SKU: M7.SMP-1178
This chart was originally written for Charlie Parker to perform with the Stan Kenton Orchestra. Eventually it was recorded by Lee Konitz. The ensemble writing is very playable with no range concerns in the brass. If you have a great alto saxophone player (the solo is mostly chord symbols), this is an easy tune to put together with your band and will be a spectacular addition to any concert program. 5-5-5-3.
SKU: M7.SMP-383
English.
Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time. It was recorded on the Swingin' New Big Band album (CD available from Sierra Music), and has wide open blowing space in the blues format. A great shout chorus finishes off this exciting, swinging chart from Oliver Nelson. 5-4-4-3.
SKU: M7.SMP-127
Geoff has taken this well-known Nat Adderley tune and given it a breath of fresh thinking, interesting voicings, and very playable phrases. This excellent chart features any soloists you want (chord sheets included for all players), a nifty trombone/bass soli and reasonable ranges for all.
SKU: M7.BARN-32349500
Get out those plungers and let the fun begin! This hot chart has a great uptempo swing feel and the novel plunger effects in the brass give it a unique sound! Includes an open solo section for the soloist of your choice and written solo suggestions are also furnished. Range are reasonable and Larry's great scoring gives it a big solid sound even with bands of limited instrumentation. The concluding shout chorus starts soft, then brings down the house. Can't be beat!
SKU: M7.SMP-1199
This is a lovely, cool, easy-swing chart that explores linear material as written for and recorded by the North Texas One O'clock Lab Band (Lab 2013). Flute and bass clarinet doubles are required, and the drummer is featured throughout with brushes. This piece has the feel of a theme and variations, and contains very rich harmonies and voicings. 5-4-4-4.
SKU: M7.SMP-653
This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.
SKU: M7.SMP-408
Ernie Wilkins has created a swinging version of this great classic tune. Features alto sax, trumpet, piano and trombone solos. There is a wonderful Basie-ish shout chorus, with very neat dynamic variations. Very playable by most bands. 5-4-4-4.
SKU: M7.SMP-354
Shades opens with a drum solo (brushes on snare) in a medium tempo and swings on from there. There is a trombone, alto saxophone and piano solo in this first movement. There are also drum solos which are interspersed with wonderful ensemble phrases. This chart romps from beginning to end! 5-4-4-3.
SKU: M7.SMP-1239
As recorded by the Oliver Nelson Orchestra, 'Heidi' is the 3rd movement of the Impressions of Berlin suite. A gorgeous solo feature for alto saxophone throughout, this piece builds from a quiet beginning to a very powerful point (a 'Bolero' type of tension as the piece develops) before it diminishes to a quiet ending. This 'edited' version is in a lower key, has a shorter solo section and simpler brass ranges, making it more playable for both the soloist and the ensemble while still maintaining the integrity of Oliver's beautiful ballad. 5-4-4-3.
SKU: M7.BARN-32384100
Jump, jive and jitterbug your way back to the 1940's with this up-tempo swing tune reminiscent of big band era. With driving rhythms and limited ranges this chart and all sections get a chance to shine. Optional written solos are included for bands acquiring improvisation skills. A guitar performance helper sheet with suggested voicings is included. This entertaining swinger is sure to put your band 'In the Groove' and your audience in the mood for jazz!
SKU: M7.SMP-323
This chart was a staple in the Buddy Rich Big Band library for a long time, spinning off of the incredible excitement of that band. Recorded on the CD Swingin' New Big Band by Buddy, this chart starts off roaring and never quits. Rich used it as an Opener for years. 5-4-4-4.
SKU: M7.SMP-958
As recorded on Tonight Show Band, Vol. 2 (Amherst), this chart won a Grammy for best big band arrangement. Holman took this great standard, put it in 3-4, and wrote scintillating counter lines that weave their way through the whole arrangement. Solo space for trumpet, and roaring ensemble passages make this chart something that should be in every big band library in the world. 5-5-4-3.
SKU: M7.SMP-1131
This is another great Oliver Nelson chart (it swings like crazy!). It starts in 3/4 and then goes to 4/4 and has a wonderful feel and flow as it moves through the different sections. The piece has very limited brass ranges with some optional octave writing in the trumpet 1 part. There is solo space for alto saxophone, trumpet, piano and drums. This big band arrangement was adapted by Bob Curnow from the original small band version as recorded on Oliver Nelson Plays Michelle (Impulse). 5-4-4-4.
SKU: M7.SMP-311
As written for and performed by the Buddy Rich Big Band, here is the long-missing chart that Holman wrote to feature The Great One..... Buddy Rich. It is a terrific, swinging chart with solo space, not only for drums, but also for tenor sax, trumpet and trombone. This is another superb chart by Holman, who has contributed to virtually every big band library on the jazz scene. This is a wonderful piece! 5-4-4-4.
SKU: M7.SMP-332
Bill Holman's Great Big Band was a sensational ensemble! That album has just been re-issued on Mosaic Records. This chart is an example of Bill's talent for investing old material with brilliant new ideas. It originally featured Bill Perkins on tenor sax and Conte Candoli on trumpet solos. An exciting, amazingly fresh, inventive chart. Recorded on the Bill Holman's Great Big Band CD. 5-4-4-3.
SKU: M7.SMP-1140
Bill Holman wrote some of the best music played by the Stan Kenton Orchestra and Boop Boo Be Doop is surely one of those charts. The melody is scored for four horns within the big band setting, and those four horns (alto, tenor, trumpet, trombone) are also the featured soloists. As recorded on The Concepts Era - Live!, this chart represents Holman's ability to write swinging, exciting music for big band. 5-5-5-3.
SKU: M7.SMP-322
This is one of the most original big band rock/fusion charts ever written. The Buddy Rich Big Band recorded this as a Closer on the CD Buddy and Soul. Tenor solo and lots of exciting counterpoint. Red-hot ensemble passages prevail! Played on the Tonight Show many times when Buddy would be a guest. This is a terrific crowd-pleaser. 5-4-4-4.
SKU: M7.SMP-207
The chart everyone has been waiting for!! Eight minutes of amazing, dynamic, exciting sounds! This arrangement was commissioned and recorded by the SWR Big Band of Stuttgart, Germany. It is, of course, based on the centerpiece of the wildly popular show. Everytime this chart was performed in live concerts in Germany (and elsewhere), the audience just erupted with applause and standing ovations. This isn't an easy chart to play, but it is well worth the effort (similar to The First Circle in that respect). All ranges are fairly reasonable, with the 1st Tpt. part topping out at a written high E. This is recorded on the highly acclaimed CD Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
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