SKU: YM.GPW01096340

ISBN 9784636963403.

24 arrangements for two violins.
24Shou Xiao Ti Qin Er Zhong Zou Le Qu .

1. Amazing Grace; 2. Amapola; 3. The Path of the Wind from My Neighbor Totoro; 4. I Got Rhythm/Gershwin; 5. Le Temps des cerises; 6. Someday My Prince Will Come; 7. A Town with an Ocean View from Kiki's Delivery Service; 8. My Grandfather's Clock; 9. Hamabe no Uta(At the Shore); 10. The Last Rose of Summer; 11. Joy to the World; 12. Happy Birthday to You; 13. Salut d'amour Op.12/Elgar; 14. Minuet in G Major BWV anh. 114/Petzold(J. S. Bach); 15. Songs My Mother Taught Me from Lusalka/Dvorak; 16. String Quartets Op.76/3/Haydn; 17. Lascia ch'io pianga from Rinaldo/Handel; 18. O mio babbino caro from Gianni Schicchi/Puccini; 19. Plaisir d'amour/Martini; 20. Auf Flugeln des Gesanges Op.34/2/Mendelssohn; 21. Beautiful Dreamer/Foster; 22. Liebestraume No.3/Liszt; 23. Ave Maria/Caccini; 24. Siciliana from Antiche arie e danze per liuto/Respighi
1. Qi Yi En Dian ; 2. Ying Su ; 3. Feng Zhi Yong Dao Xuan Zi Long Mao ; 4. Wo De Jie Zou /Ge Shi Wen ; 5. Ying Tao Cheng Shou Shi ; 6. Zong You Yi Tian Wang Zi Hui Chu Xian ; 7. Neng Kan Jian Huan De Jie Dao Xuan Zi Mo Nu Zhai Ji Bian ; 8. Wo Ye Ye De Luo Di Zhong ; 9. Hai Bin Zhi Ge (At the Shore); 10. Xia Ri Zui Hou De Mei Gui ; 11. Ju Shi Huan Teng ; 12. Sheng Ri Kuai Le Ge ; 13. Ai De Li Zan Op.12/Ai Er Jia ; 14. GDa Diao Xiao Bu Wu Qu /Petzold(J. S. Bach); 15. Mu Qin Jiao Wo De Ge Xuan Zi Shui Xian Nu /De Wo Xia Ke ; 16. Xian Le Si Zhong Zou Op.76/3/Hai Dun ; 17. Rang Wo Tong Ku Ba Xuan Zi Li Na Er Duo /Heng De Er ; 18. A !Wo Qin Ai De Ba Ba Xuan Zi Jia Ni *Si Ji Ji /Pu Qi Ni ; 19. Ai De Xi Yue /Ma Di Ni ; 20. Cheng Zhao Ge Sheng De Chi Bang Op.34/2/Men De Er Song ; 21. Mei Li Meng Zhong Ren /Fu Si Te ; 22. Ai Zhi Meng No.3/Li Si Te ; 23. Sheng Mu Song /Qia Qi Ni ; 24. Xi Xi Li Wu Qu Xuan Zi Gu Dai Feng Ge Wu Qu /Lei Si Bi Ji.

SKU: CA.1632710

ISBN 9790007113063. Language: all languages.

The study in synchronicity, se sont penches dessus first achieved its final scoring after many changes. It was first composed as music to a choreography by Gabriel Hernandez: Le (!). eh ? Zovotrimaserovmeravmerouvian (dmzn !) ; se sont penches dessus, which is based on the letters of a fragment translated into French that appears in James Joyce's Finnegan's Wake. The short, static piece has existed in three versions: 1. - sspd , electronic music (normal version, a glissando from one chord of four sounds to another, employed in the electronics of No. 3) 2. - sspd sature, electronic music (intentionally distorted version of No. 1) 3. - se sont penches dessus for violin, alto flute and electronics, in which the flutist had to sing one tone of a diad It turns out that a version for two equal string instruments can better render the harmony of the piece (a tone sung simultaneously with a tone that is played on the flute yields a ring-modulated mixture of sound which is too indistinct), and thus the duo version for 2 violins was composed. A collaboration with the Kairos Quartet, Berlin, (le second tour du noye, 3rd String Quartet) led me to smuggle a viola and cello into the piece as background, in order to glue the abrupt harmonic changes discretely together. The Duo and the Quartet are definitive and equally valid versions, both of which are available separately: Duo (Carus 16.327/10), Quartet (Carus 16.327). se sont penches dessus is now literally the transposition of the translated quotation from James Joyce, in which the letters of the text se sont penches dessus establish the basic structure of the piece (the rhythmic standstill denotes the vowels of the 4 words), the letters of Zovotrimaserovmeravmerouvian indicate the fine rhythmic structure and the manner of playing (e.g., sul ponticello). Walter Feldmann. Score available separately - see item CA.1632700.

SKU: M7.DOHR-16463

ISBN 9790202034637.

Die italienische Reiseimpression wird eingeleitet durch ein ausdrucksvolles Ricercar, welches sich - zweistimmig polyphon beginnend - bis zu vierstimmiger Klang-Komplexität steigert. Die danach molto subito folgende Tarantella beginnt wie üblich im schnellen Sechsachteltakt. Nach und nach drängt sich die Komposition durch gegenrhythmische Motive und ständige Taktwechsel zum exaltierten Kulttanz. (Hans-Günther Allers).