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Alto Saxophone and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Zoo Time! (RAE JAMES)
Alto Saxophone and Piano
[Sheet music]
Universal Edition
12 Easy Zoological Pieces. Par RAE JAMES. In 'Zoo Time!? for alto saxophone and ...
(+)
12 Easy Zoological Pieces. Par RAE JAMES. In 'Zoo Time!? for alto saxophone and piano, James Rae has imagined how our friends in the zoo might perform on the dance floor! This has inspired some delightful pieces such as 'Tiger Tango?, 'Rhino Rumba?, 'Cobra Calypso? and many more. But it's not just fun for pupil and teacher alike - musical styles are explored even at this early (Grade 1) stage and the student will be inspired to try and interpret the music to portray the animals as vividly as possible. Attractive, teacher-friendly piano accompaniments are provided, which include chord symbols for further musical possibilities. 'Zoo Time!? follows on naturally from James Rae's 'Child's Play? (UE21699) where all the beginners' notes are introduced one at a time, just as in a standard tutor book./ Recueil / Saxophone Alto et Piano
16.60 EUR - Sold by LMI-partitions
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Eugène Bozza: Aria: Alto Saxophone: Instrumental Work
Français
Alto Saxophone and Piano
Leduc, Alphonse
Aria by Eugène Bozza (1905-1991) is a lyrical piece written in 1936 for advance...
(+)
Aria by Eugène Bozza (1905-1991) is a lyrical piece written in 1936 for advanced Alto Saxophone players. Technically and musically challenging being able to master vibrato and control your instrument well will be greatly beneficial to effective playing of this piece. Dedicated to the famous French Saxophonist Marcel Mule Aria required from the player a good mastery of breathing as there are few rests and this also suggests that the intonation should be applied carefully as well. A relaxed piece that's very popular among players this piece is representative of Bozza's inimitable romantic style and is thoroughlyenjoyable. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He also composed several operas chamber works and ballets among others.
10.99 GBP - Sold by Musicroom UK
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Easy Concert Pieces
Alto Saxophone and Piano
[Sheet music + CD]
-
Easy
Schott
23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone an...
(+)
23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano
21.65 EUR - Sold by LMI-partitions
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Andy Hampton David Motion: Groove Lab: Saxophone: Instrumental Album
Alto Saxophone and Piano
[Sheet music + CD]
Faber Music Limited
Groove Lab is a series designed and composed by Andy Hampton and David Motion fo...
(+)
Groove Lab is a series designed and composed by Andy Hampton and David Motion for the development of jazz playing and improvisation skills. While the books are aimed at individual learning, they can be flexible and can also accommodate a large group or class situation. Groove Lab (Alto Sax/CD) is ideal for teaching children with basic musical understanding the art of improvisation and some jazz technique. This book, with CD backing, will give saxophone players the chance to play familiar, popular styles and rhythms at relatively early stage. Books are also available for electronic keyboard, flute , clarinet and alto sax. Each book is accompanied by a CD of backing tracks for an enhanced learning experience.
8.50 GBP - Sold by Musicroom UK
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Williams John - Harry Potter - Chamber Of Secrets (asax ,cd - Saxophone And Piano
Alto Saxophone and Piano
[Sheet music + CD]
Alfred Publishing
A beautiful collection of selected themes from the movie 'Harry Potter and The C...
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A beautiful collection of selected themes from the movie 'Harry Potter and The Chamber of Secrets' arranged for alto saxophone solo with CD backing. This book has a 8-page colour section of stills from the film that starred Daniel Radcliffe as Harry, Rupert Grint as Ron and Emma Watson as Hermione. Contents: The Chamber of Secrets; Dobby The House Elf; Family Portrait; Fawkes The Pheonix; Gilderoy Lockhart; Harry's Wonderous World; Hedwig's Theme; Moaning Myrtle; Nimbus 2000.
15.20 EUR - Sold by Woodbrass
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Eugène Bozza: Aria: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
[Sheet music + Audio access]
Leduc, Alphonse
Pour Alto Saxophone et Piano-Born to an Italian father and a French mother Eug...
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Pour Alto Saxophone et Piano-Born to an Italian father and a French mother Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936) Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of JohannSebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody which unfolds over a regular meter has become one of the most widely played Saxophone pieces in the world. Having enjoyed such success Éditions Leduc has decided to supplement its republication with an audio version that will enable saxophonists to carry out “full-scale” practice.
