SKU: SU.80102990
The four Anglo-Saxon riddles are set for baritone voice and piano in four movements. The audience won't know the answers unless you tell them. Each riddle is of 1 to 3 minutes duration. 16 pages Published by: Columbia University Music Press.
SKU: ST.Y230
ISBN 9790220221736.
Commissioned with Arts Council of Wales funds by the School of European Studies, Cardiff University, for the centenary celebrations of Samuel Beckett's birth, The Flowing Sand is a setting of five poems by this seminal 20th-century modernist that are unified as a song-cycle by meaningful contrasts of mood and of musical style. The movements are 'what would I do', 'my way is in the sand', 'Da Tagte Es', 'Roundelay' and 'saying it again'. Artistically challenging, yet well within the technical range of enterprising conservatoire students, The Flowing Sand is a major addition to the repertoire of contemporary art-song by British composers, and a significant contribution to the celebrations of the writer's anniversary year.
SKU: BT.MUSM570365081
English.
Composed in 2012, the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk. ' ...in the folk-song there is to be found the complete history of a people, recorded by the race itself, through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian... '(Percy Grainger 1922) In 1905, Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair , a song he had learnt from a gypsy. Australian composer Percy Grainger subsequently published a setting in his Lincolnshire Posy , with Delius usingthe tune in his rhapsody, Brigg Fair . Both composers sought to vivify the tradition of English folksong, celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor. Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love . Although different in character, both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth, the lily as virginity, the red rose as true love, and the willow representing falsehood and abandonment.
SKU: PR.141400940
UPC: 680160639571. 9 x 12 inches. Text: Paula Gunn Allen. Paula Allen.
A dynamic and heartfelt setting of text by Native American poet Paula Gunn Allen, What the Moon Said is a multifaceted affair, reflecting its source. Piano reduction; Baritone with string quartet is also available.This 9-minute work is a setting of the beautiful and evocative poem of the same name by NativeAmerican poet Paula Gunn Allen. Lauren Bernofsky was drawn to its strong, yet changing, moods.The resulting piece moves through several characters: lonely and austere; angry; warm and content;reflective. In between each mood the music returns to an echo of the opening austere music, tyingthe piece together into an enchanting whole. The composer herself is a violinist, and so the stringwriting is idiomatic and highly effective.
SKU: FP.FMJ02
ISBN 9790570503896.
A wonderfully balanced and yet contrasting set of songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse.In the first, perhaps the most often quoted of Ronsard's poems, the poet invites young Mignonne to come and look at the purple rose and to realise that her beauty like the rose's will fade all too soon. Du Bellary's poem is redolent of late summer heat and haze as the thresher of the title calmly pursues his work. The Marot is a brief exercise in courteous mockery as the poet chides his ailing lady upon her gastronomic self-indulgence and warns her of the inevitable consequences upon her figure.Finally published in 2013, Trois Chansons is one of the of the composer’s earliest surviving works, written while he was studying with the late Sir Lennox Berkely as a postgraduate student at the Royal Academy of Music. The first performance was given by Beverley Humphreys at the Royal Academy of Music in 1956.
SKU: PR.111403080
ISBN 9781491134757. UPC: 680160685479. Narrative of the Life of Frederick Douglass, an American Slave (1845).
“Powerful†would be an understatement in describing both Frederick Douglass’s words and Adolphus Hailstork’s setting for Baritone with Piano accompaniment, also available for Cello ensemble with Timpani. Hailstork has created an 8-minute monodrama from a passage in Douglass’s landmark autobiography, where the great orator asks why boats can roam the sea while he must remain in chains.
SKU: GH.LUN-570-0521
Text: Erik Axel Karlfeldt.
For voice (baritone) and piano.
