SKU: ST.Y329
ISBN 9790220224553.
In her song-set for baritone and piano A Swift Radiant Morning, Rhian Samuel, a noted contemporary composer of English song, has created a portrait in words and music of the young poet Charles Hamilton Sorley (1895-1915). Robert Graves described Sorley's death - at the Battle of Loos - as among the three most significant amongst poets in the First World War (the others being Wilfred Owen and Isaac Rosenberg). The five songs are 'Rooks', 'The Sounds of War', 'The Signpost', 'In Memoriam', and 'Earth's King'. The composer offers in the last song a celebration of Sorley's life, and a testament to his enduring legacy. A Swift Radiant Morning was commissioned by the Three Choirs Festival, Hereford, 2015, for a first performance by Roderick Williams, baritone, and Susie Allan, piano, at Holy Trinity Church, Hereford, on 25 July 2015. CONTENTS 1 Rooks 2 The Sounds of War 3 The Signpost 4 In Memoriam 5 Earth's King.
SKU: HL.1446144
ISBN 9798350124590. UPC: 196288206637.
I Saw a Peacock by Brian Elias is a set of six songs for baritone and piano, commissioned by Wigmore Hall and premiered by James Newby and Joseph Middleton. Of particular interest to the composer was the eponymous poem; though generally anthologised as a nursery rhyme, it contains apocalyptic and almost biblical imagery.
SKU: BT.MUSM570206339
English.
For Baritone and Piano. Published in 1956 and 1965. First performed by Benjamin Luxon, Paul Hamburger, Arts Council Drawing Room, 1966. Score.
SKU: BT.MUSM570364107
Time And The Seasons: A Song Cycle was commissioned by Sholto Kynoch, with funding from the Britten Pears Foundation and Truffle Hunter, for Roderick Williams and Andrew West to perform at the 2013 Oxford Lieder Festival.
SKU: SU.32040041
Baritone Voice & Piano Duration: 17' Composed: 2014 Published by: Amy Mills Music, LLC These three art songs can be performed independently or in sequence, at any time of the year. Stuart McAlpine’s profound text explores three men from the Christmas story, Joseph, the Inn-keeper, and Simeon. The creative and beautiful musical settings allow for powerfully dramatic interpretation and performance. To Joseph (who taught me how to look at art) The singer sings to Joseph, …you beheld a work of art, the making of a holy heart… and watching through Joseph’s eyes, when hung at last, its meaning was decreed. (4:40) The Inn-keeper’s Lament McAlpine brilliantly explores the possibility…what if the inn-keeper who turned away Mary & Joseph later became the inn-keeper who accepted the injured man brought in by the Good Samaritan? This powerfully dramatic piece depicts the Bethlehem inn-keeper’s bravado, Caeser’s decree was heaven sent, as guests raised glasses, I raised rent! But as the enormity of his mistake became apparent, in later years he bemoans, …if I’d known then what I know now… and finally declares at the end, I know now! (7:50) Simeon’s Last Prayer Simeon sings of being summoned to the temple where he holds his infant Savior. …then as grandfathers do, rejoiced as if he were my one-and-only too. As he leaves he whispers his final prayer, …dismiss your servant, to find You face-to-face. (4:30) Difficulty Level: Baritone/Mezzo-Soprano 6 (Professional) (Baritone Range: low A (optional low G) to high F# (optional high G,A) (Mezzo Range: low A (optional low G) to high G (optional high A) Piano 6 (Professional)(Same level as Debussy or Ravel) See also the version for Mezzo-Soprano and Piano See composer website for audio sample.
SKU: FP.FMJ02
ISBN 9790570503896.
A wonderfully balanced and yet contrasting set of songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse.In the first, perhaps the most often quoted of Ronsard's poems, the poet invites young Mignonne to come and look at the purple rose and to realise that her beauty like the rose's will fade all too soon. Du Bellary's poem is redolent of late summer heat and haze as the thresher of the title calmly pursues his work. The Marot is a brief exercise in courteous mockery as the poet chides his ailing lady upon her gastronomic self-indulgence and warns her of the inevitable consequences upon her figure.Finally published in 2013, Trois Chansons is one of the of the composer’s earliest surviving works, written while he was studying with the late Sir Lennox Berkely as a postgraduate student at the Royal Academy of Music. The first performance was given by Beverley Humphreys at the Royal Academy of Music in 1956.
SKU: PR.141400940
UPC: 680160639571. 9 x 12 inches. Text: Paula Gunn Allen. Paula Allen.
A dynamic and heartfelt setting of text by Native American poet Paula Gunn Allen, What the Moon Said is a multifaceted affair, reflecting its source. Piano reduction; Baritone with string quartet is also available.This 9-minute work is a setting of the beautiful and evocative poem of the same name by NativeAmerican poet Paula Gunn Allen. Lauren Bernofsky was drawn to its strong, yet changing, moods.The resulting piece moves through several characters: lonely and austere; angry; warm and content;reflective. In between each mood the music returns to an echo of the opening austere music, tyingthe piece together into an enchanting whole. The composer herself is a violinist, and so the stringwriting is idiomatic and highly effective.
SKU: BT.MUSM570365081
Composed in 2012, the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk. ' ...in the folk-song there is to be found the complete history of a people, recorded by the race itself, through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian... '(Percy Grainger 1922) In 1905, Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair , a song he had learnt from a gypsy. Australian composer Percy Grainger subsequently published a setting in his Lincolnshire Posy , with Delius usingthe tune in his rhapsody, Brigg Fair . Both composers sought to vivify the tradition of English folksong, celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor. Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love . Although different in character, both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth, the lily as virginity, the red rose as true love, and the willow representing falsehood and abandonment.
SKU: PE.EP67620
ISBN 9790300742632.
from poems of John Ashbery: I. I Had Thought; II. The Painter; III. Sonnet; IV. At North Farm; V. Landscape; VI. Faust; VII. Hotel Lautreamont; VIII. Myrtle; IX. Illustration (I and II); Debit Night (a television docu-drama commissioned for this composition and recorded by Mr. Ashbery) [The following can be performed out of context: Sonnet, At North Farm, Faust, Myrtle, Illustrations I and II.] (Commissioned by the Meet the Composer/Reader's Digest Commission Program)
SKU: PR.111402790
UPC: 680160681327. 9 x 12 inches. Herbert Martin. Herbert Martin.
NOBODY KNOW is a concert aria based on a text by Herbert Martin, an American poet based in Dayton, Ohio. The work depicts a song from the other cross, a viewpoint of one of the thieves crucified with Christ on Good Friday, the thief who pleaded to be remembered by Christ.
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