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Nat Ayer
Alto Saxophone and Piano
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
77.30 EUR - Sold by LMI-partitions
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Music for Saxophone and Piano (SCHWARTZ JAY)
Alto Saxophone and Piano
Universal Edition
Par SCHWARTZ JAY . From the composer: “I composed Music for Saxophone and Pian...
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Par SCHWARTZ JAY . From the composer: “I composed Music for Saxophone and Piano for Harry Kinrose White in 1992. It is an early attempt in my work at magnifying the barriers between sound and silence, exploring the extreme ranges of pianissimo sounds in the saxophone that seem to appear without recognizable transition out of nothing. Glissandi, sliding tones, have always fascinated me, and in this piece I applied for the first time my ideas about pitch slides in a composition. These two qualities - the absence of a recognizable boundary between soft and inaudible sound, and the absence of a stationary pitch by employing glissandi - were soon to become something of a basis of my compositional aesthetic for many years. It was in Music for Saxophone and Piano that these ideas seem to have first germinated. The architecture of this piece employs a simple binary form, but the halves are stylistically diametrically opposed, creating a dialectical pair, the serene and elegiac character of the second half being born out of the high point and cathartic event of the first half. In this architectural formula new and unexpected material is catalyzed by the long arch of the opening material reaching a breaking point.” For advanced players./ Recueil / Saxophone Alto et Piano
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Easy Concert Pieces 3
Alto Saxophone and Piano
[Sheet music + CD]
-
Easy
Schott
17 Pieces From 6 Centuries. The Easy Concert Pieces series presents 3 volumes wi...
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17 Pieces From 6 Centuries. The Easy Concert Pieces series presents 3 volumes with popular pieces for alto saxophone with piano accompaniment in progressive order. These pieces are designed to complement a saxophone tuition method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Renaissance, Baroque, Classical, Romantic and Modern era along with jazz and pop. All the pieces are included on the CD in full and playback versions. Volume 3 (intermediate) uses notes ranging from c#\' to F?\' with a few uncommon time signatures and requiring more advanced melodic and rhythmic phrasing. It includes pieces by Ortiz, Händel, Mozart, Lefèvre, Saint-Saëns, Rubinstein, Grieg, Debussy, Ravel and others. / Niveau : Facile / Recueil / Saxophone Alto et Piano
23.60 EUR - Sold by LMI-partitions
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Norton Christopher - Improvise Microjazz - Saxophone Alto, Piano
Alto Saxophone and Piano
Boosey and Hawkes
An easy step-by-step method of learning to improvise. Simple transposition exerc...
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An easy step-by-step method of learning to improvise. Simple transposition exercises and short, structured solos lead to controlled, confident improvisations. Improvise Microjazz can be dipped into or worked through in sequence. Chord symbols are used throughout, and each unit ends with a new Microjazz piece, providing the player with an opportunity to relax by playing some written out music with no decisions to make. Microjazz is the world famous series of pieces based on classical technique yet using popular contemporary styles such as jazz, blues, rock'n'roll and funk. Microjazz helps you develop musicianship and technique through the familiar sounds and styles of popular music. It is this unique combination of modern genres with traditional technique that has made Microjazz an international success with teachers and players, and one of the most widely used educational series ever published. New technology brings Microjazz alive and adds an exciting interactive dimension to practice and performance. Based on classical technique Microjazz is a great way to introduce rhythm and develop co-ordination skills whilst being fun for all ages and standards. A great motivator for the reluctant student and the pieces are equally effective on acoustic or electronic instruments. Content : Thoughtful Melody for Two Duet Train Blues Set Piece Picnic Piece Moving Along Young at Heart Misty Day Into the Night
20.60 EUR - Sold by Woodbrass
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