Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the Los Angeles Museum of Art, Bing Theatre. It is the composer´s second large work featuring the bassoon as soloist (after Hexen) and like Hexen it is also dedicated to bassoonist Judith Farmer who premiered it with the composer at the piano.Sunset Song is technically a tour de force for both the bassoon and the piano. It is happy, sensuous, obsessive and at times mocking - often reflecting the time in which it was written and the events of a Mexico tour that followed the first performance during which the piece underwent revisions.The piece starts with an introduction played by the bassoon almost entirely. This introduction uses elements of 1950s pop music. A middle section follows where a static -almost Middle Eastern- ostinato rhythmic pattern beats with increasing tension. This pattern is then transformed to a Latin beat which finally returns the piece to the opening mood. The bassoon ends the piece in an irreverent tone, with a pitch written two octaves above the official limit of the instrument's register. The title Sunset Song was inspired by California's sunsets and the sun setting on the Pacific Ocean. / Basson Et Piano

Par PIERNE. Gabriel Pierne (1863-1937) was a French composer, conductor and organist. Despite being predominantly remembered as a conductor, his Solo De Concert remains a recognised piece in the Bassoon repertoire. Pierne studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series, Concerts Colonne in 1910. He remained in the post until 1933, and during this time, he notably conducted the world premiere of Igor Stravinsky 's The Firebird. Pierne composed for a variety of instruments, Concert Solo for Bassoon being one offour solo works by the composer. This Pierne piece for Bassoon contains many characteristics typical of the French style, such as significant tempo changes and performance directions, flourishes of semiquavers, chromaticism and many alterations in dynamics. Concert Solo is a varied piece essential to the repertoire of aspiring bassoonists./ Répertoire / Basson et Piano

Par SHEEN GRAHAM. Going Solo ' est une série de solos de bois graduée qui vise à combler le fossé entre la musique pour les débutants et les solos de pièces pour les joueurs plus avancés. Il vise à introduire le plus jeune joueur à un répertoire essentiellement idiomatique, composé des transcriptions de célèbres solos de chefs-d'oeuvre orchestrale standard, ainsi que les arrangements de pièces dans des styles allant de la Renaissance au XXe siècle. Le résultat est une collection vivante conçue pour encourager une technique couramment et permettre le jeune joueur faire face à un chef d'orchestre ou un auditoire en toute confiance./ Répertoire / Basson et Piano