SKU: HL.14032578
UPC: 884088815967. 10.5x14.0x0.387 inches.
Work for Piano and Orchestra, here arranged for Two Pianos, composed in Paris in the early 1920's by the female member of 'Les Six'.
SKU: HL.49013049
ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.
This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic piano concerto without orchestra. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This Concertino offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.
SKU: BR.EB-8853
ISBN 9790004184431. 9 x 12 inches.
Cards on the table - it's sight-reading time! Keyboard beginners can now train their sight-reading abilities with 16 piano and orchestral classics in new arrangements for two instruments and four players, each of them using one hand only. Thereby they will be able to gain experience in ensemble playing and acquire motivation by playing pieces they might not master on their own yet. For a better orientation in the score, the four symbols from playing cards are assigned to the four parts. Advanced students can also use the arrangements as piano duets - ideal for group lessons and recitals!
SKU: HL.51481383
UPC: 196288308102. 9.25x12.25x0.123 inches.
Bach's harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument â either violin or a woodwind instrument. But we know nothing about any such preliminary versions in the case of the A-major Concerto BWV 1055. Its enchantingly songlike middle movement inevitably makes one think of the oboe d�amore, though there is in fact no reason to suppose that its idiomatic, spirited harpsichord writing was conceived from the outset for anything but a keyboard instrument. Ultimately, this music is so fresh and irresistible that all such speculation is irrelevant. For this Henle Urtext edition of the A-major Concerto, we consulted the autograph score and especially the original orchestral parts that presumably contain the musical text of the concerto as Bach himself performed it. You can�t get more authentic than this! The piano reduction contains the solo part with carefully chosen fingerings by Michael Schneidt, plus a piano accompaniment that Johannes Umbreit has arranged so as to be practical and easily playable.
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SKU: BT.PWM6078020
In view of the fact that most people today appreciate the great didactic value of ensemble playing in the musical education of children, there is a growing interest in the repertoire for four hands. In an attempt to satisfy the demand for works of this type, the present little collection, intended for primary schools, avails itself of the little known French didactic repertoire. These are pieces by contemporary composers of the older generation, written mostly at the beginning of the twentieth century.
SKU: HL.14018850
ISBN 9780711986008. 9.0x12.0x0.295 inches.
The Prelude, Hymn And Toccata 1987 is dedicated to, and was commissioned by the Nettle-Markham Piano Duo. It was the second work to have been written for them by the composer, the first being the Sonata For Piano Duet Op.92. This twenty minute work begins with Leighton's typical preludial double-dotted rhythms and contrapuntal textures; it develops into dark, passionate music and erupts into single and double cadenzas. The gentle Hymn is ushered in quietly and unfolds in long, rhapsodic sections, building up to more climactic cadenzas before dissolving gradually to an ethereal conclusion. The Toccata finale shows Leighton's masterly piano writing and contrasts biting, rhythmic motifs with sweeping, yearning elegiac phrases.
