Par ELIAS BRIAN. Capriccio for Bassoon and Strings was commissioned by Music at Malling. The first performance was given on 24 September 2021 in St. Mary’s Church, West Malling, Kent, by Adam MacKenzie (bassoon) and Chamber Domaine, conducted by Thomas Kemp. / Date parution : 2022-02-03/ Répertoire / Basson et Piano

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences Récit Sicilienne and Rondo for Bassoon and Piano being no exception. This Bozza piece for Bassoon is expressive and virtuosic displaying the entire range of the instrument accompanied by rhythmic quavers and spread chords in the Piano. As music educationalist Paul Griffiths has written ofBozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Récit Sicilienne and Rondo for Bassoon and Piano is a highly suitable and exciting addition to the advanced bassoonist's repertoire.

5 pieces for bassoon and piano to introduce the tenor clef and incorporate easy piano parts. They are intended to follow Four Easy Pieces and also to introduce some further aspects of bassoon playing up to about Grade V.

Internationally acclaimed French composer Henri Dutilleux (1916-2013) followed the music traditions of Maurice Ravel and Claude Debussy yet implemented his own distinctive style. His Sarabande et Cortege for Bassoon and Piano displays influences of Debussy's eschewing of tonality and Ravel's inventive textures. These combined with Dutilleux's unique uses of structure and pedal points create a truly riveting piece for Bassoon and Piano. Sarabande et Cortege comes at the beginning of Dutilleux's career and was composed as part of a set of fourexam pieces for the Paris Conservatoire (1942-1950). Yet the popularity of all four pieces remains and they continue to be performed to this day. Elements like lyrical melodies and furious semiquaver passages make for an exciting piece for bassoonists.

Par HERPAY AGNES. Comprising four printed books and rich digital material, the Bassoon ABC is a modern and innovative instrumental method by Ágnes Herpay, a successful Hungarian bassoonist and teacher. The method itself comprises two volumes (Z. 20092, Z. 20093), while piano accompaniments have been published in two further volumes (Z. 20092P, Z. 20093P). In this book all pieces with piano accompaniment in Bassoon ABC vol. 2 are included. Transposed versions for tenoroon in F and G can be downloaded at Digikotta free of charge using the individual code in the printed book. / Date parution : 2022-10-12/ Méthode / Basson et Piano

Sous-titre : 17 Graded Solos for Bassoon and Piano Arrangeur : Philip Sparke Édition musicale : Anglo Music Press Instrumentation : Basson et Piano Langue : E(UK)DFN Degré de difficulté : Facile-Élémentaire Type de produit : Recueil CD Année d'édition : 2013 Dimension : 9 X 12 INCH Nombre de pages : 32 ISMN : 9790570293629 N° Titre 1 Les Grands Douleurs (Basse Danse No. 6 from Danserye) Compositeur: Susato, Tielman 2 Sonata (from Harlequin Restored, or the Country Revels) Compositeur: Charke, Richard 3 Ah, Leave Me Not to Pine (from The Pirates of Penzance) Compositeur: Sullivan, Sir Arthur Seymour 4 Mr. Scoolding` Minuet (from The Compleat tutor to the Hautboy) Compositeur: Anonymous 5 Aria (from Kleine Kammermusik) Compositeur: Telemann, Georg Philipp 6 O Waly, Waly (The Water is Wide) - Scottish traditional 7 Bourrée (from Water Music) Compositeur: Händel, Georg Friedrich (Handel, George Frideric) 8 Gratitude (from Lyric Pieces Op. 62) Compositeur: Grieg, Edvard 9 Andantino (from Vox Organi) Compositeur: Batchelder, Frederick William 10 When I am Laid in Earth (from Dido and Aeneas) Compositeur: Purcell, Henry 11 Allegro (Sonata I from 12 Sonatas) Compositeur: Babell, William 12 Bist Du Bei Mir (from Diomedes) Compositeur: Stölzel, Gottfried Heinrich 13 Poco Allegretto (from Symphony No. 3) Compositeur: Brahms, Johannes 14 Lord Willobies Welcome Home (from My Ladye Nevells Booke of Virginal Music) Compositeur: Byrd, William 15 Jesu, Joy of Man`s Desiring (from Cantata No. 147) Compositeur: Bach, Johann Sebastian 16 Adagio (KV Anh. 94 (580a) Compositeur: Mozart, Wolfgang Amadeus 17 Allegro (Finale from Flute Sonata in C) Compositeur: Vivaldi, Antonio

Notturno Sentimentale Für Fagott und Klavier. Par TORRIANI ANTONIO. / Répertoire / Basson et Piano

Bénédictions est écrit par Pam Wedgwood, et est disponible dans des arrangements pour violoncelle solo, flûte, hautbois, basson ou cor français en fa avec accompagnement au piano. Cette version est pour basson et piano. / Basson Et Piano