for Brass Ensemble-Instrumentation:Bb Trumpet 1/Bb Piccolo TrumpetBb Trumpet 2Bb Trumpet 3Bb Flugel HornF Horn 1F Horn 2F Horn 3F Horn 4Trombone 1Trombone 2Bass TromboneBb Euphonium TCTubaTimpani (optional)Percussion 1 (optional)Percussion 2 (optional)Additional Parts:Euphonium BCEb Bass TC

Carlos Franzetti was born in 1948 in Buenos Aires Argentina. He worked along with Paquito D'Rivera Joe Farrell and among other talented artists composing the soundtracks for Beat Street Misunderstood and the Mambo Kings and arranging for the Boston Pops Orchestra Carnegie Hall Jazz Band and the American Symphony Orchestra. This sheet music arranged by Mark Freeh includes a full instrumentation: Full score Soprano Cornet in Eb Solo Cornets in Bb Repiano Cornet in Bb 2nd and 3rd Cornets in Bb Flugelhorn Solo Horn 1st and 2nd Horn in Eb1st and 2nd Baritone in Bb 1st and 2nd Trombone in Bb Bass Trombone Euphoniums in Bb Bass in Eb and Bb Timpani Percussion World Parts Includes : Horn in F 1st and 2nd Baritone 1st and 2nd Trombone Bass Trombone Euphoniums Bass in Eb and Bb

For Brass Quintet-Joseph Horovitz. Suite of five pieces for brass quintet: two trumpets horn trombone and tuba. Set of parts.This work was composed in 1964 at the request of the well known American tuba player Roger Bobo. It was soon taken into the repertoire of the Philip Jones Brass Ensemble who gave the first BBC broadcast. The first recording was on Pye records by the Hallé Brass Ensemble. Since then it has become a regular repertoire piece and recorded as well as broadcast all over the world.The Suite consists of five movements all illustrating aspects of the Burlesque Theatre Music Hall circus and cabaret so popular at the end of the 19th century and into the 20th. Thetitles of the short movements are: Soubrette Song Trick Cyclists Adagio Team Soft Shoe Shuffle and Les Girls.The five orchestral brass instruments (two trumpets horn trombone and tuba) are exploited in a chamber music manner but the cumulative effect has a theatrical quality in keeping with the title.

Sparkling Overture, this energetic and dynamic piece opens with a festive and resolutely positive fanfare. The much more tranquil and lilting second theme is a magnificent chorale which is then followed by a brilliant return of the first motif. Used as a theme tune, this piece will be ideal as a contrasting, joyful and sparkling concert opening.