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Cello, Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
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BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
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CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Cello, Orchestra
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Concerto For Cello (VINE CARL)
Cello, Orchestra
[Sheet music]
Faber Music Limited
Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto ...
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Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close./ Répertoire / Violoncelle et Orchestre
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Koncert Pro Violoncello A Orchestr (DVORAK ANTONIN)
Cello, Orchestra
[Sheet music]
Barenreiter
B Minor. Par DVORAK ANTONIN. Like every other great 19th-century solo concerto, ...
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B Minor. Par DVORAK ANTONIN. Like every other great 19th-century solo concerto, Dvorák ’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák ’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter’s edition now reveals that some details in the Orchestral parts are also in his writing, showing just how closely the two musicians were working together. The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce anauthoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák ’s final and definitive version of the solo Cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the Orchestral parts. - With Dvorák ’s final and definitive version of the solo Cello part. - With hundreds of corrections in the solo Cello part as well as the Orchestral parts. - With hitherto unknown details regarding the collaboration between Dvorák and Wihan. - With Dvorák ’s original Piano reduction. - With Feuermann's and Casals' alternatives to a passage in the first movement. - Full score, performance material (BA9045), Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale./ Répertoire / Violoncelle et Orchestre
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Konzert Nr.1 Dugud
Cello, Orchestra
Schott
Le Concerto pour violoncelle Enjott Schneider reprend la légende sumérienne de...
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Le Concerto pour violoncelle Enjott Schneider reprend la légende sumérienne de la divinité oiseau 'Dugud 'dans les scènes archaïques. La légende raconte que la princesse Emeshe a été imprégné par l'hermaphrodite - moitié aigle, moitié faucon - dans un rêve et fonde avec ses Álmos fils, qui avait ainsi été conçus, la dynastie royale hongroise.En images musicales expressives, Schneider décrit la lutte dark-érotique d'imprégnation ainsi que le chant de l'enfant à naître. Planant au-dessus de tout, c'est la vision de la vie en toute liberté comme un oiseau.L'oeuvre a été créée par le violoncelliste hongrois László Fenyö en 2011. Merci à la partition de piano écrite par le compositeur, le travail peut désormais être étudiés et réalisés par un duo. / Violoncelle Et Orchestre
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Fantasy On Little Russian Songs Op. 43
Cello, Orchestra
Schott
David Popper (1843-1913), un élève de Julius Goltermann, n'était pas seulemen...
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David Popper (1843-1913), un élève de Julius Goltermann, n'était pas seulement un violoncelliste de concert a voyagé beaucoup et réussie. Comme beaucoup de ses collègues musiciens virtuoses, il quitte un certain nombre de compositions pour ses instruments pour la postérité, tels que la 'fantaisie sur l / Violoncelle Et Orchestre
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Concerto for Cello and Orchestra (Concertstück)
Cello, Orchestra
[Sheet music]
Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered ...
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Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
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Tout Un Monde Lointain (DUTILLEUX HENRI)
Cello, Orchestra
Heugel
Par DUTILLEUX HENRI. Henri Dutilleux (1916-2013) was greatly influenced by his c...
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Par DUTILLEUX HENRI. Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout Un Monde Lontain is considered to be one of the most important 20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Enigme (Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout Un Monde Lontain was first performed in July 1970 by Russiancellist, Mstislav Rostropovich with the Orchestre de Paris. Dutilleux 's Tout Un Monde Lontain remains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire./ Répertoire / Violoncelle et Orchestre
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Concierto Como Un Divertimento (RODRIGO JOAQUIN)
Cello, Orchestra
[Sheet music]
Schott
Par RODRIGO JOAQUIN. Tabea Zimmermann a été présenté les six mouvements de c...
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Par RODRIGO JOAQUIN. Tabea Zimmermann a été présenté les six mouvements de ce travail qui exploite les possibilités de l'alto au maximum - à partir de la lyrique à double-stopping chromatique explosive. Incorporant Eastern folktunes européen, polyphonie abstraite ainsi que des fragments de subtiles répétées de forme sonate, c'est une version miniature de la cosmologie musicale vaste de Ligeti. Bien que virtuose de la pièce est idiome-atic et de l'artisanat exquis et artifice. Un must pour les joueurs de toutes les avancées./ Répertoire / Violoncelle et Orchestre
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Allegro Appassionato Op. 43 (SAINT-SAENS CAMILLE)
Cello, Orchestra
[Sheet music]
Schott
Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romant...
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Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romantique de violoncelle - édité et fourni avec doigtés par le célèbre violoncelliste Prof. Maria Kliegel. L'accompagnement orchestral est facile à jouer - même pour orchestres amateur et bonne école./ Répertoire / Violoncelle et Orchestre
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Allegro Appassionato Op. 43 (SAINT-SAENS CAMILLE)
Cello, Orchestra
[Set of Parts]
Schott
Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romant...
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Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romantique de violoncelle - édité et fourni avec doigtés par le célèbre violoncelliste Prof. Maria Kliegel. L'accompagnement orchestral est facile à jouer - même pour orchestres amateur et bonne école./ Répertoire / Violoncelle et Orchestre
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Emergences - Nachlese Vi (JARRELL MICHAEL)
Français
Cello, Orchestra
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ra...
