SKU: HL.14016189
UPC: 884088491918. 8.0x12.0x0.09 inches.
J. B. Senaillé's Introduction And Allegro Spiritoso For Bassoon And Piano arranged by Howard Parker for Bassoon and Piano accompaniment. Originally scored for 4 solo parts for low brass instruments. Duration - 3 Minutes.
SKU: SU.27160340
Bassoon & Piano Duration: 5’18 Composed: 2007 Published by: C. Swigart Music.
SKU: ST.C130
ISBN 9790570811304.
As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.Timeless Cornish melodies, cooked up for hungry clarinet playersGrades 1–4Former Spartan Press Cat. No.: SP1219.
SKU: HL.48181006
UPC: 888680878726. 9.0x12.0x0.06 inches.
As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera Style, transcribed for bassoon and piano by Fernand Oubradous contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera Style clearly exemplifies these qualities through flourishing bassoon lines and evocative, chordal and rhythmic piano accompaniments. Moreover, habanera rhythms heard throughout the piece create further excitment. All of these musical elements combined create a highly enjoyable piece for the bassoon and piano repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera Style add to an irresistible purchase for aspiring bassoon players.
SKU: SU.26190130
Ballad celebrating Eugene Rousseau's retirement,transcribed for Bassoon)Bassoon & Piano Duration: 5' Composed: 2015 Published by: Freundworks Publishing (ASCAP).
SKU: BT.DHP-1185973-401
ISBN 9789043157513. International.
This short work is partly based on the well-known bassoon solo from Peter and the Wolf, the musical fairy tale by Sergei Prokofiev. However, the original melody is presented in â??inversionâ??: ascending intervals become descending ones, and vice versa. The middle cantabile section is mainly situated in the higher bassoon register, thus forming a lovely contrast with the other parts. The piano accompaniment is modest and transparent, so that the bassoon is not drowned out.Dit korte werkje is deels geënt op de bekende fagotsolo uit Peter en de Wolf, het muzikale sprookje van Sergei Prokofjev. De oorspronkelijke melodie wordt echter in â??omkeringâ?? gepresenteerd: stijgende toonafstanden worden dus dalende en vice versa. Het middendeel is zangeriger en ligt vooral in het hogere register van de fagot, wat een fraai contrast vormt met de hoekdelen. De pianobegeleiding is bescheiden en transparant, zodat de fagot niet overstemd wordt.Dieses kurze Werk basiert zum Teil auf dem bekannten Fagott-Solo aus Sergei Prokofjews musikalischem Märchen Peter und der Wolf. Die ursprüngliche Melodie wird jedoch als Umkehrungâ?? vorgestellt: aufsteigende Intervalle werden zu absteigenden und umgekehrt. Der Mittelteil ist kantabler und liegt hauptsächlich in der höheren Stimmlage des Fagotts, womit er einen schönen Kontrast zu den Eckteilen bildet. Die Klavierbegleitung ist zurückhaltend und transparent, sodass das Fagott nicht übertönt wird.Cette Å?uvre courte est basée en partie sur le célèbre solo pour basson de Pierre et le Loup, le conte musical de Sergue Prokofiev. Toutefois, la mélodie originale est présentée en « inversion » : les intervalles ascendants deviennent ainsi descendants, et vice-versa. La partie du milieu est plus cantabile et profite surtout du registre aigu du basson, ce qui crée un magnifique contraste avec les parties qui lâ??entourent. Lâ??accompagnement pour piano est modeste et simple : ainsi il ne couvre pas le basson.
SKU: FL.FX073474
A page for young bassoon players from 5 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073752
This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ; A piece that can be played from 3 years of instrument practice ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 2.
SKU: MA.EMR-45028
Grandfather Clock / Snail, come out to play! / Rain is Falling / Joy To The World / William Tell / Tenderness / Let's Climb the Ladder / Little Ladybird / It's Christmas / Santa Claus's Toy / Pirouette, Cacahuete / Doctor Staccato...
SKU: MA.EMR-13771
Red River Valley / Go Down Moses / Glory Hallelujah / Aura Lee / Oh Happy Day.
SKU: FL.FX074232
An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. - Jerome NAULAIS ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 2; Duration: 1 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.
SKU: MA.EMR-13794
Go Tell It On The Mountain / Holy Night / Il est ne le divin enfant / Jingle Bells / Joy To The World / O Christmas Tree / O Come All Ye Faithfull / Silent Night / We Wish You A Merry Christmas / What Child Is This.
SKU: MA.EMR-28998
Dix / Nearer, My God, To Thee / Passion Choral / Grosser Gott, wir loben Dich / Redemption / Jerusalem / Pray For A Better World / Wir pflugen / Resurrection / In Terra Pax / Lobe den Herrn / Nun danket alle Gott / Ein' feste Burg ist unser Gott ....
SKU: HL.49045318
ISBN 9781495082535. UPC: 888680656669. 9.5x12.0x0.515 inches.
The title refers to three instruments, three movements, and three ways of treating musical time. The tone of the work is serious yet as playful as the title suggests.The first movement, Ratios, opens with a series of seemingly unrelated ideas in tempo ratios of 3:2 and 4:3. As the movement proceeds, the ideas develop, transform, and superimpose in increasingly wide spirals. The slower second movement, Cycles, is a fantasy built on the strict scaffolding of an omnipresent, diatonic cantus firmus set in symmetrically expanding and contracting cycles. The quick finale, Phases, is a moto perpetuo tarantella in which the instruments move in and out of phase as they chase one another. The flowing eighth notes merge and finally unify ideas from the previous movements.
SKU: MA.EMR-51055
1. Bei Onkel Jules / 2. Der Stolz Holzfallern / 3. Wasser oder Rotwein / 4. Buzibutz / 5. Yodlogag.