Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) - Allegro Spiritoso (Senaille) - Andante (Beethoven) - Andante (Gluck) - Aria (Lotti) - Bourrée I (Bach) - Country Dance - La Cinquantine (The Golden Wedding) - Larghetto (Handel) - Lento (Schumann) - Lullaby - Menuet (Mozart) - Nina (Pergolesi) - Romance - Sicilienne (Debussy) - The Swan (Saint-Saëns) - Village Song (Popper)./ Recueil / Violoncelle et Piano

Version for Violoncello-Schumann Adagio & Allegro Op70 Cello Version (Herttrich) Pf/Vlc Urt Pb

The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also made several trips to Scotland inspiring some of his best-known and most evocative works. Mendelssohn’s Cello Sonata No.2 in D Major (Op. 58) was composed in 1843 for Cello and Piano. It is scored in four movements: AllegroAssai Vivace - Allegretto Scherzando - Adagio - Molto Allegro E Vivace. It is heavily influenced by Bach borrowing elements of both structure and melody from some of Bach’s works. This Urtext edition ispublished by Henle Verlag.

Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano

Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier the French cellist. Its four movements mainly ternary are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces Operas ('Dialogues des Carmélites') ballets ('Les Biches') as well as some orchestralworks.

Accompaniment CD for the folio featuring 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) ? Allegro Spiritoso (Senaille) ? Andante (Beethoven) ? Andante (Gluck) ? Aria(Lotti) ? Bourrée I (Bach)? Country Dance ? La Cinquantine (The Golden Wedding) ? Larghetto (Handel) ? Lento (Schumann) ? Lullaby ? Menuet (Mozart) ? Nina (Pergolesi) ? Romance? Sicilienne (Debussy) ? The Swan (Saint-Saëns) ? Village Song (Popper).

Composed by the Czech composer Bohuslav Martinü in 1930  Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.

Capriccio romantico op.129. Work for cello (or viola) and piano, commissioned by the "Sommets Musicaux de Gstaad" Festival ? Adagio liberamente, Allegro moderato

Szymon Laks 'Sonate pour violoncelle en 1936 par Maurice Maréchal, les violoncellistes de renom français de son temps, et le spécialiste de Ravel Vlado Perlemuter dans Laks 'la maison de Paris a adopté soulevé par le baptême. Cette plante élégante, virtuose et parfaitement en forme est le Néoclassicisme français et - surtout dans sa seconde (blues) et le troisième mouvement (Perpetuum mobile) - Ravel engagé. Elle montre un jeune compositeur à la hauteur de sa maîtrise, qui se trouvait sur son chemin vers le succès international, comme le déclenchement de la 2e Seconde Guerre mondiale et la collaboration du régime de Vichy et l'Allemagne nazie, sa carrière a pris fin abruptement. Laks a été déporté à Auschwitz et a survécu à l'Holocauste comme un meneur d'hommes dans la chapelle du camp d'extermination de Birkenau. Ce joyau de la littérature pour violoncelle était épuisée depuis des décennies et est finalement vu et corrigé par une réimpression de la première édition à nouveau disponible.'... Un travail unique et inoubliable à partir de 1932, les influences du jazz, intense contrepoint comme Ravel et alla montre Honneger, mais qui est vraiment différent de tout ce dans le répertoire. Après un Andante Allegro robuste et bluesy suivie par un transfert modal avec brio attractif finales, presque minimaliste dans ses ostinatos hypnotiques. 'BBC Music Magazine / Violoncelle Et Piano / 48 pages / niveau : Avancé / Partition

Georg Goltermann (1824-1898) a laissé un pléthore d'oeuvres pour son instrument, y compris sept concertos pour violoncelle, qui jouent encore un rôle important dans la littérature pour violoncelle d'aujourd'hui. En outre, il a composé un grand nombre de pièces de caractère, y compris les romans, des rêveries, nocturnes et sérénades. Enraciné entièrement dans l'esprit romantique de leur temps en ce qui concerne le style, ce sont des pièces relativement courtes de difficulté moyenne. Il n'est pas moins en raison de sa accrocheur mélodique et harmonique que la Rêverie assez facile en sol mineur op. 92/2 bénéficie d'une grande popularité à la fois dans les leçons et les concerts. L'expression de marquage 'Allegro appassionato' se réfère au caractère fondamental de la pièce qui exige, en particulier, un vibrato expressif riche en modulation. / Violoncelle Et Piano / 12 pages / Partition

12 leichte alte Meisterweisen-Contents: Haydn Joseph: AndanteHaydn Joseph: AllegroMarcello Benedetto: LargoHaydn Michael: MinuettoHändel Georg Friedrich: AdagioPhilidor Francois-André Dancian: La Sauterelle (Rondeau)Chiesa Melchior: MinuettoRubino Giulio Cesare Rubino: AdagioAlbrechtsberger Johann Georg: ScherzandoCorelli Arcangelo: GraveCaix d'Hervelois Louis de: GavotteSchenk Johannes: Gigue