for Alto Saxophone and Percussion-Composed by Latin American Music Center's Founder and first Director.

Solo and Piano Reduction. A notable Czech composer, Jaromir Weinberger achieved sudden fame with the production of his opera, Svanda dudâk (Schwanda, the Bagpiper), written in a popular Bohemian style, at the Czech Opera, in Prague in 1927. Weinberger fled Europe under the growing Nazi threat and took up residence in New York in 1939, where he enjoyed a number of major orchestral performances and commissions of all kinds. One of these came from renowned saxophonist Cecil Leeson, who aske Weinberger to compose a concerto for alto saxophone and orchestra. Due to the outbreak of World War II, the premiere would not happen until 1946, six years after the completion of the concerto in piano score. The work was revised following the premiere and it is only now that those revisions have been incorporated into the solo saxophone and piano reduction with this performance edition by Weinberger scholar, publisher and saxophonist Tristan Willems.

Completely revised and newly engraved ‘97 edition. This classic cross-over work by the legendary Phil Woods is now published exclusively by Advance Music.

To The French Woman For Alto Saxophone And Piano-French composer Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire particularly for Saxophone. Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. The second movement of Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano To the French Woman reflects Dubois' compositional characteristics as well as elements of Frenchcharacteristics with a typical performance lasting about four minutes and 45 seconds. Pieces Caracteristiques En Forme De Suite is essential to the advanced saxophonist's repertoire. Dubois' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

French composer Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire particularly for Saxophone. Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. The last movement of Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano To the Parisian Woman reflects Dubois' compositional characteristics as well as elements of Frenchcharacteristics and a typical performance lasts about three and a half minutes. Pieces Caracteristiques En Forme De Suite is essential to the advanced saxophonist's repertoire. Dubois' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Mazurka for Alto Saxophone and Piano was published in 1961 and remains prominent in the instrument's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Mazurka an homage to Chopin reflects Dubois' compositional characteristics with a typical performance lasting about four minutes. Mazurka is essential to the advanced Alto Saxophone repertoire as Dubois' work makes for an exciting varied and enjoyable performance for playersand audiences alike.

Go for Two for alto saxophone and piano consists of two contrasting movements: Warmly is a lyrical andante followed by a fast rhythmic second movement titled Driving.

Erwin Schulhoff (1894 1942) was one of the most original personalities on the music scene of the early 20th century. His persecution and ostracism by the National Socialists led to his being forgotten for a time though in recentdecades the extraordinary quality of his music has been rediscovered. It was inspired by jazz Dada atonal music and socialist realism. Schulhoff’s Hot-Sonata of 1930 displays the influence of jazz not least through the use ofthe saxophone as solo instrument but also in its pithy rhythms its glitzy harmonies and its use of playing techniques such as glissandi. The Hot-Sonata is published here for the first-ever time in an Urtext edition. Iteliminates numerous mistakes found in the first edition that had been reprinted up to the present day. All the relevant sources were consulted for this edition: the autograph an engraver’s copy Schulhoff’s own copy of thepublished work and further personal documents such as letters and contracts. The saxophonist Frank Lunte from Berlin was engaged to edit this volume. He is an acknowledged expert in this repertoire and in the history of thesaxophone especially its history in 1930s Berlin.

Alto Saxophone Solo with Keyboard-An expressive transcription of the famous piano prelude.