SKU: BT.AMP-362-400
ISBN 9789043138826. 9x12 inches. English-German-French-Dutch.
Sounds Classical for Bassoon is a collection of graded solos selected specifically for the developing bassoonist.
Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces are drawn from four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material forpractice or recital.
Also available: Sounds Classical for Oboe, AMP 361-400Sounds Classical for Bassoon is een verzameling van solos die speciaal voor fagotleerlingen zijn geselecteerd - in oplopend niveau.
De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board of the Royal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormenideaal materiaal voor zowel lessen als optredens.
Ook verkrijgbaar: Sounds Classical for Oboe, AMP 361-400SOUNDS CLASSICAL ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für werdende Fagottisten ausgewählt wurden. Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoire aus vier Jahrhunderten aus - vonSusato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!Sounds Classical for Bassoon est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les bassonistes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtentparfaitement l’étude comme une interprétation en concert.
SKU: MA.EMR-44949
The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ...
SKU: BR.SON-421
ISBN 9790004802663. 9 x 12 inches.
Nearly an entire decade lies between the first mention (1831) and the printing (1840) of the Trio op. 49. Mendelssohn kept trying to set it to paper, but he was probably again making too many demands on this work, his first in the piano trio genre. Yet his efforts were immediately rewarded: It is the master trio of the present, and Mendelssohn the Mozart of the 19th century, proclaimed Robert Schumann, who was also to compose a landmark D minor Trio seven years later. Mendelssohn's second Trio op. 66 was composed with a relatively light hand in 1845. Over and beyond the familiar Trios opp. 49 and 66, the corresponding volume of the Leipziger Mendelssohn-Ausgabe contains sketches and drafts in the same scoring, which were not further developed.