12.99 GBP - Sold by Musicroom UK
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Frank W. Meacham: American Patrol: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
The Walsh Collection
This tune was very popular before World War I - the first recording was a 2-minu...
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This tune was very popular before World War I - the first recording was a 2-minute Edison cylinder in 1903 - but retained popularity during both World Wars with the version by Glenn Miller and his orchestra being the best known. This version for alto saxophone and piano will make an ideal short jazzy concert item.
5.50 GBP - Sold by Musicroom UK
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
68.44 EUR - Sold by LMI-partitions
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Jaromír Weinberger: Alto Saxophone Concerto (Revised): Alto Saxophone and
Alto Saxophone and Piano
[Reduction]
Southern Music Ltd
Solo and Piano Reduction. A notable Czech composer, Jaromir Weinberger achieved ...
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Solo and Piano Reduction. A notable Czech composer, Jaromir Weinberger achieved sudden fame with the production of his opera, Svanda dudâk (Schwanda, the Bagpiper), written in a popular Bohemian style, at the Czech Opera, in Prague in 1927. Weinberger fled Europe under the growing Nazi threat and took up residence in New York in 1939, where he enjoyed a number of major orchestral performances and commissions of all kinds. One of these came from renowned saxophonist Cecil Leeson, who aske Weinberger to compose a concerto for alto saxophone and orchestra. Due to the outbreak of World War II, the premiere would not happen until 1946, six years after the completion of the concerto in piano score. The work was revised following the premiere and it is only now that those revisions have been incorporated into the solo saxophone and piano reduction with this performance edition by Weinberger scholar, publisher and saxophonist Tristan Willems.
13.99 GBP - Sold by Musicroom UK
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Child's Play (RAE JAMES)
Alto Saxophone and Piano
[Sheet music]
Universal Edition
18 First Pieces for Young Beginners. Par RAE JAMES. These stimulating new pieces...
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18 First Pieces for Young Beginners. Par RAE JAMES. These stimulating new pieces from James Rae, with a few added well-known favourites, will inspire the younger beginner. They are all in a comfortable register and only simple rhythms and small intervals are used. New notes are gradually introduced in the same order as they appear in most standard tutors. Even at this early stage different musical styles are explored and pupils will also enjoy the fun illustrations which can be downloaded for free for colouring in. p> - First pieces, all in a comfortable register, to inspire the younger beginner - New notes are gradually introduced in the same order as they appear in most standard tutors - Only simple rhythms and small intervals are used - The accompaniments are designed to enhance the pieces and provide support for the beginner - Musical styles are explored even at this early stage - Cartoons can be downloaded for free for colouring in/ Recueil / Saxophone Alto et Piano
18.81 EUR - Sold by LMI-partitions
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Easy Concert Pieces Band 2: Alto Saxophone
Alto Saxophone and Piano
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Easy
Schott
The Easy Concert Pieces series for alto saxophone and piano provide easy to inte...
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The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty.All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert.Volume 1 (ED 22553) contains easy pieces which mainly range from d? to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others.Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others.Volume 3 (ED 22942) ? in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire.
16.99 GBP - Sold by Musicroom UK
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Encore Pieces
Alto Saxophone and Piano
De Haske International
for Saxophone. Par . It is often the case that at the end of a concert a soloist...
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for Saxophone. Par . It is often the case that at the end of a concert a soloist is requested to perform an additional item not listed in the programme, in other words an encore. In general the piece that is chosen is short and emphasises the expressive qualities of the instrument as well as the musical ability of the soloist. In this collection you will find a series of works that are suitable as encore pieces due to their duration and technical content. On the MP3 audio tracks available online you will find a complete recording of each piece which you can use as a guide before performing the solo part with the piano accompaniment. / Date parution : 2024-01-06/ Recueil / Saxophone Alto et Piano
28.58 EUR - Sold by LMI-partitions
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Diverse: Celtic: Play-along Saxophone: Alto Saxophone: Play-along
Alto Saxophone and Piano
[Sheet music + CD]
Universal Edition
Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und De...
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Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.
16.99 GBP - Sold by Musicroom UK
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