SKU: SU.28090080
Bass Clarinet & Piano Composed: 2018 Published by: Distributed Composer.
SKU: MA.EMR-44948
The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ...
SKU: MA.EMR-44974
Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...
SKU: MA.EMR-908GC
The Man I Love (Gershwin) / Abide With Me / Ode To Joy (Beethoven) / Ave Verum (Mozart) / Te Deum (Charpentier).
SKU: MA.EMR-54494
1. Arabian Tales / 2. Pinocchio / 3. King Arthur / 4. Legends Of Crete.
SKU: MA.EMR-929GC
Possible instrumentations:Bass Clarinet & CD Play Back / Play AlongBass Clarinet & Organ (+ CD Play Back / Play Along optional)Bass Clarinet & Piano (+ CD Play Back / Play Along optional).
SKU: SU.91770414
Instrumentation: Bass Clarinet & Piano Duration: 8' Composed: 2005 Published by: Subito Music Publishing.
SKU: SU.80601360
Bb Bass Clarinet, Piano Composed: 1966 Published by: E.B. Marks.
SKU: SU.80601370
SKU: HL.48024842
ISBN 9783793142584. UPC: 840126908824.
The Shoa never was a theme in the works of Ursula Mamlok - with the exception of Ruckblick for saxophone and piano which she wrote in 2002 on commission of the Temple University in memory of Kristallnacht. The contrast between slow and fast movements is much moreelaborate than in her other works from that period, with the fast movements appearing somewhat driven while the piano part for a fewmoments adopts an otherwise unknown severity. Near the end of the third movement, cantabile and fleeting gestures are suddenly pushed toward each other. The first fast movement arises from the destruction of attempted cantability. The Elegy (2nd movement) dies away with a four-fold reminder of its initial motif, the last attempt remaining fragmentary. The fourth movement Lament concludes with a figure that returns to its beginning.