Des morceaux très connus et originaux - Des styles et rythmes variés représentant le piano jazz de 1890 à nos jours - Des pièces courtes, progressives assimilables rapidement pour le plaisir de jouer - Un CD véritable outil de travail moderne pour découvrir et jouer rapidement les morceaux - Le plus : Pour les morceaux à 4 mains, des pistes permettant de jouer en play-back.

For 2 Pianos, 4 Hands (a set of 2 scores for performance). Par GERSHWIN GEORGE. George Gershwin's iconic Rhapsody in Blue changed the landscape of American music at its 1924 premiere. Its irresistible fusion of classical and jazz has made it one of the most popular American concert works of all time. For this new edition all available sources at the Library of Congress were consulted, including full scores for piano and orchestra as well as two-piano reductions. This edition includes a second copy of the music, making it ideal for all concerto settings. Historical background and critical notes on the sources provide a fascinating window into Gershwin's composition process./ Répertoire / 2 Pianos 4 Mains

Divertimento pour deux pianos. La première fois en 1975. Durée ch. 14 minutes. Les mouvements individuels peuvent être effectués séparément. Convient pour les pianistes de Grade V à partir. / 2 Pianos / 36 pages / Partition

Chart Hits Now boasts 5 of the best of the current chart hits, for just £4.99. Each song is in two formats: Easy Piano with full lyrics, and Guitar chord boxes with lyrics. Featuring Coldplay, Years and Years, Adele, Justin Bieber and Zayn, this is the most accurate way to learn the best hits of today. At just £4.99, Chart Hits Now is a great value songbook. You will get the opportunity to learn Justin Bieber's huge hit Love Yourself, Zayn's catchy Pillowtalk, Adele's Hello, Coldplay's Adventure Of A Lifetime and Eyes Shut by Years And Years. The 5 hottest songs on the charts right now are included in this songbook. The first section includes Easy Piano arrangements, full lyrics and chord symbols, while the second section features the same songs in lyrics and Guitar chord format, so whether you're a pianist, singer or guitarist, you can play these 5 brilliant tunes. Not only does Chart Hits Now offer you the most accurate and best value way to learn these popular songs, the book includes invaluable information on the grand staff, note values, time signatures and more - hugely useful as a reference. / Lignes Mélodiques/Paroles/Accords

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

Par RACHMANINOV SERGEI / WARENBERG ALEXANDER (Arr.). What if the probably most popular symphony by Sergei Rachmaninoff were rewritten as a piece for piano and orchestra? This was the idea behind the 'adaptation' of Rachmaninoff's Symphony No. 2 into his Piano Concerto No. 5. All the while, the Russian pianist-composer Alexander Warenberg kept true to Rachmaninoff's style. However, the four movements of the symphony had to be adapted to the common three-movement form of the piano concerto by combining the second and third movements into one 'Adagio'. Warenberg's arrangement has meanwhile been performed many times. A recording with Wolfram Schmitt-Leonardy (piano) is available on Brilliant Classics. / Niveau : difficile / Date parution : 2023-05-06/ Répertoire / 2 Pianos

22 variations autour du thème ?happy birthday? dans des styles variés, allant du
classique au jazz en passant par le romantisme, le tango et le ragtime, ou évoquant
l?univers de compositeurs tels que ravel ou Fauré... / Célébrations / Partition /

According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an 'academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart's manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins. / Piano