in Dance Styles is a work in three movements that highlights skills in articulations, dynamics, tempo, and mood. From the joyous first movement to the mysterious second movement, followed by a delightful jig for the third movement, this piece provides unique technical challenges, harmonic variety, and stylistic moods. The second piano part can be played by a teacher, older sibling, parent, or grandparent---making this piece a recital showstopper! / 2 Pianos, 4 Mains
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Ouvertures
2 Pianos, 4 hands
Schott
The New Robert Schumann Edition (RSA) is intended as a historico-critical editio...
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / 2 Pianos 4 Mains
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Dinner For Two (DIVERS AUTEURS / ARR)
2 Pianos, 4 hands
Universal Edition
5 Romantic Arrangements. Par DIVERS AUTEURS / ARR.CORNICK MIKE. Mike Cornick has...
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5 Romantic Arrangements. Par DIVERS AUTEURS / ARR.CORNICK MIKE. Mike Cornick has compiled several excellent sets of arrangements of some of the most popular light music from the last 100+ years, and this latest album offers some delightful romantic music. He invites you to imagine being seated in an intimate, candle-lit restaurant, being serenaded by two pianists at a shiny grand piano: except this time you are one of the pianists! Mike's arrangements include a CD that provides for each title, as well as a full, inspirational recording, play-along tracks so that you can take over either the primo or secondo part. When you have mastered them, of course you will be ready to play the pieces live with your partner. 'Dinner for Two” includes five romantic arrangements that will be very familiar: Martini's 'Plaisir d'Amour, Arndt's 'Nola”, 'Santa Lucia” (trad.), Marchetti's 'Fascination” and Kern's 'They Didn't Believe Me”. Intermediate level players will quickly master these arrangements and can then explore similar albums by Cornick, such as 'Charleston for Two”, 'Pink Panther for Two” and several more collections. 5 romantic pieces arranged for piano duet Entertaining for both performers and their audience For intermediate-level players The CD includes recordings of each duet as well as rehearsal tracks for primo and secondo players Perfect as concert items or just for fun/ Recueil / Piano 4 Mains
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Concerto For Piano And Orchestra G Minor Op. 33 B 63 (DVORAK ANTONIN)
2 Pianos, 4 hands
[Sheet music]
Barenreiter
Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano con...
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Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc./ Répertoire / 2 Pianos
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Dvorak A. - Concerto In G Minor Op.33 - 2 Pianos
2 Pianos, 4 hands
Barenreiter
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urt...
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Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák?s only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel ?olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák?s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel ?olc.
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Piano Concerto In C Minor K. 491
2 Pianos, 4 hands
G. Henle
According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it ...
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According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an 'academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart's manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins. / Piano
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