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Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something... The idea of this cycle (Nachlese) is to come back to some musical ideas which I liked and found interesting, but were inappropriate in a different context and to develop them in new directions. When choosing a title I like it to refer to different techniques used in the piece, but also very directly to what is heard at some moments. For instance, in the first movement the orchestra 'emerges' from the very fast and nervous line played by the soloist and then, later, the 'climax' of this movement 'emerges' from the fast line then played by the orchestra. This piece is dedicated to Jean-Guihen Queyras and Thierry Fischer. / contemporain / Répertoire / Violoncelle et Orchestre
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Concerto For Cello And Orchestra #3 C Major Ben 105
Cello, Orchestra
Simrock
Sans raison valable, cinq concertos violoncelles du Pleyel sont éclipsées par ...
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Sans raison valable, cinq concertos violoncelles du Pleyel sont éclipsées par les concertos de ses contemporains, notamment par celles de Joseph Haydn. Contributions de Pleyel très originales au genre, cependant, qui sont parmi ses oeuvres les plus intéressantes, captivate une fois de plus l'auditeur par le biais du compositeur inventivité et charmant noblesse musical. Le violoncelliste hongrois Peter Szabó, qui a présenté le célèbre premier enregistrement des concertos de cinq tous sur l'étiquette de Hungaroton en 2003, a édité les concertos de l'édition originale de Simrock, fournissant des éditions critiques avec ses propres cadences. Les scores et le matériel de performance sont disponibles à la location. / Violoncelle Et Orchestre
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Easter Triptych
Cello, Orchestra
Belaieff
La composition tripartite ' la Vierge '(Nativité, la Vierge à l'enfant - Piet...
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La composition tripartite ' la Vierge '(Nativité, la Vierge à l'enfant - Pietà, la Vierge et le crucifié, BEL 499 - triptyque de Pâques, la Vierge par la Croix, BEL 497) est l'une des oeuvres tardives de Mouravieff. Trois pièces peuvent être joués ensemble ou séparément. Mouravieff était très intéressé par la tragédie grecque antique, et cela l'a amené à tenter de faire revivre l'art grec antique du mouvement. En plus de concevoir des rythmiques avec battements forts et faibles, il a continué à faire usage de rythmes grecques antiques et plus tard appliqué ses réflexions au rythme de la respiration. Il décrit cette en termes de battements longs et courts (1,5 et 1 longueur) avec une césure approprié. Par le biais de cette dualité, qui correspondent à des patrons de respiration ou l'impulsion (certains musiciens peuvent aujourd'hui trouver cela plutôt difficile), Mouravieff a tenté d'une manière idiosyncratique d'utiliser pleinement l'élément important du rythme de la musique. / Violoncelle Et Orchestre De Chambre
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Concerto For Cello And Orchestra #2 C Major Ben104
Cello, Orchestra
Simrock
Cinq concertos violoncelles du Pleyel ont conduit à tort une existence ombre, c...
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Cinq concertos violoncelles du Pleyel ont conduit à tort une existence ombre, comparée à des concertos de contemporains tels que Joseph Haydn. Avec ses contributions indépendantes dans le genre, qui appartient à ses oeuvres intellectuellement plus stimulant, Pleyel a encore une fois impressionne par son imagination et son élégance musical. / Violoncelle Et Orchestre
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Concerto For Cello And Orchestra #1 C Major Ben 101
Cello, Orchestra
Simrock
Cinq concertos violoncelles du Pleyel ont conduit à tort une existence ombre, c...
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Cinq concertos violoncelles du Pleyel ont conduit à tort une existence ombre, comparée à des concertos de contemporains tels que Joseph Haydn. Avec ses contributions indépendantes dans le genre, qui appartient à ses oeuvres intellectuellement plus stimulant, Pleyel a encore une fois impressionne par son imagination et son élégance musical. / Violoncelle Et Orchestre
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Premier Concerto Op. 33 - Pour Violoncelle Et Orchestre (L'Auteur)
Français
Cello, Orchestra
Durand
Reduction Pour Violoncelle et Piano Par L'Auteur. Par SAINT-SAENS CAMILLE. Autho...
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Reduction Pour Violoncelle et Piano Par L'Auteur. Par SAINT-SAENS CAMILLE. Authoritative Urtext edition of Camille Saint-Saens' Premier Concerto Op. 33 based on the original score. This version for Cello has a Piano reduction of the orchestral material by the composer./ Répertoire / Violoncelle et Orchestre ou Violoncelle et Piano
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Concerto #1 A Minor For Violoncello And Orchestra. Piano Score And Part. Edited By A. Lazko
Cello, Orchestra
[Sheet music]
Kompozitor
/ Violoncelle Et Orchestre / 38 pages / Partition
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Suite En Ré Mineur
Cello, Orchestra
Schott
/ Violoncelle Et Orchestre
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Concert For Cello And Orchestra #1 A Minor Op. 33
Cello, Orchestra
Eulenburg
/ Violoncelle Et Orchestre
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Englische Liebeslieder (HENZE HANS WERNER)
Cello, Orchestra
[Study Score / Miniature]
Schott
Canzoni d'amore inglese. Par HENZE HANS WERNER. / Répertoire / Violoncelle et O...
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Canzoni d'amore inglese. Par HENZE HANS WERNER. / Répertoire / Violoncelle et Orchestre
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