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| 100 Tunes for Piano Accordion
Accordion [Sheet music] - Intermediate
Mel Bay
Accordion (keyboard) - Intermediate SKU: MB.97210 Composed by David DiGiu...(+)
Accordion (keyboard) - Intermediate SKU: MB.97210 Composed by David DiGiuseppe. Style, Squareback saddle stitch, Tunebooks, Piano Accordion, Celtic / Irish, Folk, European, World. Acoustic Music. Book. 112 pages. Mel Bay Publications, Inc #97210. Published by Mel Bay Publications, Inc (MB.97210). ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches. An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument. (1)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sea Shanty Play-Alongs for Accordion, opt. Piano
Accordion [Sheet music + CD]
Alfred Publishing
Accordion, opt. Piano SKU: AP.20307US Ten Sea Shanties to play along. ...(+)
Accordion, opt. Piano SKU: AP.20307US Ten Sea Shanties to play along. From Aloha 'Oe, La Paloma, Santiana via Sloop John B., The Drunken Sailor to The Wellerman and many more.. Composed by Arranged by Vahid Matejko. Play-Along. Tango Play-alongs. Book; CD; Digital Download. 48 pages. Alfred Music #00-20307US. Published by Alfred Music (AP.20307US). ISBN 9783947998555. UPC: 038081558325. German. It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).
The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.
Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: ? a demo-track which features a live accordion performance by Filip Erakovic, a specialist for classical and contemporary accordion music and docent at the University of Wuppertal, Germany.
? a minus-one mix for you to play-along.
This edition is also suitable for accordion players. $11.90 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| 4 Pieces
Accordion [Score]
Breitkopf & Härtel
Accordion solo SKU: BR.EB-9065 Composed by Jorg Birkenkotter. Solo instru...(+)
Accordion solo SKU: BR.EB-9065 Composed by Jorg Birkenkotter. Solo instruments; Folder. Edition Breitkopf. World premiere: New York, October 2, 1989 Music post-1945; New music (post-2000). Score. Composed 1989. 34 pages. Duration 13'. Breitkopf and Haertel #EB 9065. Published by Breitkopf and Haertel (BR.EB-9065). ISBN 9790004179406. 9 x 12 inches. Allen vier Stucken gemeinsam ist der Versuch, die expressiven Moglichkeiten des Akkordeons zu steigern durch konsequente Behandlung des Balg-Rhythmus als selbstandigen Parameter, unabhangig vom Tonhohen-/Tasten-Rhythmus. Dies kann im Extremfall bis zur Uberlagerung verschiedener divisiver Innengliederungen und damit zum Entstehen eines dritten, irrationalen Rhythmus fuhren. Die beiden ,,ausseren (I, IV) bzw. die beiden ,,inneren Stucke (II, III) sind jeweils gedanklich und auf der Materialebene eng miteinander verbunden. Dieser Anordnung entspricht die symmetrische Tondisposition der Stucke I und IV, die durch mehrfache Spiegelungen aus einem Allintervallakkord entwickelt ist. Die Stucke II und III versuchen, die Intervallstrukturen nach innen zu kehren und bis zum Cluster einzuebnen. Dementsprechend erstreckt sich die Vielfalt der Ausdrucksebenen vom herausgepressten fff-,,Schrei bis zum zart schwingenden, ins Innere gerichteten ppp-,,Gesang. Die Stucke (sie dauern zwischen einer und ungefahr funf Minuten) stellen so den Versuch dar, in kurzen Formen mit moglichst knappen Formulierungen die Extreme rigoroser Harte einerseits und einer fast anmutigen Leichtigkeit und Zartheit andererseits miteinander in Verbindung zu bringen. Die Schlechten furchten deine Klaue. Die Guten freuen sich deiner Grazie. Derlei Harte hatte ich gern von meinem Vers. (B. Brecht: Auf einen chinesischen Teewurzellowen) CD: Teodoro Anzellotti (accordeon) CD Cavalli Records CCD 247
World premiere: New York, October 2, 1989. $55.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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