Contains six traditional Klezmer compositions and four originals by MikeCurtis: Boruch Ato Bo'ir - Miserlou - Rumanian Hora, Chusidl and Bulgar - Alcazaba - Hey Judah - Andalucian Lily - Rebn's Tanz - Khyberian Catfit - Street Song - Yoshke, Yoshke. / 2 Violons

Violin Duets. Par IGUDESMAN ALEKSEY. There is no doubt about Aleksey Igudesman's admiration for Mozart and his music and these 'Igudesmanised' pieces for two violins would most likely have Mozart himself laughing, were he to hear them. The 10 pieces for two violins such as 'A Very Little Night Music' through to 'Loud Date and Domino' will be enjoyed by all including two inspired by Mozart but composed by Igudesman himself. There is also a free bonus piece, 'Concertino in G', as a digital sheet music download included. 'Whether the pieces in this book are unmistakably 'Igudesman' is for you to judge, but I am quite convinced that Mozart, were he alive, would have had a laugh if he heard them... before he sued me for copyright infringement!' Aleksey Igudesman Mozart ? Igudesman-style for two violins Performance pieces full of humour and quirkiness for the stage or even for busking Background notes for each piece are provided / Niveau : Intermédiaire / Recueil / 2 Violons

An impelling and moving Sonata for Two Violins by Ukrainian composer Sergei Prokofiev. The four short movements are lyrical playful fantastic and violent all striking themes. The warmer style and highly effective sequence mirrors Prokofiev's condition at the time of composition: after his travels to the West away from Russia his work became increasingly more embracing rather than the confrontational and biting scores of his youth. This piece is one of the Great Performer's Editions and has been faithfully edited by David Oistrakh.

This is a wonderful collection of spirited and lively sonatas by Baroque-composer Jean-Marie Leclair (1697-1764). The contrasting textures including canonic polyphonic and imitative - together with the meticulous editorial realsiation of dynamics and articulation are guaranteed to provide an enjoyable challenge to both advancing and accomplished violinists alike. This edition has been edited by Carl Herrmann and both the Violin I and Violin II parts are included on separate inserts.

Vladimir Bodunov’s challenging duet arrangements make it possible to achieve a rich orchestral-like sound with only two instruments. He has taken great care to make the instruments equal in importance; the solo and accompaniment roles constantly alternate.These six classical pieces enable (prospective) music students advanced or professional musicians to give impressive recitals and auditions or to leave a lasting impression at parties and celebrations.Score and two parts.Impressive show pieces for many occasions.Both instruments of equal standing.Perfect for auditions recitals parties and celebrations.

This collection contains many well-known pieces from the Anglo-American world which are catchy and of a dance-like quality.Some melodies are lively some dreamy but all are easy on the ear. Both violinists are of equal importance and the melody moves frequently from one player to another.When the player takes on the accompanying role he occasionally has to substitute the Guitar and must play arpeggios and easy double stops. The melody part contains embellishments typical of the style.

30 petites pièces mélodiques et rythmiques p violon/ 30 Short Melodic and Rhythmic Pieces For Violin-Val?rie Bime-Apparailly’s My First Studies To Play Together for Violin. Published by the Editions Leduc Val?rie Bime-Apparailly’s instrumental beginner books – such as ‘Je d?bute le violon’ and ‘Mes premi?res doubles cordes en chansons’ – have enjoyed overwhelming popularity since the day they were published. This excellent educator here turns her attention to the delicate matter of studies: how can these pieces be made less tedious for young violinists? With a crisp clear design enhanced by drawings and carefully crafted explanatory notes the MyFirst Studies To Play Together collection for Violin takes away the dreariness of these pieces giving them beyond their technical importance a musical charm that appeals to 2nd and 3rd year students. The adaptation of the Marche en rondeau which opens Marc-Antoine Charpentier’s ‘Te Deum’ allows players to discover the subtleties of the dal segno; the author also reminds us that this tune gained fame as the Eurovision credits song. These pieces some of which are original some of which borrow from the classical repertoire (Mozart Spohr Beethoven) or from works of great teachers like Charles de B?riot and Fr?d?ric Berr familiarise violinists with musical concepts as basic as syncopation or bowing indications without sacrificing the pleasure of playing music.

This set of ten duets features a mix of spirited originals and traditional favorites in the Sephardic style. / 2 Violons